Tag: Loss

Three Poems by Joanne Leva

~ ONE ART ~ 2 Comments

Lobster

You could crack my lobster or pitch a tent,
festoon it with pirates’ flags and shiny
things flapping in the wind. Stinging wind off
the Atlantic bluster but only half
a block from the hotel where we would stay
year after year. You’d walk for our pizza.
You, with outstretched, undeniable arms.
And, dutiful you, you’d deliver the hot
pepperoni and cheese to our sea mist
balcony overlooking the Sea Foam
Arcade, which overlooks the famous Love
Locks Park where large glycerin bubbles float
buoyant in transitioning summer sky.

*

Daily Routine in Lansdale, PA

Remember you are all people and all people are you.
—Joy Harjo

Remember the bed beneath your body,
the arrival of dawn. How peach color
reveals and illuminates the good sky.
How the reliable sun is mercy.
Remember how you walk on maple wood
floors. How the spirit goes along with you.
Remember your mornings, alone. The way
you remember the cat. How he adores
your lap. Remember your daily work. How
you step up. Remember your voice. Use it.
How green shoots start to show in early spring
and the hardened earth under the feeder
crumbles when you cross the yard. Remember

*

Final Arrangement

Let me tell you it wasn’t all bad, yes
it was Alcoholics Anonymous
on so many nights, car wrecks, chain smoking,
and tripping on acid in our house. Or
the night you left our bed and never came
back, set up a make-shift boudoir complete
with a large screen TV, CDs galore,
tobacco for rolling cigarettes. But,
it wasn’t all bad, there were good times too.
There was kindness in the middle of it.
Odd little kindnesses on my birthday,
our anniversary, Mother’s Day, and
that surf-tumbled, deep-purple sea glass ring.

*

An advocate for creative writing and community service, Joanne Leva is the founder and executive director of the Montgomery County Poet Laureate Program (MCPL), founder and coordinator of the Forgotten Voices Poetry Group out of the Indian Valley Public Library in Telford, PA, and author of the poetry collections Eve Would Know (2017) and Eve Heads Back (2020) published by Kelsay Books.

Leva’s poems have appeared in The American Poetry Review, Peace Is a Haiku Song, 50 Over Fifty, Apiary, E-Verse Radio, Schuylkill Valley Journal, Rag Queen Periodical, Bucks County Writer, Transcendent Visions, WILDsound Festival of Poetry and elsewhere. Her poem, “God Walks into a Bar,” was featured in a Philadelphia Calligraphers’ Society Poetry Reading & Exhibit and companion publication.

Two Poems by Lynn Glicklich Cohen

~ ONE ART ~ 1 Comment

Another Sparrow

Another sparrow
hits glass, flies away
stunned to die
like the husband
of a woman I knew, a pillar
of his community. Left her
with five children
and gambling debts.

After the first few
I call a service
that installs peel and paste
film sheets in patterns
birds can see the way
we see guard rails
or blinking arrows—
row of white dots, dashes
a coded message
on every pane.

They tell me my brain
will adapt and I’ll stop seeing
them. I don’t have that kind
of time or faith
in what I’m told.
So I move the feeders further
from the house, hoping
for fewer dead birds,
feathers in flower beds.

I wonder if the woman
whose husband died
ever stops wondering
where he thought
he was going.

*

You Still Can

A peach pink line cuts through the sky at dusk,
a plane coming in for a sunset landing, so many
humans having been somewhere else. If I were not
already here, I’d want to be home.

I don’t travel anymore. I make excuses:
the cost, my dog, flying, inconvenience, discomfort.
It’s gotten embarrassing, like the clatter
of empty bottles, their skinny necks, residual fumes.

I awake with a spider-legged dread.
I belong in a story they won’t let me forget.
Another gathering of Jews bullet-sprayed.
Ancestral warnings. Shocked not surprised.

Hiding is one way to survive but no way
to live. I stay home, sweep crumbs, feed
the dog, pay bills. I fold sheets, make toast.
A plane? You mean you can go anywhere?

*

Lynn Glicklich Cohen is a poet from Milwaukee, WI. A once-upon-a-time social worker, a perennial cellist and semi-retired Rolfer, her poems have been published in Brushfire Literature and Arts Journal, Birmingham Arts Journal, Cantos, El Portal, Evening Street Review, Front Range Review, Grand Journal, Oberon, ONE ART, Peregrine, The Midwest Quarterly, The Phoenix, The Red Wheelbarrow, St. Katherine’s Review, Thin Air Magazine, Trampoline, Whistling Shade, and others. www.lynnglicklichcohenpoet.com

HAUNTING by Henry Israeli

~ ONE ART ~ 1 Comment

HAUNTING

We got it backwards. The dead
don’t haunt us. We
haunt them. We follow them around
in our bathrobes,
with our votive candles,
our palms offered up to clouds,
waking them at odd hours
to dredge up the past.
Did you love us enough? we ask.
Did we love you enough? we ask.
The times we laughed together
they no longer find funny.
The times we cried together
stir up nothing.
Staring into a sink or looking up
from a mattress,
we torment them
with our irascible questioning,
our milky moods that skulk through
the deserted playground of our minds.
Still, we beckon them
watch us weep into our pillows.
Who can blame them
for hating us and our petty desire
for answers, for forgiveness, for closure?
They look at us the way me might
look at insects trapped in amber,
wrapped as we are
in our heavy loneliness.
We are more dead to them
than they to us.
They have better things to do
than mope around the house.
They’ve gotten over us.
We’ll never get over them.

*

Henry Israeli is the author of four poetry collections, most recently Our Age of Anxiety (White Pine Poetry Prize: 2019), and god’s breath hovering across the waters, (Four Way Books: 2016), and as editor, Lords of Misrule: 20 Years of Saturnalia Books (Saturnalia: 2022). His next collection, Between the Trees (or the Lonely Nowhere) will be published by Four Way Books in 2028. He is also the translator of three critically acclaimed books by Albanian poet Luljeta Lleshanaku. His poetry has appeared in numerous journals including American Poetry Review, Boston Review, Plume, and The Harvard Review, as well as several anthologies including Best American Poetry 2025. Henry Israeli is also the founder and editor of Saturnalia Books.

Two Poems by Barbara Eknoian

~ ONE ART ~ 1 Comment

Too Late

Watching the end of the movie,
I think the actor played a touching role.
As the credits roll down the screen,
I’m enjoying the orchestra music
playing, which causes tears
to sneak out of my eyes.
The music triggers thoughts
of my son’s loss, and he too,
had a lot of disappointment in life.

It was just before he left us that we had
an honest conversation. He shared
for the first time that he believed
his school problems began when
we moved him across country twice
at eight and ten years old.

I’m left with regret realizing
that I was part of his problem.
My eyes spot the words, The End.
I nod knowing that now it is too late.

*

A Visit

I wake up talking with my husband,
I look to my left, and his side
of the bed is empty.
I think he’s getting ready
to go to work
Then I realize it’s just a dream,
and has happened several times.

Listening to a podcast, a medium,
who hears from the dead explains,
that it is a sign from your loved one
he is still aware of you.
It’s a reassurance that he’s there.
My dreams disappear into
my night time world,
but I know I’ve been visited.

*

Barbara Eknoian’s work has appeared in Pearl, Chiron Review, and Silver Birch Press’s anthologies. She was twice-nominated for a Pushcart Prize. Her latest poetry book is available at Amazon along with her novels. She is a veteran of Donna Hilbert’s poetry workshop.

Miracle Girl by Julie Weiss

~ ONE ART ~ 1 Comment

Miracle Girl
              –Adamuz, Córdoba, January 18th, 2026

Six and barefoot, you falter
along the rails like a phantom

in limbo, though you´re very
much alive. Virtually unscathed,

reporters will say, despite
the wreckage around you.

Despite the bodies, writhing
like unanswered questions,

or still as a billion-year-old
mountain. The bewilderment

of limbs you crawled over
to reach the broken window.

At what point in your search
for your family does your mind

ramshackle, fracture under
the dead weight of despair?

At what point are your thoughts
launched off their tracks?

Maybe when a barn owl
screeches, or a big rig thunders

past the tragedy that will define
the rest of your life. Soon,

all of Spain will illuminate you
in halo. Miracle girl, they´ll say.

As a civil guard leads you
away, maybe you hear voices

among the debris—your cousin,
your brother, mostly mamá

and papá. At what point will you
understand they´re phantoms

now, crashing towards you
from the wrong side of the divide?

*

Julie Weiss (she/her) is the author of The Places We Empty, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II. Her second collection, Rooming with Elephants, was published in 2025. “Poem Written in the Eight Seconds I Lost Sight of My Children” was a finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja” and was a finalist for the Saguaro Prize. Her recent work appears in Autumn Sky Poetry Daily, Gyroscope Review, ONE ART, and is forthcoming in Cimarron Review, The Indianapolis Review, and MER. She lives with her wife and children in Spain. You can find her at julieweisspoet.com

An Afternoon of Hollow Things by Linda Mills Woolsey

~ ONE ART ~ 5 Comments

An Afternoon of Hollow Things

Each thing cradles its own emptiness—
the feeder’s plastic cylinder drained
of seed, the tip of a branch shivering
loss as a chickadee takes flight, my heart,
circling your absence. The sky’s an erasure,
dubiously blank, the cup I clasp holds
only a brown film and air. For breath
to fill the lungs, they must be emptied.

Hours stall, empty as acorn cups, thin
as the ordinary need just to be loved.
The hollow of my heartbeat is narrow,
too—or simply shallow, condensation
on a cocktail glass, dust on the last book
we might have read together. My heart’s
not shattered, just empty as the space
between pressed lips, waiting to inhale.

*

Linda Mills Woolsey is a Western Pennsylvania native who has spent most of her life in Appalachia, north and south. She reviews poetry for Plume and Presence and reads submissions for River Heron Review. Her poems have appeared in Northern Appalachia Review, Wild Roof, The Christian Century, The Windhover, ONE ART and other journals. She lives with her husband and two companionable cats in a rural village in Allegany County, NY.

