A Monster of Correction by William Doreski

A Monster of Correction

No one knew how Aunt Alice got into our family. With her starry blue gaze and stilted posture she looked like a refugee from some tiny, impoverished European state. She moved into our apartment with a fat leather bag and an armful of books from Goodwill’s dusty shelves. The first night, when Carole served pigs’ feet and artichokes, Aunt Alice proved to be a monster of correction. Pigs’ feet should be boiled, not roasted. Artichokes go better with beef. Our dining room looks dingy. We should repaint it a delicate shade of yellow. Carole’s apron looks old-fashioned. Your hair sticks up funny. We went to bed early that night, leaving Aunt Alice complaining on the phone to a stranger she had randomly dialed. Days passed. Nights passed. The monster of correction corrected everyone we knew. She told Calvin he talked oddly. She ordered Melinda to wear longer skirts and stop showing her stuff. She told the Unitarian preacher that his God was a wimp and needed elocution lessons. She even tried to correct the sloppy eating habits of our cats, but they ignored her. Carole and I couldn’t ignore her. Aunt Alice had a voice of flint on steel. She sparked when she spoke, and several times almost set the place on fire. Finally we asked her to leave. Her response was to stretch out on the sofa and die. She was clutching a sheet of paper with instructions for the disposal of her carcass. She wanted to be cremated, and the urn with her ashes set on our mantle. Done and done. Now when that metallic voice creaks in the dark we correct her by telling her no one can hear unless she speaks up.

*

William Doreski lives in Peterborough, New Hampshire. He has taught at several colleges and universities. His most recent book of poetry is No Vacancy (2025). He has published three critical studies, including Robert Lowell’s Shifting Colors. His essays, poetry, fiction, and reviews have appeared in various journals.

Three Poems by Harrison Bae Wein

My Aunt When She Drank Scotch

Whenever my aunt babysat for us
intending to stay the night
carrying her canvas tote,
wearing white leather tennis shoes,

I would wake to her sobbing
and sneak into the guest room
where she sat on the hideaway bed,
wearing her blue men’s pajamas,

nursing a scotch, both hands
wrapped around the glass.
What was wrong, I didn’t know
until one night she told me

that she once loved someone
who wasn’t a Jew
but my grandmother drove him away,
and after that, she lived like a widow

with no one to talk to over meals,
no one to sleep beside
no one to help her pick out bath towels
or have children with.

I heard the ice tinkle
as she sipped, eyelids shut,
and to this day I’ve found
comfort in scotch,

its caramel scent and honey glow;
I didn’t know then
how it burned your throat,
that it wasn’t like candies and sweets.

*

Memory of My Grandfather

Grandma divided the bed
whenever I slept over
with a wooden board,
saying she didn’t want me
catching his cancer,

but aside from that,
all I can recall
is that small apartment kitchen,

how he shuffled past
the old gas oven
you had to light with a match
in his collared striped pajamas
to sit at the dining table

and drink his
Pepto-Bismol
from a small juice glass
to ease his stomach
after the chemo,
the chalky pink sludge
leaving a foam line
on his lip,

and then how I wailed
when I learned
they’d had his funeral
without telling me—

although to this day
I don’t know
what it was
I thought I’d missed.

*

My Mother Loses Me at the Department Store

I am stranded on an island
of a mannequin stand, sitting and
peering up at the pale plastic skin,
her dress the color of canaries,

a man in an armchair winks
as if we’re in a secret club, but I
focus on the women meandering,
rummaging for bargains,

mother nowhere in sight,
muzac drifting through the air
as cash registers open and close,
sounding like distant thunder.

They disappear behind racks
of packed rayon and wool,
scarves drooping from steel saplings,
hats perched like hawks,

and I wonder what would happen
if they turn off the lights,
and lock all the doors, with me still inside—
who will ever find me

when I spot her emerging
from a dressing room,
smiling and
wearing a new dress,
the tags already removed.

*

Harrison Bae Wein’s fiction and poetry has appeared in several literary journals. His series of laboratory stories, Blinded by Science, was the first fiction published at LabLit.com. He has also been a finalist in the Glimmer Train Family Matters short story contest. Harrison has won several awards as a health and science writer, and his work has appeared in The Washington Post, The Richmond Times-Dispatch and many other outlets. He founded and now edits two health publications at the National Institutes of Health. You can find him online at http://harrisonwein.com.