WHEN THE WOMAN TOLD ME SHE SELDOM USES A PEN OR A PENCIL
Her dailiness now being key-stroke
and finger-strike,
no ink drying, no textures of
a rough or creamy page–
I tried to imagine having forgotten or
never having learned how each word
takes its time to be born, the rise
and curve and dip of a letter,
the scritch-scritch on paper
like a patter of raindrops on the roof
of a garret where a woman once leaned
over a desk, writing her story by hand.
*
AFTER THE DREAM, MY FRIEND
In memory, Rosemary
I woke up with her on my mind,
though not on my mind really–
an essence
hovering around me
like coastal weather–
her presence, the giant redwood
so often sheathed in mist
who still stands there–
a great reassurance on the path.
*
Andrea Potos is the author of several collections of poetry, most recently Two Emilys (Kelsay Books) and Her Joy Becomes (Fernwood Press). A new collection entitled The Presence of One Word is forthcoming later in 2025. Recent poems can be found in CALYX Journal, Presence, New York Times Book Review, Earth’s Daughters, and Poem. You can find her at andreapotos.com

I just love how quiet and deep these poems are. It makes me want to know the author.