Three Poems by Renee Williams

Bad Boys and Johnny Cash

How many times can you listen
to Folsom Prison Blues
at the request of a whiny five-year-old,
on the drive home from a trip to Florida,
who’s forgotten her Tatters doll,
left at the hotel a hundred miles back,
who’s crying nonstop, still demanding
to listen to Johnny Cash,
stomping and slamming her sticky,
snot-encrusted fists against the back
of the head rest so many times
that everyone in the cars feels
like they are in prison and just wants
to toss her out on the highway?

My Dad caved, went back,
got the doll. Growing up, I’d
cut out photos of Cash,
and stick them on my bedroom walls
because I could never get enough
of the Man in Black.
Probably the start of something not good,
never any good…

My father is to blame for all of this,
for indulging me
and introducing me to motorcycles
and dragging me on the back
of that dilapidated dirt bike
into Snake Holler and having it break down
on us when we ran out of gas
and had to walk home,
Walk of Shame, clean home
to Mom, who wasn’t amused,
just wanting us to wash
off the mud, so we could
have a proper dinner.

The flurry of bad boys hit
until I straight up married a proper fellow,
who became an accountant and had tax season,
but I just wanted to party, so I found
a better one, the love of my life.

We married, and he got a bike,
and then several more,
multiplying like rabbits.
He even got me one
for my own self.

But I couldn’t tell Dad.
Because I knew he’d be jealous,
because he couldn’t ride anymore,
because he thought I was getting
CPR training to save his life,
when I was really taking
my motorcycle safety class.

But I wasn’t there
when the CPR was needed.

When I go to see Dad now,
I’m greeted by Hoss,
the sexton’s Old English bulldog pup,
who nearly knocks me down
with his 70 pounds of bad boy exuberance,
the therapy dog for the ones
who still have imprisoned pulses
who still have teary blues
who still have tattered hearts
walking among the headstones.

*

Unmoored

They say that grief comes in waves,
but I find it lapping at my feet
as ocean waves tease the shore,
ripples small and steady for so long,
until one plows into me,
nearly knocking me off my feet.

Bobbing like a buoy in rough surf
I’m staggering through this life
no longer chained to commitments
and now I don’t know what to do.
Maybe the saddest thing in the world
is a caregiver
who no longer
has anyone to care for.

Tears won’t stop no matter how I try,
but lies come easily.
Everyone will believe I’m just suffering
from those darned allergies, right,
or maybe raging sinuses?
It’s been over a month.
Shouldn’t I be moving on by now?

I seek messages and meaning
in feathers and foliage,
creatures and constellations.
And I am left
as befuddled as I was
when my feet hit the floor
this morning.

*

We Know You Here

Our priest asks us to step into the light,
not to hide in the darkness.
I understand the metaphor,
but the reality horrifies me.
I recoil.

The sun, beautiful muse of goodness,
is not where I belong.
Please leave me here in the dark
and let the messages
come to me. In the shaded woods
illuminated only by moonlight
I am comforted, nurtured, restored.
Deer peek at me from the brush
eyes aflame, yet they do not fear me.
The chorus of spring peepers reminds me
this is my home. Safety is here.
Yes, coyotes prowl these hills at night
but they, too, will avoid me.
Ancient opossums traipse through the lawn
and sometimes a raccoon or rabbit or two
may join them. Nuisances, annoyances,
problems to so many, but here, they have a place.

I dance with Luna moths,
letting them light on my fingertips,
precious butterflies of the night.
Stay with me, I urge them.
The light is not your friend.
It will hurt you as it has me
mutilating and maiming.

But the sunlight beckons me forth
the highest card in the Tarot
the child astride a stallion
beams of light surrounding him.
I am drawn to that beacon of warmth.
I want to bask in those soothing rays.
But it’s an illusion.

I step back into the night and breathe.
Crisp night air fills my lungs.
Stars fall from the sky, as if offering me gifts
to welcome me home.
Stay, they tell me.
We know you here.

*

Renee Williams is from Nelsonville, Ohio. She is a retired English instructor whose poetry has appeared in Of Rust and Glass, Alien Buddha Press zines, Verse-Virtual, Deep South Magazine, Panoply, Impspired, Sein und Werden, The Rye Whiskey Review, The Amethyst Review, The New Verse News, and Beatnik Cowboy among others. She has written interviews and concert reviews for Guitar Digest, as well. Her photography has been featured in the Corolla Wild Horse Fund calendars, the Santa Fe Review, Moss Piglet, Anti-Heroin Chic, Swim Press, Lumineire as well as several others. She enjoys spending time with her family and dogs; she takes orders from her cranky cat who bosses her around daily.

11 thoughts on “Three Poems by Renee Williams

  1. Renee’s poems are personal and written as a way to cope with her feelings. Yet, the teacher in her shares them with others. She allows others to feel (empathy), because they can relate her poems to occurrences within their own lives. Renee artfully arranges words that affect my soul and stir up emotions that were sleeping. Today I read her three poems and they woke up emotions that I thought were safely hiding in my heart. ♥️

  2. Bonita, thank you so much. Your response just makes my heart soar. I’m so thankful that the poems resonated with you. Thank you so much for taking the time to read them and respond.

  3. I’m finally catching up, and love these – all but maybe especially the Johnny Cash poem. It caught me by surprise and I was grateful the doll was retrieved. The poems capture the losses and vulnerability so well.