ONE ART’s 2026 Haiku Anthology Reading

ONE ART’s 2026 Haiku Anthology Reading

Date: Sunday, April 26
Time: 2pm Eastern
Duration: 1-1.5 hours
Hosts: Katie Dozier & Mark Danowsky

Tickets are FREE!
(donations appreciated)

>> Register Here <<

~ Event Details ~

Poets in the anthology, who are in attendance, will read their haiku.

Katie will talk about her experience curating the anthology.

If you haven’t had a chance to listen yet, Part 1 of The Poetry Space_ on ONE ART’s 2026 Haiku Anthology is out now! Part 2 will be released next week.

ONE ART’s January 2026 Reading

ONE ART’s January 2026 Reading

Sunday, January 11
Time: 2:00pm Eastern
Duration: ~ 1.25 hours
Featured Readers: Katie Dozier & Timothy Green

>>> Register Here <<<

About The Featured Readers

Timothy Green has been the editor of Rattle, managing its operations since 2004. He hosts Rattlecast and Critique of the Week and co-host of The Poetry Space_. He is the author of American Fractal (Red Hen Press) and co-author of Hot Pink Moon and Have You Seen the Moon Honey (both Fungible Editions) with his wife, Katie Dozier. He holds a masters in professional writing from USC, has been a contributing columnist for the Press-Enterprise newspaper, and co-founder of the Wrightwood Arts Center. He lives in The Woodlands, Texas, with Katie and their family.

Katie Dozier, a former professional poker player, is the author of All That Glitter (forthcoming with The Poetry Box Press), and Watering Can (Alexandria Labs). She’s the co-author of Hot Pink Moon: A Crown of Haibun, and Have You Seen the Moon Honey with her husband, Timothy Green. She loves long conversations about short poems. Katie is the creator of the top-rated podcast The Poetry Space_, the Haiku Editor for ONE ART, and an editor at Rattle.

2024 ONE ART Haiku Anthology

2024 ONE ART Haiku Anthology (Online Issue) 

How to Submit: Please email up to five haiku/senyru in the body of an email to:
onearthaiku@gmail.com and include a brief bio for use if accepted for curation.

Submission Window: March 1st-31st, 2024

Curation Decision From Katie Dozier by: April 7th, 2024

Anthology Publication Date: April 17th, 2024, National Haiku Day

Requirements: Previously uncurated, though sharing on personal sites (including social media) is great! Simultaneous submissions are also good; just please reply to your own emailed submission to let me know if it was accepted elsewhere.

What I’m Looking For: Despite what so many of us were taught in school, a three-line poem composed of five, then seven, then five syllables is not an accurate nor a complete definition of the art form of haiku. (For more on why, please read this article by Michael Dylan Welch.) Haiku cannot be distilled to being a short poem of a designated number of syllables; contemporary English haiku are constantly evolving and stretching the bounds of how much poem can be packed into a tiny package.

So what are haiku? As he outlined on our episode of The Poetry Space_, Timothy Green defines haiku as “two worlds in one breath,” which I haven’t been able to improve upon! Excellent haiku hinge upon the juxtaposition between two entities in an astonishingly quick amount of time—without the need to arbitrarily count syllables. The best haiku enable you to see both of the two worlds with a deeper understanding.

With that in mind, please do not submit 5-7-5 haiku that lack the juxtaposition at the heart of what makes haiku beat. Modern Haiku, Frogpond, and Rattle are excellent sources for what constitutes the fascinating scope of contemporary English haiku; and they are a great representation of the kind of poems I am excited to curate for ONE ART’s first ever Haiku Anthology.

I can’t wait to read your haiku and, in the meantime, find me over on X (aka. Twitter).

Best of Luck,

Katie Dozier
Haiku Editor

Five Poems by KHD

Ten-Deuce Offsuit Rain

“There’s no life like the life I’ve lived. You’re
free like a cloud floating up in the sky.”
—Doyle Brunson

In a world without good
guys, he was the good guy—
a collared shirt under that white
cowboy hat and his ten-gallon
smile posted above a shuffle
of chips. Only he could flip
breaking his leg into good luck—
instead of the NBA he gambled
his way with a super system,
zoomed through saloons
into the Bellagio’s room—
cracking one liners from the seat
of his scooter. How many times
did his hands graze the felt
as though it were grass?
The no-limit curve
of his shoulders raised
on through the years—
hunched puffy clouds
over the poker table, just
to teach us to look up.

*

Liberty

“America did not want the statue.
She took it because it was offered.”
—British journalist

Never has a face looked so forlorn as her giant
head displayed at the world’s fair for a fundraiser
to build her body. Yes, it’s easy to personify that
which is affixed with skin, even when it’s made
of copper. Made to sway in the breeze of the bay,
every ship must sail by her hips, spy the spikes
of her crown—a halo of bayonets, her eyes always
open, counting regrets. She thought she could be
a kind of lighthouse in a land that didn’t want her,
that if she learned to smile, the others would soon
orbit around her. She shone without fuel, glowed
a circle of light—and when the birds pummeled her,
for she’d grown too bright, she folded into her skeleton,
resolute to scowl, learn to blend in with the clouds. Polite.

