What has Become of the First Marriage by Carolynn Kingyens

What has Become of the First Marriage

Whenever I see a mature-looking couple,
between early-to-mid sixties,
walking hand-in-hand with that obnoxious
look of late, middle age love,
I immediately know, stronger
than suspicion, that this is a second marriage,
possibly, a third.

Their bodies, still spry,
with the exception of their backs
now weary and slightly leaning
into the semblance
of a cursive C.

It’s at the garish, fluorescent-lit diner,
known for their early bird specials,
where I spot them next;
sitting side-by-side in the same
maroon-colored polyurethane-pleather
booth reminding me, for a moment,
of that yellow-tinged photograph
from a history book
back in middle school
of a pioneering couple,
sitting side-by-side as the husband
mans a dust-covered wagon
while his wife holds a long,
double barrel shotgun
across her lap during the era
of the California Gold Rush.

I ponder, wondering why
they just can’t sit across
from each other like the rest
of us disgruntled, cynical couples
well-seasoned in realism and romance,
knowing full well the value
of separate booths and bedrooms;
the value of personal space.

Perhaps we can blame it on
raising multiple children
notwithstanding the later care
of elderly parents
before the unexpected crash
and subsequent depletion
of your Roth IRA and 401K,
and our failure to launch,
rage-filled man-child, who’d turn us
prematurely gray in our thirties,
and who still keeps us
up at night with endless worry.

This is the kind of tumult
that depletes and desolates
first marriages into abysmal
shreds.

It’s as if some imaginary, sci-fi
vortex has sucked every
ounce of lust and desire
clean from the depths
of our loins, leaving our love
cagey and bone-dry.

Now when you reach out
your retired, manicured
hand across the tabletop;
across the universe;
it feels oddly foreign
and cold as a dead fish
with that thousand-yard
glaucoma-cloudy gaze,
finally yielding to its fate.

*

Carolynn Kingyens was born and raised in Northeast Philadelphia. She is the author of two poetry collections, BEFORE THE BIG BANG MAKES A SOUND and Coupling, both published by Kelsay Books. In addition to poetry, she writes short fiction and narrative essays. Two of her short stories were selected for Best of Fiction 2021 and 2023 by Across the Margin, a Brooklyn arts & culture webzine. The audio version of the stories are available on Apple Podcasts and on Spotify. And two of her essays, “There’s A Tiffany In Every Dysfunctional Family” (about the youngest sister of David and Amy Sedaris) and “How Creative Resilience Saved Me From Childhood Trauma” were recently republished by YourTango, a large, female-led NYC publisher. You can read some of her narrative essays on Medium, where she dives into a myriad of topics from The Royal Family to true crime.

Three Poems by Lorelei Bacht

Orb Weaver

As the wife, I have developed
A bad reputation,

Although in truth my nature is
Industrious and meek,

My nights and days tenderly spent
In domestic labor:

Caring for the two little ones,
A fragile construction

Of time, milk bottles, fortitude,
And imagination;

Imagining that he loves me
And will return from work

Inspired and obligated
By the cloud-thin netting

Of quiet, resigned affection
I have woven for him.

My fragile work holds us in place:
It is our home address.

And when he tears it carelessly,
With the back of the hand,

I consume the tangle of silk,
And set to work again.

*

White Bird

No-one remembers
To feed the bird in its cage,
A brush stroke of white

Watching turtle doves
Arrive and depart at ease –
No tether, no bars.

In a small mirror:
A reflection, companion
Unattainable.

Desires the size
Of horizons limited:
To the perch and back.

When we procured it,
You promised regular care,
Like a six-year-old,

Then quickly forgot,
Looking for more exotic –
White bird left behind.

I took up the job
Of feeding your abandoned
Every now and then.

To your wife the chores,
To you the purposeless thrill
Of the chase, the chase.

*

The Homecoming

Two springs after we left the house,
The turtle dove returned –

Morning song: a gentle flutter
Of blue-grey in the pines.

It came back when we stopped wishing
It back – as if it knew

That wanting can never equate
Having, and only flew

Back into the abandoned yard
Long after grass had gone

To seeds, relishing the silence,
The freedom only found

In hopeless, overgrown spaces.
(Hope really is a cage.)

And when I thought I’d lost it all,
He loved me once again.

*

Lorelei Bacht (she/they) is a person, a poet, queer, multi-, living in Asia. When she is not drawing sad little sketches, she writes – too much. Her work has appeared / is forthcoming in Anti-Heroin Chic, Visitant, The Wondrous Real, Abridged, Odd Magazine, Postscript, PROEM, SWWIM, Strukturriss, The Inflectionist Review, Hecate, and others. She is also on Instagram: @lorelei.bacht.writer and on Twitter @bachtlorelei