One thing you could do by Mary Paterson

~ ONE ART ~ 1 Comment

One thing you could do

is rent an apartment that is unfurnished
except for a large television
and a brown settee. You could go there
two to three times per week

to watch true crime documentaries
and cry about your mum. The deal is
you tell no one. At home you maintain
your days all perfectly ordinary:

magnet parking tickets to the fridge,
recycle cardboard, and so forth. Cycle there
as if you don’t believe in traffic. Hang a mirror
in the darkest room. The story is going to angle

itself out in instalments. You will see
your features become smudged away,
one by one, and, one by one,
see them repaired. Do this for nine months

and then it’s winter, your lungs burst open
like poinsettias; you, with ribbons on,
in the supermarket, everywhere. People
will think that it’s finished, people sing,

‘you look well!’, people make up
hoops of small talk about the sky.

*

Mary Paterson is a writer and curator based in London (UK). She writes mainly for performance, and her work has been performed around the world including with Live Art DK (Copenhagen), Wellcome Collection (London) & Arnolfini (Bristol). Her poetry has been published by Poetry Magazine, 3am Magazine, & Ambient Receiver, amongst others. Mary is the co-founder of ‘Something Other’: a platform for experimental writing and performance, running since 2014.

Three Poems by Donna Spruijt-Metz

~ ONE ART ~ 7 Comments

Severed

This far into your death—I am most functional
in the mornings.

By afternoon, I have faded—
no direction.

I trim the wilting flowers—give them
new water—an extra day.

Time, for flowers,
must work differently. Perhaps

I have given them a whole new life
with my water, my scissors,

my opposable thumbs
—my brief power—

*

What rises from the quiet

is the noise
of your absence. The roar of your sudden
departure—constant reminders
that I am on my own.

For instance, the water bill—the long
conversation with the lady at the
Department of Water and Power—
where they have all the power

and we have a mysterious leak.
But it is my leak now. Just mine.

Oh, you—son of a master plumber—
you would have tracked it down
with the residue of your father’s glee.

I am the daughter of a jazz pianist—
all I can do is listen for a rhythmic dripping.

I can’t fix the sound system—
it gave out last night. You had MacGyvered it—
daisy-chained remote to remote to remote.

Now all that’s left of your secret system
are the colorful buttons, the dead
little rectangles.

* 

The Retelling

I have a new friend—she’s halfway
across the world.
She asks good questions, about before
the after of you—and so I retell old stories.
They take new shapes in her listening.

I sit at the morning table
—poached egg and widowhood
for breakfast—dictating
into my phone,
I falter, erase, retrace.

Memory is like that—retreating into it
is like that—a strange man
backing my newly dead father’s Torch Red
Thunderbird out of our garage—
my mother, wild—ferocious, screaming,

“Get that car out of here!
I never want to see it again!”
I’m the small girl who doesn’t
understand. The car was so pretty.

I loved it.
It smelled of him—
and it was just like him—showy
and always leaving.

*

Donna Spruijt-Metz’s second collection, ‘To Phrase a Prayer for Peace’, was published in March 2025 (Wildhouse Publishing). Her debut poetry collection is ‘General Release from the Beginning of the World’ (2023, Free Verse Editions). She is an emeritus psychology professor, MacDowell fellow, rabbinical school drop-out, and former classical flutist. Her chapbooks include ‘Slippery Surfaces’, ‘And Haunt the World’ (with Flower Conroy), and ‘Dear Ghost’ (winner, 2023 Harbor Review Editor’s prize). Her translation from the Dutch of Lucas Hirsch’s ‘Wu Wei Eats an Egg’ (Ben Yehuda press) and her full-length collaboration with Flower Conroy, ‘And Scuttle My Ballon’ (Picture Show Press) were both released in 2025. Her poems appear or are forthcoming in The Academy of American Poets, Tahoma Literary Review, One Art, Alaska Quarterly Review, The American Poetry Review, and elsewhere. She’s an emeritus professor, MacDowell fellow, rabbinical school drop-out, and former classical flutist. She gets restless.

Three Poems by Abby McCartney

~ ONE ART ~ 2 Comments

Self Portrait as Crossword Puzzle

The sign of a beginner is their loyalty
to their first answer. Once you’ve banged
your head against the grid for four
or six months, trying to earn sleep,
you realize: do it in pencil.
Most days I try to pack too many letters
in the same box. Sometimes
that’s allowed – another thing I
had to learn the hard way. I remember
the first time I realized the answer
could spill over the edge, up the sides.
I want the gold star, the answers
clicking into place like a seatbelt.
My favorites, though, are the puzzles
that make their own rules, crossing
YELLOW down with RED across to
make the Orange Bowl. My grandmother
did a Monday crossword every night
before bed, one family pattern
I don’t mind repeating. When she
fought with my mother, it was always
in pen. It’s the work of a lifetime
to learn to erase.

*

Elegy with Summer Rain

The thing about an untimely death is
overnight your recipes became holy.
Your voicemails are relics, your
Cowboys sweatshirt a talisman.
Now I can say your name without
crying. Usually. Sometimes I want
to complain about you as my friends
complain about their mothers:
She never called me, but she assumed
I had been kidnapped if I didn’t call home
by Sunday noon. Sometimes
I want the last book you gave me
to be a book and nothing
more. After the summer storm
the city is bathed in an eerie pink
light, even past sunset, refracting
off the bouldering clouds, making
the bricks glow like jewels,
making everything look wrong.

*

When my mother visits my dreams

When my mother visits my dreams
she wants to know what happened
to all her stuff.
We gave your loaf pans away, I say.
Sorry. Why did you have four of them?
We sent one to my cousin
for their first apartment, I tell her.
She nods. She is glad.

I worry how I will explain the rest:
TikTok, hybrid meetings, Wordle,
The new house my dad lives in
full of a woman she barely knows.
You were gone a long time,
I say.
We didn’t think you were coming back.

I wake and remember
all the things I forgot to ask.

*

Abby McCartney (she/her) is an emerging poet based in Philadelphia, Pennsylvania. Her work explores themes of grief, motherhood, and lineage. She spends her days working on education finance policy at the state and local levels and previously served as an aide to Senator Elizabeth Warren. She is also an active lay leader at Kol Tzedek Synagogue. In her spare time, she enjoys baking, reading, crossword puzzles, and walking her dog around South Philly. She holds an M.P.A. from the Princeton School of Public and International Affairs and a B.A. from Yale University, where she was a Truman Scholar.

What Use? by Tim Snyder

~ ONE ART ~ Leave a comment

What Use?

Suppose today is a house
you inherit, full of sharpened saws
and drill-bits. The worn blade of the shovel
with its smooth oak handle
and the garden rake with its missing tine
converse (you imagine) and fill the house
with their voices, leaning
against the basement wall near the back door.

Fatherless now, is your house
a sort of meandering from thought
to thought all day until night
and the stars sing their lullaby
of in-between-moments?
Or does the darkness between the stars
report the consequence
of your father’s home?

*

Tim Snyder, originally from Rochester, New York, lives with his wife in a small house on a narrow road with a dog and six cats in Northwestern Ohio. He divvies his time up working on his house, teaching composition, and interpreting for Deaf folks in his adoptive home state. He has published his poetry in journals such as The Poet’s Billow, Heartwood Literary Magazine, and The Albatross.

Two Poems by Christina Daub

~ ONE ART ~ 4 Comments

People are Dying, But

I’m in my fifties when the officer informs me,
houses are for kissing, not parks and especially
not parks after dark, never mind that’s where
the moonlight and the stars hang out. She bores
her blinding headlights into us and barks,
are you clothed, why are your seats reclined,
what are you doing–we terrible criminals trying
to steal a little romance under Orion and Mars.
She demands to know where we live and why
we don’t go home, because houses are for kissing,
she repeats, as if I’d never thought I might kiss
you over the sink, or while paused in the doorway
handing you a book. Never mind the loveseat,
the corners, or the infamous nooks. As if I’d never
imagined the whole house being one big kisseria,
because that’s how it is when you’re in love
and want to kiss everywhere. But it’s a rough
night for the thin-lipped park policewoman
who looks like she hasn’t kissed in years, she
with the deadest beat, her short arm of the law
stretching only from her high beams to random
parked cars, as she makes her rounds in Rock Creek
Park, driving from playground to playground after dark.

*

Grief is like that

the plovers ticking this way and that, threading
the shore with their disappearing tracks,
the waves relentless, lulling, the wake
as temporary as our own wakes will be.

When they took your body away, the quarters
that weighed your eyes shut dropped
to the floor. No one wanted to touch them.

Cards stacked up by the hothouse flowers.
We’d held it together all day. Then the sky broke
open, and we were gutted like fish. Someone
brought over ice cream. I don’t remember who.

*

Christina Daub is a poet from Maryland. Her poems have appeared in Another Chicago Magazine, Poet Lore, Potomac Review, Stone Circle Review and others. She has been a Best of the Net and Pushcart Prize nominee.

After My Brother Died in An Explosion by Terri Kirby Erickson

~ ONE ART ~ 6 Comments

After My Brother Died in An Explosion

Our mother took up smoking. She would sit
by a window cracked by the blast that killed
him, legs crossed at the ankles, her auburn hair

flowing down her back like a swollen creek.
Smoke rose from her lips and swirled around

the room like her son’s spirit leaving his body
to the sound of sirens, the hiss of busted pipes.
Days went by when she barely spoke to anyone,

kept to her bedroom when people came to call,
was comforted by nothing. And all the while, she
smoked and smoked, her grief raw as a wound,

constantly weeping. It seemed as though her
will to live disappeared like a child rounding
a busy street corner, his mother frantic to catch

him before he dashed into the street. And then,
at what cost we cannot know, she returned to us.

It was like she never left—the only proof of her
pain the sorrow peering through her eyes like a
prisoner, crumpled packs of smokes in the trash.

*

Terri Kirby Erickson is the author of seven full-length collections of poetry, including her latest collection, Night Talks: New & Selected Poems (Press 53), which was a finalist for (general) poetry in the International Book Awards and the Best Book Awards. Her work has appeared in a wide variety of literary journals, anthologies, magazines, and newspapers, including “American Life in Poetry,” Asheville Poetry Review, Atlanta Review, JAMA, Poetry Foundation, Rattle, The SUN, The Writer’s Almanac, Valparaiso Poetry Review, Verse Daily, and many more. Among her numerous awards are the Joy Harjo Poetry Prize, Nautilus Silver Book Award, Tennessee Williams Poetry Prize, and the Annals of Internal Medicine Poetry Prize. She lives in North Carolina.

