Two Poems by Susan Vespoli

Bitch

               “Better Bitch Than Mouse”
               ~ Ruth Bader Ginsberg

The Cancer Care Center is on the third floor
of a four-story rectangular prism on 3rd Street
whose overflow parking lot faces a food pantry
where we often see a line of the Phoenix hungry
and Christopher holds my hand as we walk toward
the building I have grown to loathe even though
the receptionist, Mike, is nice, slightly droll,
as he snaps another plastic I.D. bracelet around my wrist,
even though we tagged my young blond doctor Boy Genius
on the first meeting, even though the nurses flutter around
the big-windowed mini-gymnasium of pleather chairs
like angels, even though there are photos of dogs
in party hats dangling from strings and a wide basket
of packaged snacks like Chips Ahoy and Rice
Crispy Treats and they offer us cold water bottles
and warm blankets and there are big screens
blathering home decorating shows from the wall
and a glass display case of wigs and hats and bras
for sale in the entry and a view from our chairs
of flat rooftops surrounded by a panorama of desert
mountains.           It is 2025, in the fire-hot summer
month of the sturgeon full moon, and I hate it more
every time I swim in to strike another bargain
with death; all of us have. We never knew we’d end
up here together: the young woman sleeping fetal
position in a chair, old man in a hillbilly beard
and baggy jeans, dude in a basketball uniform.
We are bald, patchy haired, or capped in turbans.
We are nauseous or munching on free processed crap.
Or we (i.e. me) are bitchy, questioning each shot,
each treatment and the garbage pail of side effects,
my partner growing weary of my boat rocking,
asking, can’t you just trust the doctors? to which I snap NO.
My therapist affirms anger as a necessary grief stage
and I say fury and I say I know I can be a bitch
and I say it’s hard to be one’s highest self when things
are hard and she says our higher self doesn’t mean sweet
and she says BITCH is an acronym for Babe In Total Charge
of Herself                      and I breathe.

*

Self Portrait as Patient

I pop half a Xanax before my appointment,
but it doesn’t really help. I am not a drug person

and my oncologist wears bright orange Nikes
as he makes his rounds, smiles and waves
at me in my corner chair next to the exit

where I can be invisible, yet scope the room
while clear chemicals enter my veins through tangled tubes

and they call this drip an infusion and the rules
post-chemo are no kissing or exchanging bodily fluids

for three days and to launder all linens and clothes in hot water.
I      pop      half      a      Xanax      before      my      appointments

so I can be invisible, close my eyes and disappear.
My one-positive-affirmation-a-day calendar
recently read: “I can do hard things,”

to which I replied, “fuck you.” I don’t want to do any more
hard things. I want peace and ease and to eat dessert after every meal.

*

Susan Vespoli is a poet from Arizona who believes in the power of writing to heal. Her poems have appeared in ONE ART: a journal of poetry, The New Verse News, Rattle, and other cool spots. She is the author of four books of poetry and teaches Wild Writing for 27 Powers and writers.com. Susan Vespoli – Author, Poet

Two Poems by Sara Clancy

Instead of Xanax

I want this age to be over and gone,
down bridle paths where ponies

wander with riders on foot
and reins dragging. I want peaches

put by, remedies renewed, a dog
in the car and enough sugar to cover

the bills. I want an hour of sleep
in a hammock under appaloosa light.

I want reason, apples and a book
playing all night long. I want decency,

mercy and the kidnapped returned.
Mercy. Mercy in the breath between

the righteous scream, the anthem
and the rebar scraped sky.

*

Last Night I Googled Your Name

It’s been ten years since we spoke,
me holding the phone two feet from
my ear, you scooping every imagined
slight from the cat box of your
childhood temper. If you were dead
or in jail, I would have heard, so it wasn’t
that. It wasn’t the pull of genetics, either,
as we’ve had a decade to prune the twisted
boughs off our family tree. Last night
I found a photo of us when we were
kids. You were laughing and goofy
with your eyes crossed, brandishing
a wooden spoon. I thought I was
in on the joke but had no idea
what was simmering.
I guess that’s why.

*

Sara Clancy a Philadelphia transplant to the Desert Southwest. Her chapbook Ghost Logic won the 2017 Turtle Island Quarterly Editors Choice Award. Among other places, her poems have appeared in Off the Coast, The Linnet’s Wings, Crab Creek Review, The Madison Review, and Verse Wisconsin. She lives in Arizona with her husband, their dog, two normal cats and a psychotic cross-eyed one.