*

A Pantoum Doesn’t Fall Far

Of course, there are horses everywhere,
when little by little, we unpainted fences—
as if the grass flashes green when I feel deja vu.
There are racetracks and fields and then you.

When, little by little, we unpainted fences
at the garage sale, a bruised copper apple.
There are racetracks and fields and now you.
How far must fruit fall just to seed truth?

At the garage sale, a bruised copper apple—
as if the grass flashes green. When I feel deja vu,
how far must fruit fall just to seed truth?
Of course there are horses everywhere.

*

Everyone Hates Flying Haibun

“Poetry: I, too, dislike it.”
—Marianne Moore

But what else am I supposed to do, when I am practically wearing an airplane’s wings, the tufts of clouds puffing up to greet me? I can’t even choke up a complaint about the pretzels—the tiny ones in a bag for a doll. Awww. I picture elves twisting the dough and in such a way have kneaded myself all the way to the North Pole. And just like Christmas—the truth is, I love it all, especially the parts I shouldn’t. Even the rage of a baby crying is woven in like how we’re knitted to our seats. Thinking Moore about it, aren’t we all a scarf—flying miles up in the air, desperate to pretend this isn’t spectacular despite the tassels trailing out behind us with golden thread?

                   a zigzag
                   through traffic—
                   poeming

*

Let Me Hold the Door For You

with both of my hands pressed on the glass—
your own hands too tied to clasp, the threat

of a door clapping closed right on your
only nose. I used to think time was a hinge.

That doors open and shut on the heels
of each second. As if I could simply grab

a rag and Windex my way through the
years. But even cracked glass can confuse

a cardinal, and I can’t stop opening all of these
windows. Sometimes, I forget to first pull

up the blinds, and the metal sails shuffle
around like timelines, smacking the frame.

I fly through. And out. And back in. And just like
the wind, time curls from the queues with no end—

*

KHD’s love of poetry first bloomed as a child. She memorized Robert Frost sitting on a tree stump and bathed in Edgar Allan Poe as an adolescent. While studying words at Florida State University, she played with chips and became a professional poker player. She’s passionate about the immense potential NFTs present for poetry, and enjoys helping onboard traditional poets primarily through Twitter (@Katie_Dozier). Her poetry has recently been published by Rattle, Frontier, and The Tickle. She maintains TheNFTPoetryGallery.com as a vehicle for showing the potential of CryptoPoetry, regularly speaks at NFT NYC conferences, and hosts “ThePoetrySpace_” weekly on Twitter.

I Head to the Bathroom in a Plane Accompanied by a Migraine by KHD

I Head to the Bathroom in a Plane Accompanied by a Migraine

“Art is not a mirror held up to reality but a hammer with which to shape it.”
         —Bertolt Brech

AI claimed my arm rest.
The kid behind me plays

soccer with my seat. There is
a pounding in my head and on

and on it drums; the sum of loud
rhymes. AI gave me gum then spit out

that art is dead. Instead consider time,
I said. It beats, yes, but that beat’s

a sign, a pulse, a wave. A blue-water
flush. When two mirrors reflect

each other, where does that wind
up? Smash the glass with a hammer

and write with all the dust.

*

KHD’s love of poetry first bloomed as a child. She memorized Robert Frost sitting on a tree stump and bathed in Edgar Allan Poe as an adolescent. While studying words at Florida State University, she played with chips and became a professional poker player. She’s passionate about the immense potential NFTs present for poetry, and enjoys helping onboard traditional poets primarily through Twitter (@Katie_Dozier). Her poetry has recently been published by Rattle, Frontier, and The Tickle. She maintains TheNFTPoetryGallery.com as a vehicle for showing the potential of CryptoPoetry, regularly speaks at NFT NYC conferences, and hosts “ThePoetrySpace_” weekly on Twitter.

A Sonnet in Recession by KHD

A Sonnet in Recession

Some metaphors are too obvious—we all fell off
a stationary bike. My daughters pop bubbles

and we read a book about bears—a canoe crashes off
a waterfall’s chart. The playgrounds are parents pushing

their phones on swings—conversations sink to a chorus of lyrics
lamenting the price of gas. Fortunes lost as fast as blowing out

birthday candles. We forget to be Banksy’s red balloons
instead of shredded paintings. There is no such thing

as a free lunch—not even a squiggly square of ramen noodles
stuffed into a wrinkled brown sack. But they still haven’t found

a way to tax us for our thoughts. The best brains are antifragile—
they’ll patch our cracked AI commodities with molten gold.

What first presents as plunging could be the biggest swing of all.

*

KHD’s love of poetry first bloomed as a child. She memorized Robert Frost sitting on a tree stump and bathed in Edgar Allan Poe as an adolescent. While studying words at Florida State University, she played with chips and became a professional poker player. She’s passionate about the immense potential NFTs present for poetry, and enjoys helping onboard traditional poets primarily through Twitter (@Katie_Dozier). Her poetry has recently been published by Rattle, Frontier, and The Tickle. She maintains TheNFTPoetryGallery.com as a vehicle for showing the potential of CryptoPoetry.