Letter to My Son, Over Three Years Since He’s Gone by Rosemerry Wahtola Trommer

~ ONE ART ~ 18 Comments

Letter to My Son, Over Three Years Since He’s Gone

You would be jealous, I think,
of how your sister is learning trig,
speaking Spanish, playing bridge.
You’d probably tease her, but really,
what you’d be thinking is, She is so cool.
And she is, sweetheart. She’s fun
and silly. Like you. Only like her.
We talk about you, of course.
Just this weekend, we remembered
how once you said if a 99-pound person
ate a one-pound burger, they
would be one percent burger.
I wonder what percent of your sister
is grief? And what percentage love?
Tonight a girl asked her if she had any siblings.
She said, yes, a brother. When the girl
asked her how old you were, she told her
the truth. That you were seventeen
when you died. What a terrible gift
to learn how to say the hardest things straight.
I can’t help but think if you are watching her,
you, too, must be in awe of who she’s becoming.
Oh, how we learn to grow from whatever soil
we’ve been given. I do not pretend to know
how this works. I only know she
is learning to transform ache into beauty,
nightmare into dream. I only know
I long for her to know love from you
the way a garden feels loved by sun, by rain.

*

Rosemerry Wahtola Trommer is poet laureate for Evermore. She co-hosts the Emerging Form podcast. Her daily audio series, The Poetic Path, is on the Ritual app. Her poems have appeared on A Prairie Home Companion, PBS News Hour, O Magazine, American Life in Poetry, and Carnegie Hall stage. Her newest collection is The Unfolding. One-word mantra: Adjust.

Three Poems by Karen Craigo

~ ONE ART ~ 3 Comments

Thanatopsis

There are so many ways
they can leave us, our people,
wired to monitors, swinging
from a tree, dropping
on a sidewalk. However
the universe selects,
they manage to find
the door—the one marked
exit, the single way away.

Sister, time is tricky.
I don’t believe moments
line up like beads in a row.
They seem more like a wad
of foil, building up as each
thin layer is tamped. Points touch
where we would not expect,
your loss, mine—pressed in,
they cleave to one another.

*

All you can think of is loss,

that crafty snake that slips in
at the neck and moves
to warm itself on any part
it touches. It slides down
to your sternum and beneath
your breast, and presses
so you won’t miss the fact
of it. That grief has made
Medusa of me is clear
when I sleep, dozens
of baby griefs curled up
beside my head, warming
my brain, that knot of vipers,
though I don’t know what
we have against vipers,
reduced as they are to nothing
but desire and a muscle
that pushes where it leads.
They’re a bit like we are,
feeling our way in absence
of a lodestar, snaking
through Earth’s ribs in search
of the hot red heart.
It’s cold down here, and we
don’t know how to back up
to that dazzling circle of light.

*

Grief as KitchenAid Mixer

It takes up space
on the counter, but I’ve learned
to look past it, to forget it’s even
there, red and obvious
as a body laid out
on a slab.

I’ll give it this—it’s
versatile, came standard
with hook, beater, whip,
and you can spiralize,
churn—whatever
the recipe demands.

Maybe one day I’ll make
a cake with it, though it’s fuzzy
with dust, and I’ll have to deal
with that—molecules of us
mottling every surface.

*

Karen Craigo, former Missouri Poet Laureate, has two full-length poetry collections and three chapbooks. She is also an essayist and writes for the Springfield (Missouri) Business Journal. She is nonfiction editor of Mid-American Review, prose poetry editor of Pithead Chapel, and poetry series editor for Moon City Press.

Three Years After You Die, I Have My First Date by Roberta Spivek

~ ONE ART ~ 1 Comment

Three Years After You Die, I Have My First Date

because isn’t it time to stretch
limits, test waters, live

out all those clichés?
What do you do for fun

he asks and when I
blank he reveals

the sports teams he follows,
cardio workouts,

twisting spiritual path.
I’m a real beach nut, he says

but he’s lost me to you
at the water’s edge

in your black trunks,
that dive through

the breakers, your
effortless crawl.

Because didn’t it feel
we belonged to the

couple we made in the
Victorian town

with its bistros,
its roped-off

dunes of nesting plovers,
the red-haired guy

we rented bikes from,
its lagoons full of swans?

*

Roberta Spivek is a Philadelphia poet. Her poems have appeared in Friends Journal, Muleskinner Journal, Naugatuck Review, New Croton Review, Ritualwell, Women’s Studies Quarterly and other publications. She has spasmodic dysphonia, a speech disorder.

Grief Drops In by Andrea Potos

~ ONE ART ~ 4 Comments

Grief Drops In
         in memory of my friend

Dinner with your husband–
easy conversation and tall tales,
old-time jazz on the jukebox.
In the center of the table,
a basket of fries to share–
his hand reaching for one,
his ring finger bare.

*

Andrea Potos is the author of seven full-length poetry collections, most recently Her Joy Becomes from Fernwood Press and Marrow of Summer from Kelsay Books. A new collection from Fernwood entitled Belonging Songs will be published in 2025. New poems are forthcoming in Women Artists’ Datebook 2025, The Healing Muse, Braided Way, Delta Poetry Review, Midwest Quarterly, and the Paterson Literary Review.

Gone by Barbara Eknoian

~ ONE ART ~ Leave a comment

Gone

The flowers are disappearing now
that it’s fall. Soon my property
will be covered with leaves, gone
will be the cheery yellow flowers.

My two grandsons have returned
to their home in Tennessee.
It was a short visit, but a happy one.
I make their beds until next time.

My oldest grandson has scheduled
his wedding for next autumn;
he has been here since he’s eleven.
The time will fly, and he’ll be gone.

I fell in June and broke my hip.
I’m alone most of the time. I’m learning
to walk again, but my phone stopped
ringing with invitations to go anywhere.

Hopefully, in time family and friends
will return, except for my son,
who I lost without warning.
He can’t return like the flowers.

*

Barbara Eknoian’s work has appeared in Pearl, Cadence Collective, Redshift, and Your Daily Poem. Recently, her New & Selected Poems, More Jerkustances, has been published by Editor Eric Morago. She lives in La Mirada, CA, with her daughter, grandson, two dogs, and two cats (one is mild and the other is full of mischief). There’s never a dull moment at her house.

Two Poems by Andrea Potos

~ ONE ART ~ 4 Comments

MY MOTHER’S NAME

Two days before the last, after
the seizure had rearranged
my mother’s bearings,
I sat beside her while
the young dark-haired nurse
fluffed her pillow, measured her pulse,
offered to apply
my mother’s signature lipstick,
the Revlon Hot Coral we both loved.
I listened as the nurse asked my mother
to say her name out loud,
and in a gravelly almost-whisper my mother
chose Penny Kosmos—her maiden name
spoken so readily as if she were already
winding back to her beginnings
without us, before me
or my sister, before my father,
back to her girlhood
even to the origin of space
and time, of a world
that so loved her in it.

*

FOR MY COLLEGE BOYFRIEND KILLED IN A PRIVATE PLANE CRASH AT AGE TWENTY-NINE

I see you tall and handsome still,
chestnut hair cut extra short
for your Navy duties those last years.
From the photo you sent me, I noted
a hairline receding just a little;
I like to think you’d eventually be balding
as your tall, professorial father was bald.
I like to think of you again, as my own still-long hair
thins and loses some dark sheen; I like to think of you
as one of us now—some added weight around the middle
perhaps, lines around the eyes and the mouth that maps
a generous life—an older man who once loved so well
an insecure girl-woman of nineteen whose long dark hair
whirled delightfully in the air while you drove her around the city
in your dashing red convertible.

*

Andrea Potos is the author of seven full-length poetry collections, most recently Her Joy Becomes from Fernwood Press and Marrow of Summer from Kelsay Books. A new collection from Fernwood entitled Belonging Songs will be published in 2025. New poems are forthcoming in Women Artists’ Datebook 2025, The Healing Muse, Braided Way, Delta Poetry Review, Midwest Quarterly, and the Paterson Literary Review.

Three Poems by Michelle Meyer

~ ONE ART ~ 2 Comments

We Were Just Getting to Know Each Other

And then you died.
It was September. When I saw you
in April we put on your dresses,
adorned our bare necks
with your handmade scarves
and drove, windows down,
to a concert.
Before we left
I took your picture.
You were seated
in the dining room
looking out the window,
face turned, legs crossed,
the sun, a halo
circling your body.
There was one photo that you liked
best. In it, your image was blurred,
hazy around the edges, faint
as your ghost.

*

The Way It Is

I’m running. It’s the anniversary
of my mother’s death
and I’m a few miles out when I stop
to take in the view.
Somewhere I hear a rooster crowing
and somewhere else a siren
is wailing.

My Grandma used to smoke Marlboro’s,
drink Manhattan’s and say,
That’s the way it is. A lazy answer
to her bruises, the world’s bruises,
but then again, she could only bear to live
in the moment and in those moments
she wasn’t wrong.

I run further, see a purple morning glory
blooming near a discarded styrofoam cup,
an overstory of green shimmering
above an understory of brown.
There is a visible line
where the chemicals end, where life hovers
above death.

Everything is straddling some kind of line.

Mom is dead. Grandma is dead.
The tiny, nearly translucent spider
that I squashed with the tip of my thumb
is dead.
I had no right.
I am full of shame
but that’s the way it is.

* 

The Question of Whether or Not We Should Sell Our House

One day it feels like we should
and the next day it feels like we shouldn’t.
We speak of the pros and cons,
but logic has never lived here.
This is a place of romance and charm
say all of the eager realtors
whose calls we never return.
My dark-haired ambition has gone gray.
I’ve lost control
of two out of the five flower gardens.
It’s your prairie, says a friend,
and I remember how the goldenrod bloomed
at our wedding. My anxiety wilts.
I’m the only one who can see it
turning to seed, drifting away,
replanting itself in a daydream.
The one where I am sitting by a lake,
reading a book and all the sailboats
are unmoored.

*

Michelle Meyer is the author of The Trouble with Being a Childless Only Child (2024, Cornerstone Press) and The Book of She (2021), a collection of persona poems devoted to women. Recent work appears in Autumn Sky Poetry Daily, Humana Obscura, Remington Review, Under Her Eye: A Blackspot Books Anthology, and Welter among others. She is one of those people who loves kale.

