ONE ART’s Top 10 Most-Read Poets of March 2024

~ ONE ART’s Top 10 Most-Read Poets of March 2024 ~

  1. Rosemerry Wahtola Trommer
  2. Donna Hilbert
  3. Terri Kirby Erickson
  4. Betsy Mars
  5. Nancy Huggett
  6. Meredith Stewart Kirkwood
  7. Timothy Green
  8. Wendy Kagan
  9. Andrea Potos
  10. Robert Nordstrom

Ode to My Miscarried One by Wendy Kagan

Ode to My Miscarried One

You, remote as a star—
all you knew was a kind of

floating.

Undulant, slight
as a comma

mote, iota, seedling.

You, magnolia blossom
silken, blush-colored cup
already fringed with brown
before yawning fully open.

You roomed in me just six weeks.
Those days, I called to you
hushed, staticky transmissions
returned to sender.

You, thought bubble
zealots’ unborn
sanctity without a face.

The world is exhausting—
no wonder you retreated
into a sloop of the uterus
that had shored up its moorings
to protect you.

Time was a dream you never woke to.

You simply stopped
growing
then spilled out in a red rush, curdled and thick
as mother’s milk gone bad.

You, soaker
though in that crimson river I saw
nothing of you.

Life sped on without you
who had best expressed its lavish excess:
bright cellular confetti.

Oh, nature’s spare
understudy

I fell in love a little
when your hazy half-light being
brushed against mine.

Why else would I find myself
after the terrible, echoey ultrasound
crying in chrome stirrups
riding your reachless
void, my womb
hollow as a death bell?

*

Wendy Kagan lives in New York’s Catskill mountain foothills. Her poems have appeared or are forthcoming in such journals as The Poetry Distillery, Eunoia Review, Chronogram, and The Baffler. Wendy holds an MA in English from Columbia University. Her chapbook Blood Moon Aria was long-listed for the Yellow Arrow Publishing 2024 chapbook competition.

Ghost period by Wendy Kagan

Ghost period

Then the heat vanished
      and she was here again:

my maidenhood, a vestige of her,
      come for one more visit

(six months after
      what I thought was her last)

to leave behind
      her pale pink plush—

barely there, translucent
      as a moth’s wing-print.

Just as the tattered heads
      of asters, on warm

November days, peek out late
      then get snowed over,

she was out of
      step with the order of things

but I flickered up to see her anyway
      as if meeting an old flame

who’d given no end of trouble
      yet still brought stirrings.

She came without throbs
      that some might feel

the pelvis a bowl of fire
      empty as a phantom limb.

No, this body
      declared it was

a kid again, all day
      I felt the old currents

cartwheel through

*

Wendy Kagan lives and writes in a converted barn in New York’s Hudson River Valley. Her poems have appeared in The Baffler, Chronogram, and Poetry Distillery. She was named a finalist for the David Wade Hogue Poetry Scholarship “Martha Award” in 2022.