Two Poems by Susan Vespoli

~ ONE ART ~ 5 Comments

Ode to the Modified Serenity Prayer

      “Grant me the serenity to accept the people I cannot change,
      the courage to change the one I can, and the wisdom to know it’s me.”

Your daughter camps near the methadone
clinic in a sea of bench and canal sleepers.

She’s lost another phone or charger or backpack,
wears a ball cap over her sunburnt face.

You could tell her to go back to the hospital
or sober living or Soul Surgery Treatment Center

or the 90-day rehab she left after four days.
You could drive her to Walmart, the Dollar Store,

buy her a phone charger, more clothes, shoes,
instant coffee, oatmeal, peanut butter, candy,

wring your hands, feel sick to your stomach
as she smiles, climbs out of your car, saying, “Yes,

I’d rather live on the street.” You could pretend
she’s gone to Woodstock, that it’s 1969, that addicts

are just kids passing through a phase where they drop
acid, wear tie-dye, dance in the rain to Canned Heat.

Or you could repeat the modified serenity prayer
            over and over and over and over,

then drive home, park your car, kiss your own
goddamn good life just as four geese fly over
your flowered front yard and honk.

*

Driving to pick up my daughter while wearing a purple T-shirt graphic-ed with Edvard Munch’s The Scream

      ~ “Do whatever you can do to support her healthy choices, not enable.” ~
            — my grief therapist

Head down, hands on the wheel,
breathe in the screeching bus, the careening
light rail, the two lanes of traffic closed
by a row of orange cones.

Breathe in 19th Ave. – a street
to avoid when you can.
Overflowing trash cans,
people lost or stumbling
or sleeping on a bench under a tarp.

Breathe. Breathe. Look up

at the unexpected flash of palm trees,
maybe 30 of them. Tall thin bristle-up
paint brushes that have caught the end-
of-the-day sun and they glow

like taper candles or hope:
this oasis of thrive rising above
billboards, asphalt, sirens,
rooftops and all the gas pumps at the Circle K.

*

Susan Vespoli is a poet from Phoenix, AZ. Her poems have appeared in ONE ART, Rattle, Anti-Heroin Chic, Gyroscope Review, and other cool spots. Susan is the author of Blame It on the Serpent (Finishing Line Press), Cactus as Bad Boy (Kelsay Books), and One of Them Was Mine (Kelsay Books). Susan Vespoli – Author, Poet

Daffodils in February by Vivienne Popperl

~ ONE ART ~ 2 Comments

Daffodils in February

Some February days,
breathing in Portland
is like inhaling
champagne bubbles.
The sky is a sheer
innocent blue,
crocuses purple
in the sun, daffodils
coaxed golden,
play the wind.

February in Cleveland
the soil is still so cold.
New life is pressed
deep underground.
The sky spreads so thin,
a fragile skin,
stretched between
indifferent clouds.

My mother breathed
her last breath
in Cleveland
in February.
I was not at her side.
I sent daffodils.

*

Vivienne Popperl lives in Portland, Oregon. Her poems have appeared in Clackamas Literary Review, Timberline Review, Cirque, Rain Magazine, About Place Journal, and other publications. She was poetry co-editor for the Fall 2017 edition of VoiceCatcher. She received both second place and an honorable mention in the 2021 Kay Snow awards poetry category by Willamette Writers and second place in the Oregon Poetry Association’s Spring 2022 contest “Members Only” category. Her first collection, A Nest in the Heart, was published by The Poetry Box in April, 2022.

Time and Space by Maria McDonnell

~ ONE ART ~ 1 Comment

Time and Space

“Swore I could feel you through the walls, but that’s impossible.”
               ~ Phoebe Bridgers

The trees are always on the cusp
            an ending & an entrance
warm winter       cold spring.

Light in the window brings soft morning
in a smoky rented room        galley kitchen overlooking the yard
            bike fallen near the shed        basketball in the garden.

Tonight could be a night on Magnolia Drive—
baby swimming in my bed—
a night on a chair in a private room
crash carts racing by the door.
Night alone in a king-sized bed
burning from within
phone on the pillow
everything is electric.

Stone steps from the Hall
chapel bells tell the hour but not the year.
This could the time they boarded up the library
or the day I fell and skinned my knees.
Today is four years ago        my son is on the line
saying that people are dying in Italy
and I should lock the doors.

Today is tonight
and my son is on the other side
of the moon        he’s sleeping in the room behind my bed.
He’s shooting a basketball that never stops arcing over the backboard
burning as it moves across the sky.

*

Maria McDonnell lives in Pennsylvania with her family and dogs. She works at Albright College where she teaches English classes and works as a student success coach. She has published poems and essays in various print and online journals including Motherwell, Rat’s Ass Review, The Elephant Journal, Paradigm, Steel Point Quarterly, and Parlor. She was included as a featured reader in a 2019 production of Listen to Your Mother. In 2009, she was nominated for a Pushcart Prize. Her poetry book, First I Learn My Name, was published by Foothills Publishing in 2008.

Two Poems by Gary Fincke

~ ONE ART ~ 2 Comments

The Exact Likeness for Grief

Swinging a pitching wedge, my father lofts
Seven golf balls over my mother’s grave.
To spare the grass, he hits from the shoulder,
Picking them clean from the thin lie of dirt.

It’s forty yards, I’m guessing, to the woods
Where all but one of seven disappear
In yardage he can manage, length to spare,
At eighty-eight, his knees beyond repair.

He limps to her grave site, his love an arc
That ends among trees. The flowers he’s picked
Follow him in my hands; he turns the club
Upside down and uses it as a cane.

“Some day you’ll know,” my father says, meaning
His knees, and then again, “Some day you’ll know,”
Meaning, this time, the grave, this selection
Of flowers, orange ones I cannot name.

My father, the prophet, bends to the vase
Of wilted stems. My father, who’s warned me,
“You’ll see” a thousand times, lifts the fresh buds
From my hands, steadies himself on my arm.

My father, who was a maintenance man,
Sends the old stems to the woods in my hands,
Seats the flowers by height like a teacher
While I kick the short ball into the trees.

*

Peace, a Flightless Bird

Algorithms are sending me ads
for cremation services, ones that
save money through pre-need purchase.

The world gives daily birth to flags;
They shriek their certainties
In foster homes they will grow to burn.

All myths have become biographies.
Every war is undeclared.
Even our secrets are undeserved.

Peace, a flightless bird, is extinct, war
So ordinary we show up for work
Like soldiers, our anger expected.

In the museum of memory
We inspect the webbed footprints
Sunk so far into the earth

We nearly remember the shape
Of a bird so large it must have
Believed there was nothing it need fear.

*

Gary Fincke’s poetry collections have been published by Arkansas, Ohio State, Michigan State, Lynx House, BkMk, and Jacar. His newest collection For Now, We Have Been Spared will be published by Slant Books late this year.

Two Poems by Lily Jarman-Reisch

~ ONE ART ~ 2 Comments

Affairs in Order

We were so thorough,
giving our kids instructions,
account names and passwords
should we suddenly die
while on this island for so long
trying to weave ourselves back together.
Even noted who to invite to our funeral.
Except, I realize,
shaded next to my husband
under a beach umbrella,

maybe she should be on that list.
He’d want her to know,
to be there. She might attend,
with me gone. But then she’d see
photos of our life together –
Soul kissing in the high Sierra
or when I was chemo bald,
my face in his hands. That time we
made the most of a blizzard,
piggy-backed on a sled.
Would she wonder
if she really knew him,
still mourn their romance?
And him?

When he deleted their texts,
did his phone, a hive
sheltering their intimacies,
become a shrine,
her name and number sacred relics?
Does he return to her on a breath
of rosemary, grieve
for lost things that won’t happen –
his fingers braided with her hair,
hers mapping the marriage
line of his palm?

*

Reunited

I still think you’ll rise from the floor
you collapsed on, your wine glass,
its shards rejoined, brought back
to your open lips.

Even on our wedding day, I wondered
who would go first,
if I’d wake one night
to your stopped
rhythm, if you’d wake to mine,
your arm on my mute chest.
And all the what if’s since:
if each clink of raised glasses was the last.
If I was laughing at your final
one-liner before you were downed
by a mass shooter, a speeding truck,
or I was.
If each word was the parting one–
the voice in my head yelling Stop! Stop!
as I yelled at you for leaving
your shoes where I would trip on them,
irritated when you talked too much,
my last thought
while one of us still breathed.

They tell me to choose clothes for your burial.
I picture the suit you wore to marry me
sagging, rotting in a dirt-smothered box.
I clutch your comb, your slippers,
gut the laundry for your socks, a t-shirt
still sour, damp with your sweat.
I put them all on,
curl under covers
on your side of the bed,
find a hair on your pillowcase
and swallow it.

*

Lily Jarman-Reisch is a 2024 Pushcart Prize recipient, poetry reader for The Los Angeles Review, and a Contributing Editor for Pushcart Prize XLIX. Her poems appear in Amsterdam Quarterly, CALYX, Collateral, Mobius, One, Pangyrus, Plainsongs, Pushcart Prize XLVIII, San Pedro River Review, Slant Poetry, among others. She was a journalist in Washington, D.C., and Athens, Greece, where she lived aboard a small boat she sailed throughout the Ionian and Aegean Seas, and has held administrative and teaching positions at the Universities of Michigan and Maryland.

MOURNING THE DEATH OF MY SON by Stephen Ruffus

~ ONE ART ~ Leave a comment

MOURNING THE DEATH OF MY SON

This is not the world.
No longer so green
and sweet.

Memory is a contusion,
an enlarged heart, blood
rampant against the vein.

This is not the world
without him in it.
Nor will it ever be or was.

*

Stephen Ruffus’ work has appeared in the Valparaiso Poetry Review, Hotel Amerika, 3rd Wednesday, the American Journal of Poetry, The Shore, Poetica Review, JMWW, Emerge Literary Journal, and Stone Poetry Quarterly, among others. Also, he will have a piece in a forthcoming issue of the I-70 Review and in Hanging Loose Magazine. Ruffus was a semifinalist for the 2022 Morgenthau Prize sponsored by Passenger Books, and has had two poems nominated in 2023 for a Pushcart Prize. He was a founding poetry editor of Quarterly West and twice a recipient of a Utah Original Writing Competition Award. While he has lived in Colorado, California, and Utah where he studied writing at major universities and held fellowships and teaching positions, he is originally from New York City and still considers himself a New Yorker in many respects. Currently, he lives in Salt Lake City with his wife.

Daddy’s Girl by Julie Benesh

~ ONE ART ~ 1 Comment

DADDY’S GIRL

I wanted to run away
with my mother.
She and I could date
around, compare (love)
notes, and always
have each other.

But she and my father
stayed together.
I grew up, went to college,
got married. Since her death

we’ve grown apart. The world
has changed yet part of me
is stuck at 26, the age
I was when I lost her.

I monitored my female body
for mother’s ailments: glaucoma,
arthritis, metastatic tumors,
but I got instead his bad skin
and silent reflux, his work anxiety,
things of his I’d once blamed
on alcohol and cigarettes
that I eschewed.

My father lived another 18 years.
One time with relatives, we looked
at each other and knew we’d both
had enough of the chatter.
and fled like adolescents.

With my rival and nemesis
I had more in common
than I knew, but why
was I surprised?

We had
the same
great love.

*

Julie Benesh (juliebenesh.com) authored the chapbook ABOUT TIME from Cathexis Northwest Press. She published work in Tin House, Crab Orchard Review, Florida Review, Another Chicago Magazine, New World Writing, and elsewhere. She is a graduate of Warren Wilson College’s MFA Program and recipient of an Illinois Arts Council Grant and her full-length poetry collection, INITIAL CONDITIONS, is forthcoming from Saddle Road Press.

Brunch with Missing Mother by Cynthia White

~ ONE ART ~ Leave a comment

Brunch with Missing Mother

To have at first missed the man’s you’re ugly,
my mind must have been on coffee
and cream. I must have been dreaming
of eggs with spinach and feta
as he shoved past me and out the café.
I ordered a fat cinnamon roll
to demolish, outer ring first,
working my way to the sticky heart.
My mother often told me,
Looks aren’t everything, though we both
loved a mirror. I needed her that day,
needed to see, in her
generous mouth and elegant
bones, my own beauty, resurrected.

*

Cynthia White’s poems have appeared in Adroit, Massachusetts Review, Southern Poetry Review, ZYZZYVA and Poet Lore among others. Her work can be found in numerous anthologies, including the recent leaning toward light, Poems for gardens & the hands that tend them. She was a finalist for Nimrod’s Pablo Neruda Prize and the winner of the Julia Darling memorial Prize from Kallisto Gaia Press. She lives in Santa Cruz, California.

What I’m Thinking About this Morning by Valerie Bacharach

~ ONE ART ~ 2 Comments

What I’m Thinking About this Morning

That I have outlived my younger son.

That when I rise, the tendon
or ligament or muscle
behind my left knee hurts,
which makes me think about my mother
and her arthritic knees.

That the holidays hold too many memories, too many ghosts.

That my older son has outlived his brother,
and I worry about his grief,
but don’t ask because then he worries
about mine, and my husband
doesn’t ask because he too worries.
All this unshared grief
will crush us, flatten us,
so we move in quiet shadows
around each other.

That I am so tired, even after sleeping through the night.

That my husband moans
in his dreams, despairing,
searching for ways
to alter time,
bend it,
plant a different ending.

*

Valerie Bacharach’s book, Last Glimpse, will be published by Broadstone Books. Her chapbook After/Life will be published by Finishing Line Press. Her poem Birthday Portrait, Son, published by the Ilanot Review, was selected for inclusion in 2023 Best Small Fictions. Her poem Shavli has been nominated for Best of the Net 2023 and a Pushcart Prize by Minyan Magazine. Her poem Deadbolt has been nominated for a Pushcart Prize by RockPaperPoem.

Choosing the Sorrow by Rosemerry Wahtola Trommer

~ ONE ART ~ 19 Comments

Choosing the Sorrow

In my heart today, a river of love for you—
sparkling, clear, easy to wade in.
Some may not understand
why I sometimes reach down
to pick up a smooth stone of sorrow,
not because I have stumbled on it,
but because I want to know its weight again.
I search beneath the glossy currents,
and always I find what I seek.
There are thousands of such stones,
enough to cover the whole river bed.
Every one of them precious.
Every one of them, a memory
of how it was to love you when you were alive.
Stone of you waking in your crib, pointing to light.
Stone of you doing tricks on your bike.
Stone of hiking up cliffs. Stone of undone dishes.
Stone of your eyes. Stone of long fingers.
Stone of you whistling across the room.
The river of love is no less powerful
for all this sorrow. When I am still,
often I choose to go wading here.
I notice how beautiful they are, all these stones,
worn as they are by the currents of love.
I notice how the current never stops.

*

Rosemerry Wahtola Trommer is poet laureate for Evermore. She co-hosts the Emerging Form podcast. Her daily audio series, The Poetic Path, is on the Ritual app. Her poems have appeared on A Prairie Home Companion, PBS News Hour, O Magazine, American Life in Poetry, and Carnegie Hall stage. Her new collection is All the Honey. One-word mantra: Adjust.

Two Poems by Callie Little

~ ONE ART ~ 1 Comment

Headstone

The text was three words:
Your mom passed.

My fifteen minute break.
Break like: my last baby tooth hits cement.

And then I was
back on the sales floor
where everything was plastic-wrapped perfection
where I did my best have-a-great-day smiling
impression of myself.

My coworker said they’d just gotten the worst text.
I wanted to say I bet I can top it, but I folded the tissue
paper behind the register, instead. Buried it.
And you might think that I wanted to go home,
but I wanted to stay tucked into the name tag
that was holding me together.

And then I was
outside.
It isn’t beautiful and poetic to tell you it was raining—
it just was. The rain pours in Seattle no matter how you feel.
I said the impossible words into my phone
The my and the mom and the died
And my spouse came to me.

And then I was
at a restaurant.
I bought us dinner. I bought us drinks.
I spent every minimum-wage dollar I had
and bought every appetizer on the menu
and too much dessert. A mudslide.
A warm apple pie a la mode,
the all-American mother ice cream dream.
I wanted to say, your mom only dies once
to the waiter but I didn’t feel like seeing him hurt for me
so I just said it to the person who loves me most.

And then I was
home.
And the grief only sat beside me, waiting.
I thought it might leave me in the night
like I might wake up
and it would just be another day.
I’d gone two years without hearing her voice
so it wouldn’t be any different.

And then I was
awake
and it was
cement.

*

Every Other Tuesday

Therapy begins at the same time as it always does
this morning, and it’s not the first time my voice
is all stone truth: “I think I might be cursed.”

My licensed therapist who is also secretly a witch
sees the light in my eyes flicker, and their hair stands on end.
They say, “that’s a sign that there’s truth there.”

This is how it works, therapy: I hand them a tangle
made of all my smallest pieces, they point to it
and say, “what a mess.”

Sometimes, this is enough magic to feel
a little bit like sanity— just being told
I’m not imagining it all.

*

Callie Little (she/they) is an artist and author from the Pacific Northwest. Her writing has appeared in VICE, Harper’s BAZAAR, Architectural Digest, and many more fine publications. Her debut non-fiction book, Every Little Thing You Do Is Magic, and its coordinating tarot deck featuring her illustrations will be published by Clarkson Potter in August 2024.

Of Course the World Still Spins by Hillary Nguyen

~ ONE ART ~ Leave a comment

Of Course the World Still Spins

But grief will latch onto bone once
Crossing the threshold one last time
These heavy wooden doors citadel
Threshold fortress protectors of home
How many sobs kisses deep belly laughs
Settled into these textured walls
The dust of dead skin in this grout
And windowsills know more
Of your memories than your skin
That renews itself every blind
Month or two this home has
You in its every nook– How
Could you leave like this?

*

Hillary Nguyen (she/her) is Vietnamese-American writer from the Bay Area who enjoys experimenting with new creative mediums (such as poetry, photography, and fiber arts), and exploring eclectic places. She creates spoken word as well as written poetry, and her work has been featured in LL Anthology: Circles, Hot Pot Magazine, and erato magazine.

Two Poems by Lisa Zimmerman

~ ONE ART ~ 3 Comments

Love is Invincible is What I Wrote

in my notebook. However,
it can only go so far
in terms of grief—
running parallel to the river,
kicking up dust, breathing hard,
never stopping to rest.
And the river of grief does not know,
is rushing so fast over stones,
bending its streaming tears
around fallen logs and tree roots—
Why do we pray? Why do we cry?
Love does not stop racing
beside our hurtling anguish,
won’t give up even though it knows
the galloping water is surging
to the sea of all grief. Why do I keep crying?
Love will be there too, not breathless,
not worn down or diminished,
but strong enough to hold
the whole cold ocean of grief
and never be drowned.

*

Things My Friend Mary Said Years Before She Died

She told me fear was just an acronym
for false evidence appearing real, as in
fabricating a future of tiny failures adding up
to disappointment in advance.
Fear is a lack of information, she said,
an absence—not of faith—but of trust.

Better to trudge the winter field this morning
with the dog, both of us unleashed among the dead
branches blown down from last night’s wind,
my mind empty of anything like knowledge
just a light scarf of sadness drifting behind me
like a broken aura, the white sky crimped
along its edge by mountains.

When my son was a boy he said, Fear is like a door.
I just have to walk through it.
Mary’s not here for me to ask, Who made the door?
And who made the other side?

*

Lisa Zimmerman’s poetry and fiction have appeared in many journals and anthologies including Florida Review, Poet Lore, Hole in the Head Review, and Cave Wall. Her collections include The Light at the Edge of Everything (Anhinga Press), The Hours I Keep, and Sainted (Main Street Rag). She is a professor of English and Creative Writing at the University of Northern Colorado.

Evidently by Michele Parker Randall

~ ONE ART ~ Leave a comment

Evidently

My sister keeps using the word forensic
while breaking up dad’s house. Breaking

down? Breaking house. Stacking empty
blue Royal Dansk tins that held cookies,

then jam tarts, year after year. Drinking
cups of coffee as we jab with boxes,

memories, facing poses in dusty frames,
any thunder long passed, but the echo of

was that when…he must have been…did she
ever…do we dare ask? I place a few photos

under my knee—my sister by a honeysuckle-
covered slash pine, the kiddie pool at our house

on Cecil Field Naval base, a slumber party
with our pink sleeping bags, our Great Dane,

Cindy as my pillow. I can’t remember where…
whose orange tree were we in…where was…?

We never ask. There is no coming back from
critical-hit throws of the die. No escaping

a once remote thought sharpened into fact. But
we dig on, silently, for material and evidence.

*

Michele Parker Randall is the author of Museum of Everyday Life (Kelsay Books 2015) and A Future Unmappable, chapbook (Finishing Line Press 2021). Her poetry can be found in Nimrod International Journal, Atlanta Review, Bellevue Literary Review, Tar River Poetry, and elsewhere.

To My Sister on the Anniversary of Her Death from Covid by Margaret Dornaus

~ ONE ART ~ Leave a comment

To My Sister on the Anniversary
of Her Death from Covid

It’s been two years, and there are
those who still ask me to believe
you’re in a better place. Or
that we all are now that all is
said and done. Now that life is
back to normal, or at least
back to a semblance of the life
we once knew. Remember
how you liked to say you were

our mother? How you’d take us all
on weekend outings to bowling
alleys and drive-ins. The larger than
life images of good and evil projected
on a big screen. How we’d watch
Kong battling Godzilla, wide-eyed,
sure of nothing more than our own story.
The way summer nights embraced us,
the way starshine followed us home.

*

Margaret Dornaus holds an MFA in the translation of poetry from the University of Arkansas. A semifinalist in Naugatuck River Review’s 13th annual Narrative Poetry Contest, she had the privilege of editing and publishing a pandemic-themed anthology—behind the mask: haiku in the time of Covid-19—through her small literary press Singing Moon in 2020. Her first book of poetry, Prayer for the Dead: Collected Haibun & Tanka Prose, won a 2017 Merit Book Award from the Haiku Society of America. Recent poems appear or are forthcoming in I-70 Review, MacQueen’s Quinterly, Minyan Magazine, MockingHeart Review, ONE ART, Silver Birch Press, and The Ekphrastic Review.

Two Poems by Karen A VandenBos

~ ONE ART ~ Leave a comment

Even Loss Can Be Beautiful

Loss comes quietly.
It surprises us as we look in the mirror, turn on the news,
answer the phone, open an email, look out the window
or spin around.
What was once a forest of golden leaves has faded into a
grove of muted browns and empty cathedrals.
The pure white of snow has been stained by the mud of
spring, no longer inviting.
Some lost things are found to have taken on new shapes:
a mitten without a thumb, a feather with a broken spine,
ashes with no fire.
They ask us to see the beauty in being broken, messy. Let
them surprise you with what they have to offer.
Let once shining blue eyes, now dulled by all they have
witnessed reopen in wonder.
Loss becomes rivers accepting the melting ice, forests
resurrecting into sanctuaries of green light and new life
awakening from a long winter nap.
In the way of the seasons, there is no word for loss, only
a continuous ebb and flow, a cycle of death and rebirth
where beauty can be found in the tiniest flaws.

*

Autumn in the Rear View Mirror

Our small lives rise and fall as
another November recedes in the
rear view mirror.

It has been a season of few mercies.
Bones worn down to the marrow and
hope vanishing like smoke from an
extinguished match.

The sun’s light grows softer as
the days grow shorter and shadows
lengthen. There is a new chill in
the air.

Night drapes us in her black robe
before the chime of the evening
church bells ring a call to vespers.

The trees are bare and the north
wind carries us inside.
Inside where we sit by the fire
dreaming of things that cannot last.

*

Karen A VandenBos was born on a warm July morn in Kalamazoo, MI. She can be found unleashing her imagination in three online writing groups and her writing has been published in Lothlorien Poetry Journal, The Rye Whiskey Review, The Ekphrastic Review, Blue Heron Review and others.

Three Poems by Rosemerry Wahtola Trommer

~ ONE ART ~ 22 Comments

In the Garden, Again

After breaking, after kneeling,
after raising my ripe fist, after
opening my palm, after
clenching it again, after running,
after hiding, after taking off
my masks, after stilling,
after shouting, after bargaining
with God, after crumpling
and cursing, after losing,
after song, after seeking,
after breath, after breath,
after breath,
I stand in the sunflowers
of early September
and watch as the bees weave
from one giant bloom to another,
and I, too, am sunflower,
tall-stemmed and face lifted,
shaped by the love of light
and the need for rain.
I stand here until some part of me
is again more woman than sunflower,
and she notices how,
for a few moments,
it was enough just to be alive.
Just to be alive, it was enough.

*

A New Kind of Conversation

It is possible to be with someone who is gone.
—Linda Gregg, “The Presence in Absence”

I have no phone receiver to connect me to the other side,
but every day I speak to my beloveds through candle flame.
Every night, I speak to them through the dark before sleep.
I speak to them in the car when I am alone.
I speak to them when I walk beneath stars,
when I walk in the woods, when I walk in the rain.
It is possible to be with someone who is gone.
It is possible to feel what cannot be seen,
to sense what cannot be heard,
to be held by what cannot be touched.
It is possible for love to grow after death.
If there is a secret language, it is, perhaps, openness.
The way air lets light move through.
The way a window invites in the scent of grass.
The way sand receives the ocean,
then, rearranged, lets it pass.

*

Mycelial

Now I understand how grief
is like a mushroom—
how it thrives in dark conditions.
How it springs directly
from what is dead.
Such a curious blossoming thing,
how it rises and unfurls
in spontaneous bourgeoning,
a kingdom all its own.

Like a mushroom,
most of grief is never seen.
It grows and expands beneath everything.
Sometimes it stays dormant for years.

Grief, like a mushroom,
can be almost unbearably beautiful,
even exotic, delicate, veiled,
can arrive in any shape and hue.
It pulls me closer in.

Like a mushroom, grief
asks me to travel to regions
of shadow and dim.
I’m astonished by what I find—
mystery, abundance, insight.
Like a mushroom, grief
can be wildly generative.
Not all growth takes place
in the light.

*

Rosemerry Wahtola Trommer co-hosts Emerging Form podcast on creative process, Secret Agents of Change (a surreptitious kindness cabal) and Soul Writers Circle. Her poetry has appeared on A Prairie Home Companion, PBS News Hour, O Magazine, Rattle, American Life in Poetry and her daily poetry blog, A Hundred Falling Veils. Her most recent collection, Hush, won the Halcyon Prize. Naked for Tea was a finalist for the Able Muse Book Award. One-word mantra: Adjust.

Three Poems by Meg Freer

~ ONE ART ~ 2 Comments

Grief Has a Name

A full ten minutes at sunset, hundreds
of crows fly south over the woods.
Moments after the last one,
snow blows in from the north.

I follow sheep trails across the fields,
unwind details I have been avoiding,
mental terrain more suited
for moose than human.

Mom’s two birthday balloons cling
together in her dining room for a day,
before one migrates to the kitchen
and the other moves into her bedroom.

A day later, the bedroom balloon
floats into Dad’s study to stay
just above the books. Dad must be
directing this scene from beyond.

In my dream, he fades into view
in the doorway holding a basketball,
says nothing, watches while I read
on the sofa, then drifts away.

Grief wants me to call it by name,
knows all 360 joints in my body,
tapes their seams to keep itself
from floating into oblivion.

*

All the Sounds of Summer

As gently as he once held a fledgling blue jay,
he cradles his sister’s arm, traces each of the thin,
horizontal lines he never knew were there,
saddened by scars not yet faded to white.

All the sounds of summer vanish
as he enters into her night and wonders at the fluency
of hands that treat the body in such disparate ways.
How to fathom the plight of molecules gone awry?

Ever distressed at the sight of his own blood,
though he understands artery over vein, he can’t
understand pain that calls out for more pain and hopes
his sister will fly, as the fledgling he buried never did.

*

New Mother
        for Mary P. and Minnow

I offer to walk with her on the nearby trail,
get her out of the house for a while.
We greet Archie and Jughead, the goats
with curly horns, as we pass their pen.
I pick up a guinea hen feather to bring home.
She sets a brisk pace as we leave the farm.
It hasn’t hit her yet, this unexpected freedom.

She stops short, as if she’s seen an apparition.
A cow stares at us through the brush.
What are you doing way over here by the fence?
Shouldn’t you be over with the horses?
This moody cow moves around the horse pasture
every day, rarely spends time with the other cows,
sometimes goes off by herself to figure things out.

We leave the cow to her moping, resume walking,
then she stops, looks back down the trail.
Wait. Am I even supposed to leave the farm?
I have babies back there, you know.
I reassure her that it’s fine to take a break,
she nursed her puppies, she needs fresh air.
She catches a whiff of spring and trots off.

The robins and redwing blackbirds are singing,
the stream is flowing, the spring scents
keep enticing, we continue our walk.
A bit further and she stops again, looks back
the way we’ve come, looks up at me.
Are you sure I was supposed to leave?
My puppies might need me, you know.

I try to persuade her to keep walking,
but no luck. We turn back, the cow
is still at the fence, but she doesn’t notice,
she is so excited to return to her seven pups—
lick them all over, move them around
with her paws and nose so they all
get a turn to nurse—be a good mother.

*

Meg Freer grew up in Montana and now teaches piano in Kingston, Ontario, where she enjoys the outdoors year-round. Her prose, photos, and poems have won awards in North America and overseas and have been published in journals such as Ruminate, Juniper Poetry, Vallum Contemporary Poetry, Arc Poetry, Eastern Iowa Review, and Borrowed Solace.

Passover by Ann E. Michael

~ ONE ART ~ Leave a comment

Passover

The first holiday without,
grief burns like anger.
Irritant. Tough fibers
scraping at skin raise a rash,
sore during celebration.
Empty ritual this year.
Empty place at the table–
bitter, bitter herbs.

*

Ann E. Michael’s upcoming chapbook is Strange Ladies, slated for publication in 2022 (Moonstone Poetry); she is the author of Water-Rites and six other chapbooks. She lives in eastern Pennsylvania and blogs at https://annemichael.blog.

Two Poems by Jennifer L Freed

~ ONE ART ~ 2 Comments

Gravity

                  Grief
pulls you close.
You know it too well
to think you can live without it.
You’ve learned
it is a chair that will hold you
up and ask nothing
of you but to live
with it. And so you live

through this spring day, drifting
from bureau to bed,
table to desk, touching
the shirt, the pillow, the cup,
the book; looking
out the window,
your hand on the windowsill, the sun
on your hand. Here is the view
so changed from yesterday. Here

is the blue of the veins in your wrist.
You can do nothing
and are grateful
there is nothing you need to do.
You let yourself sink
into your chair, let
the chair
hold you.

*

Widowed

Some days, she chooses not
to eat.
She needs to let absence
fill her body, to move with it, know
that she can.

On the table, fresh strawberries, radiant
in their blue bowl.

Without meals, extra pockets of time
unfold. She turns toward
books, sketch pads, longer walks
with the dog. Hunger swells, fades, swells and fades
again.

By night, stomach growling, she feels surprisingly
strong. She looks forward
to morning, when, standing at the counter, she will inhale
the scent of toasting bread.

*

Jennifer L Freed lives in Massachusetts. Her poetry has appeared in Atlanta Review, Atticus Review, Rust + Moth, West Trestle Review, The Worcester Review, Zone 3, and other journals. Her poem sequence “Cerebral Hemorrhage” was awarded the 2020 Samuel Washington Allen Prize (New England Poetry Club). She is the author of a chapbook, These Hands Still Holding, a finalist in the 2013 New Women’s Voices chapbook contest, and of a full length collection, When Light Shifts (Kelsay, 2022), based on the aftermath of her mother’s stroke.

One Poem by Julia Caroline Knowlton

~ ONE ART ~ 1 Comment

Self-Portrait with Loss of Appetite

 

The crux of it is, who does not want to glide

through space, light—to enter like a dancer,

exit like a gold autumn leaf, float away?

 

Winter hunger always roving in my mind.

Hidden brush strokes, silver on snow falling.

This angel bone haunting, an absence I must find.

 

*

 

Julia Caroline Knowlton is Professor of French at Agnes Scott College in Atlanta. She has an MFA in poetry from Antioch University and a PhD in French Literature from UNC-Chapel Hill. The author of four books and an Academy of American Poets prize winner, she was named a GA Author of the Year for her 2018 chapbook, The Café of Unintelligible Desire (Alice Greene & Co.). Her second chapbook, Poem at the Edge of the World, will also be published by Alice Greene & Co. Julia regularly publishes in journals including One Art, Roanoke Review, and Boston Literary Review.

Two Poems by Donna Hilbert

~ ONE ART ~ Leave a comment

Rosemary

You are the rosemary I add to the soup:
how you pressed pungent bristles
between thumb and finger,
how you lay sprigs atop red potatoes
glistening in olive oil, salt,
house alive with the fragrance
of vegetables roasting
on any given day of the week.

1,095 days past your death, young one,
I sometimes escape the earthquake
of absence upon awakening,
but daily remembrance, I never escape:
today, it was rosemary, yesterday,
blue sea glass washed up at my feet.

*

dent de lion

Don’t call me weed,
but love instead my golden
head dressing swards of green.

The sunshine of my flowering gone,
then love me in my second crown
of silver tuft and drifting thread.

*

Donna Hilbert’s latest book is Gravity: New & Selected Poems, Tebot Bach 2018. Other books include Transforming Matter, and Traveler in Paradise, both from PEARL Editions. Her new collection, Threnody, is forthcoming from Moon Tide Press in late 2021.

One Poem by Patricia Davis-Muffett

~ ONE ART ~ Leave a comment

What to do with your grief
       for Dionne, June 2020

Butter. Sugar. Flour. Salt.
I am doing what I know.

Nineteen, I call my mother crying:
“I can’t make the pie crust work,”
“Come home,” she says. “We’ll fix it.”
The ice in the water,
the fork used to mix,
the way she floured the board.
It’s chemistry, yes–
but also this:
the things you pass
from hand to hand.

9/11. Child dropped at preschool.
Traffic grinds near the White House.
A plane overhead. The Pentagon burns.
The long trek home to reclaim our child.
We are told to stay in. I venture out.
Blueberries to make a pie.

My mother, so sick. Not hungry.
For a time, she is tempted by pies.
I bring them long after taste flees.

New baby. Death. Any crisis.
I do what my mother taught me.
Butter. Sugar. Flour. Salt.
I bring this to you–this work of my hands,
this piece of my day, this sweetness,
all I can offer.

Today, Minneapolis burns
And sparks catch fire in New York,
Atlanta, here in DC.
My friend’s voice says
what I know but can’t know:
“This is my fear every time they leave me.”
Three beautiful sons, brilliant, alive.
I have little to offer. I do what I know.

*

Patricia Davis-Muffett (she/her) holds an MFA from the University of Minnesota. She was a 2020 Julia Darling Poetry Prize finalist and received First Honorable Mention in the 2021 Joe Gouveia OuterMost Poetry Contest. Her work has appeared in Limestone, Coal City Review, Neologism, The Orchards, One Art, Pretty Owl Poetry, di-verse-city (anthology of the Austin International Poetry Festival), The Blue Nib and Amethyst Review, among others. She lives in Rockville, Maryland, with her husband and three children and makes her living in technology marketing.

Unwelcome by Ann E. Michael

~ ONE ART ~ Leave a comment

Unwelcome

The caller
was
a stranger
soliciting
I don’t
know what
I told her
this
is not
a good time
my father
is dying
and
I hung up.
Now
as night
recedes
I find my
self awake
I think of
him
dying
and how
I was
unkind
to that young
woman
in a call
center
a stranger
I failed
to welcome
into
my heart.

*
Ann E. Michael lives in Pennsylvania’s Lehigh Valley, slightly west of where the Lehigh River meets the Delaware. Her most recent collection of poems is Barefoot Girls. Her next book, The Red Queen Hypothesis, will be published sometime in 2021. More info at www.annemichael.wordpress.com

Two Poems by Faith Paulsen

~ ONE ART ~ 1 Comment

Mother-in-Law

Invited to call her Mom, silently I called her Umbrella in Sunshine
Flea-Market Wristwatch Three Phone Calls A Day
Flash Flood Warning.
Why take a chance?
The cat will suck the breath out of the baby.
Spare Room Hoarder of get-well cards and flashlights
bottles of sleeping pills. (They’re not habit-forming – I should know,
I’ve been taking them for years.)
She called me Broken Eggs Hamster in a Plastic Ball.
Half-hour Early/Ten Minutes Late
She called me Barefoot in Snow–
That name I kept.
Years after her death
I wake stunned
when others call me Worry and I respond Be Safe.
Please don’t do
anything stupid.
Call it Poetic Justice. Call me So soon?
I call myself, I Didn’t Know—

*

My Mother’s Pessary *

Was she buried with it, I wonder?
That pinky-ball that for years supported
the vault over my begetting? My fault,
we used to joke.
Large baby, traumatic birth,
long-awaited longed-for,
late, costly.

Decades later, I witnessed
the price paid in her halting gait,
weary eyes (blue green like mine)
seeking a bench so she could sit down.
This is not like you, Mom.

Then it was I who supported
undressed, lifted. Even though
I was by then several times a mother —
I did not know this secret toll
that there could be this
late-in-life weight in the pelvis
pregnancy of years
this falling through
her overstretched muscles
falter, fail, a curtain’s elasticity lost
turned inside-out like a sock.

Attended, midwife to my mother’s aging
counted her breaths
an inexorable roller coaster inverted
dangles on the verge of dive-drop,
ripening
her tummy measured to house this blushing little thing
that for the last years of her life plugged up the dam
and kept the sky from falling.

* A therapeutic pessary is a medical device most commonly used to treat prolapse of the uterus.

*

Faith Paulsen’s work has appeared in Ghost City Press, Seaborne, and Book of Matches, as well as Thimble Literary Magazine, Evansville Review, Mantis, Psaltery and Lyre, and Terra Preta, among others. Her work also appears in the anthologies Is it Hot in Here or Is It Just Me? (Social Justice Anthologies) and 50/50: Poems & Translations by Womxn over 50 (QuillsEdge). She has been nominated for a Pushcart, and her chapbook A Color Called Harvest (Finishing Line Press) was published in 2016. A second chapbook, Cyanometer, is expected in 2021.

On the Day After You Left This World by Heather Swan

~ ONE ART ~ 9 Comments

On the Day After You Left This World

I floated out to the island
of bird bones, where
their long gone songs
now whisper in the cattails,
looking for solitude, solace,
but found instead
three cranes waiting
who let me join them
there on the shore,
their heads tipping
toward me, toward the
sounds of geese from
across the lake, toward
the jet plane flying overhead.
Night fell and we stayed—
all of us—cranes, crickets,
cattails, me with my broken body
breathing, and in the graying light
the breeze stroked
the cool waters of the lake,
the water lapping the mud
until all of it
was not separate, all of it
became one breath.

*

Heather Swan is the author of a new collection of poems, A Kinship with Ash (Terrapin Books) and the nonfiction book, Where Honeybees Thrive: Stories from the Field (Penn State Press), winner of the Sigurd F. Olson Nature Writing Award. Her nonfiction has appeared in Aeon, Belt, Catapult, Minding Nature, ISLE, The Learned Pig, Edge Effects and is forthcoming in Terrain and Emergence. Her poetry has appeared in Poet Lore, The Hopper, Phoebe, Cold Mountain Review, Midwestern Gothic, The Raleigh Review and several anthologies. She has been the recipient of the Martha Meyer Renk Fellowship in Poetry and the August Derleth Prize. She teaches writing and environmental literature at University of Wisconsin-Madison.

Two Poems by Kara Knickerbocker

~ ONE ART ~ Leave a comment

Grief Animal

Some days it is a pair of pearl earrings
I pick from my jewelry box
and put on like I’ve been taught.

But most days,
like today,
my grief breathes on its own,

chews through its leash—

carries me in its large mouth into
yet another ruthless month.

*

Hues of Havana
Cuba, August 2018

I can tell you how the golden hour is different here—
burnt heat cakes sidewalk streets,
swirled grit of city minutes
rush by in a cherry Chevy convertible.

In pastel facades, where laundry lines connect worn fabrics to faces
Havana beats blues back in time,
history written slow into this Saturday morning;
she beats on, ribcaged between all of us.

*

Kara Knickerbocker is the author of the chapbooks The Shedding Before the Swell (dancing girl press, 2018) and Next to Everything that is Breakable (Finishing Line Press, 2017). Her poetry and essays have appeared in or are forthcoming from: Poet Lore, Hobart, Levee Magazine, and more. She currently lives in Pennsylvania and writes with the Madwomen in the Attic at Carlow University. Find her online: http://www.karaknickerbocker.com.

Two Poems by Mark Saba

~ ONE ART ~ Leave a comment

Flowers in the Dark

The young man holding flowers
delivered our food in three boxes.
Loose potatoes and apples, lettuce

partially wrapped beside a box of butter,
berries, almonds, and Greek cheese.
He wasn’t sure which flowers we liked

so bought three: one, wrapped tulips
and two alstroemeria. Did we like
the purple or peach? He stood

in his buttoned rust jacket, a shadow
of the boy who graduated with my son
six years ago, now a generation

of wise old youth holding flowers
for their elders. Which one don’t you want
he asked. It will look nice

in my apartment. He stood there
six feet away in the dark
having delivered our groceries

holding a bouquet of flowers
that I’m not sure he really wanted
or knew what to do with

once back to his other world
the one without flowers
or any place to put them.

*

The Broken

My brother, my daughter, my father,
my wife. A cloudy eye, piece of leg
and vanishing arm.

An asymmetry in stride, an upbeat cheek
adjacent to uncertain lips.
The visitors come whole, hoping to embrace

the broken pieces of those they’d once known
but have been disassembled
as they try to reconstruct.

Outside, under searing light,
the rehab grounds remain dressed
in autumn finery: greens and golds

atop fiery trees, a harboring mountain,
glass-walled rooms that look out
and allow a looking in. My son,

my husband, my sister, my dear friend.
We hold the pieces of you
and let the pieces fall.

*

Mark Saba has been writing fiction, poetry, and creative nonfiction for 40 years. His book publications include four works of fiction and three of poetry, most recently Two Novellas: A Luke of All Ages / Fire and Ice (fiction), Calling the Names (poetry) and Ghost Tracks (stories about Pittsburgh, where he grew up). Saba’s work has appeared widely in literary magazines around the U.S. and abroad. His is also a painter, and works as a medical illustrator at Yale University. Please see marksabawriter.com.

Two Poems by Jack Powers

~ ONE ART ~ Leave a comment

LOSING THINGS

My wife worried what we’d do when we retired.
So far we’re spending it looking for things:
Keys, coats, glasses. Sometimes they’re on our heads
Or in our hands. Sometimes on an odd shelf.
At first it’s irritating, then a challenge.
I walk the house, looking through my wife’s eyes
from breakfast table to bathroom, in closets, in couches.
Or think like a wallet or a phone. Where would I hide?

As my father’s dementia deepened, he lost his edge,
his quick sarcasm. Or maybe he just forgave us,
released the resentments, forgot the ways we’d let him down
and became, if not a hugger, a ready smiler, a back patter, a fan.

Once I found a birthday card drawn by my son at two. I looked
like a smiling potato. When dementia comes, I hope it’s the forgiving kind.

*

ON THE DRIVE TO UNCLE PETE’S

Beside me in the old V Dub, Granny waited
as if dormant, as if cars had just been invented,
as if practicing her Irish training to be still until the hated
Black and Tans had passed, as if that war had never ended.

At sixteen, her silence mystified me. Her joyless ride
day after day terrified me. To get a rise, I tried
asking if her priest-son Pete had nun honeys on the side.
I said I joined the priesthood, then admitted I had lied.

Except for one Oh Jackie! she waited silent as a stone
like looking out the window at the lawn when we were home,
nodding off to sleep, jolting straight awake, always alone.
For what? I often asked. She kept her thoughts her own.

So I sped up, beeped the horn, wildly gesticulated.
She stared still straight ahead and waited, and waited.

*

Jack Powers is the author of Everybody’s Vaguely Familiar. His poems have appeared in The Southern Review, The Cortland Review and elsewhere. He won the 2015 and 2012 Connecticut River Review Poetry Contests and was a finalist for the 2013 and 2014 Rattle Poetry Prizes. Visit his website: http://www.jackpowers13.com/poetry/.

Two Poems by Courtney LeBlanc

~ ONE ART ~ Leave a comment

POEM FOR NEW YEAR’S DAY

I’m lucky to have good neighbors, the kind
who pull your garbage bins in when you’re out
of town or gather your mail. This summer
I exchanged cucumbers from my garden
for mint from hers. And to have the kind
of neighbors who deliver a bouquet
of bright yellow buttercups when my dad
died, with a note filled with such kindness
I started crying all over again. And isn’t
that what the world needs right now, a little
more kindness? Because last night the ball
dropped and everyone held their breath
and made a wish, the world collectively hoping
that this year will be better than the last.
I started the first day of this new year with
a long walk with my dog, her anxiety
non-existent on these empty country roads.
And the few cars that passed contained
people who raised their palms in hello,
greeting me as if we were old friends, as if
they would happily accept cucumbers
from my garden, grab the package
at my front door, and deliver compassion
in the face of grief. They waved and I waved
back, this small act of kindness between
strangers, this small bit of hope carrying
us into the new year.

*

FOR MY SISTER, WHO TURNED 40 ELEVEN DAYS AFTER OUR FATHER DIED

We planned on Ireland, a week of lush
green and rolling hills, castles and seductive,
indecipherable accents. I would drive
and you would navigate. We’d hike and drink
Guinness, laugh and sleep late. Instead
we took turns holding our father’s hand,
the hum of the hospital and piped-in
Muzak, the soundtrack. After a week, we
brought him home, moved him close
to the picture window in the living room,
let the sun shine onto his skin as he gulped
for air and I pushed morphine into his cheek.
When he died we circled around his bed,
touched his cooling skin, wiped our tears
on the white sheets. Our father never left
the country, never had a passport, never
graduated high school. He left
the adventuring to us, his two youngest
daughters, the ones who flew farthest
from the nest. Let’s pull out calendars
and make plans. We’ll go next year,
or in five. We’ll explore the whole damn
world, we’ll see everything he never did.

*

Courtney LeBlanc is the author of Beautiful & Full of Monsters (Vegetarian Alcoholic Press), chapbooks All in the Family (Bottlecap Press) and The Violence Within (Flutter Press). She is also the founder and Editor-in-Chief of Riot in Your Throat, an independent poetry press. She loves nail polish, tattoos, and a soy latte each morning. Read her publications on her blog: www.wordperv.com. Follow her on twitter: @wordperv, and IG: @wordperv79.

Two Poems by Adam Chiles

~ ONE ART ~ 1 Comment

Inheritance

My mother found the dog rooting through
the mulch out back, nosing rotten cabbage leaves.
A blood shot eye. Need pushed deep into its nostrils.
What could she do but love the animal,
this famished stray, dirt steeled firm to its skin.
She nursed the creature back. Took to the fells
each day. Wandered the gravel paths
above the stacks and kilns, happy to be absent
from the tempers of that house. It didn’t last.
Her father kicked the animal out one night.
Snatched his supper plate and slammed it
against the wall. My mother rubs her arm
as she speaks. Eighty years on, she still feels it,
that sting, that phantom shard of porcelain.

*

Widower

Weekends, he parks his bike at the oak
and eases through the chapel turnstile.
As usual, a satchel slung over his back
filled with clippers, trowels, a bunch of
wildflowers. He walks to her plot, takes
out his tools and begins, digging out
a thin trench of soil, trimming its frame.
And what else can he do for her now
but this weekly crop and mend. His face
lost to a rampant beard. Below him,
daffodils, their ceaseless gold alarms.

*

Adam Chiles’ latest collection Bluff will be published by Measure Press this Summer. His work has been anthologized in Best New Poets 2006 (Samovar) and has appeared in numerous journals including Barrow Street, Beloit Poetry Journal, Cimarron Review, Copper Nickel, Cortland Review, Connotation Press, Gulf Coast, Indiana Review, The Literary Review, Magma, Permafrost, RHINO, The Threepenny Review and Thrush Poetry Review. He is professor of English and Creative Writing at Northern Virginia Community College and serves on the editorial board at Poet Lore.

January Ars Poetica by Julia Caroline Knowlton

~ ONE ART ~ 1 Comment

January Ars Poetica

        (for L.L. Knowlton)

Awake, more knotted dreams in my hands. 

It stays dark past dawn. Where have you gone?

With what spoken bone will you return?

Now I see: dust tossed in a lake became voice.

*

Julia Caroline Knowlton is Professor of French at Agnes Scott College in Atlanta, where she has taught for twenty-five years. She has a PhD in French Literature from UNC-Chapel Hill and an MFA in Poetry from Antioch University. The author of four books, she was named a Georgia Author of the Year in 2018. She is the recipient of an Academy of American Poets College Prize and a Pushcart nominee. Her work has recently appeared in literary journals such as Boston Literary Magazine and Raw Art Review. You can find her on Facebook.

Two Poems by Stan Sanvel Rubin

~ ONE ART ~ 1 Comment

The Way I Miss You

In daytime when light plays over us
even from this all-gray winter sky,
something else is dancing.

It’s always there, the hidden thing
that makes everything possible.
This is how I miss you.

It isn’t that the moon
slips inside a sleeve of night
and vanishes so that anything I see

is a partial thing defined by darkness.
The universe itself that transmits light
hides in the gravity of darkness.

I don’t miss the light.
I miss the shadow
that was our shadow.

*

The Sea Is A Grief

Listen to the old accordion
making sad music
with bones and pebbles,
countless secrets
like hidden predators.

The sea grieves for its secrets,
which are those of a small boy
watching the waves rise and fall
from a pier where a horse dives
with a star-spangled rider

into the foamy water
and emerges in front of the boy’s own eyes
still carrying the woman in the wet shining cap
who leads it back to plunge again
from the high pier into the sea.

*

Stan Sanvel Rubin has poems recently in 2 River, Sheila-na-gig and Aji and has been previously published in Agni, Georgia Review, Poetry Northwest, One and others. His four full collections include There. Here (Lost Horse Press) and Hidden Sequel (Barrow Street Book Prize). He lives on the Olympic Peninsula of Washington. He writes essay reviews of poetry for Water-Stone Review.

Grief by Donna Hilbert

~ ONE ART ~ 3 Comments

Grief

In the dishwasher,
nothing but spoons.

*

Donna Hilbert’s latest book is Gravity: New & Selected Poems, Tebot Bach, 2018. She is a monthly contributing writer to the on-line journal, Verse-Virtual. She is eager to resume leading in-person workshops and hugging her friends. Learn more at http://www.donnahilbert.com