Aperture by Valerie Bacharach

Aperture
The sun not yet visible. Barbara’s photo on my phone,
she and I hold our first books. In March, she will be dead
four years. Future tense for a past event.
I read that the Earth’s magnetic north pole is shifting. Canada to Siberia.
As if my body drifts toward the cold land of my ancestors.
As if I’m not unsteady enough.
As if Barbara’s photo unleashes grief’s insistent music.
We liked to shop for shoes. Red ones.
When cancer returned with its rapacious mouth,
she shaved her head, left one wide swath of hair,
worn in a warrior’s topknot.
The aperture of her life narrowing.
*
Valerie Bacharach is a graduate of Carlow University’s MFA program and a proud member of Carlow University’s Madwomen in the Attic writing workshops. Her book, Last Glimpse was published by Broadstone Books in August 2024. Her poem Birthday Portrait, Son, published by the Ilanot Review, was selected for inclusion in 2023 Best Small Fictions. She has been nominated for three Pushcart Prizes and two Best of the Net.

Ode to My Spine by Valerie Bacharach

Ode to My Spine

Vertebrae, pale as winter sun, fixed in place
by screws tiny as a newborn’s fingernail.
Trace its path on the x-ray—
a trail alive with reconnecting protons and electrons.
When I sit in silence, I can hear
the swift flow of blood,
ligaments with their quiet song.
Nerves freed from compression flare
down my leg like last night’s lightning.
Muscles speak again in the body’s code—
contract and release, release and contract.
My spine’s aging column holds me
erect as one foot steps forward,
hovers in space above sidewalk,
breath held tight in lungs, my future a tenuous thing.

*

Valerie Bacharach is a proud member of Carlow University’s Madwomen in the Attic writing workshops. Her book, Last Glimpse, will be published by Broadstone Books. Her chapbook After/Life will be published by Finishing Line Press. Her poem Birthday Portrait, Son, published by the Ilanot Review, was selected for inclusion in 2023 Best Small Fictions. She has been nominated for three Pushcart Prizes and one Best of the Net.

What I’m Thinking About this Morning by Valerie Bacharach

What I’m Thinking About this Morning

That I have outlived my younger son.

That when I rise, the tendon
or ligament or muscle
behind my left knee hurts,
which makes me think about my mother
and her arthritic knees.

That the holidays hold too many memories, too many ghosts.

That my older son has outlived his brother,
and I worry about his grief,
but don’t ask because then he worries
about mine, and my husband
doesn’t ask because he too worries.
All this unshared grief
will crush us, flatten us,
so we move in quiet shadows
around each other.

That I am so tired, even after sleeping through the night.

That my husband moans
in his dreams, despairing,
searching for ways
to alter time,
bend it,
plant a different ending.

*

Valerie Bacharach’s book, Last Glimpse, will be published by Broadstone Books. Her chapbook After/Life will be published by Finishing Line Press. Her poem Birthday Portrait, Son, published by the Ilanot Review, was selected for inclusion in 2023 Best Small Fictions. Her poem Shavli has been nominated for Best of the Net 2023 and a Pushcart Prize by Minyan Magazine. Her poem Deadbolt has been nominated for a Pushcart Prize by RockPaperPoem.

ONE ART’s Top 10 Most-Read Poets of September 2023

~ ONE ART’s Top 10 Most-Read Poets of September 2023 ~

  1. Jane Edna Mohler – Feast
  2. Valerie Bacharach – Betrayal
  3. Julie Weiss – Dream in Which I Stop to Say Goodbye
  4. Jessica Goodfellow – Milk
  5. Rosemerry Wahtola Trommer – Three Poems
  6. Dan Butler – Four Poems
  7. Matthew Murrey – Kindergarten
  8. Tammy Greenwood – Evacuation
  9. Robbie Gamble – To Anna, On Her Retirement
  10. Zeina Azzam – Losing a Homeland

Betrayal by Valerie Bacharach

Betrayal

After strokes corroded synapses, sent neurons flaring into nothingness.
After her body’s right side became unwilling.

Once, my mother clothed herself in ruby and obsidian,
harnessed the spinning world, drank scotch in a heavy glass.

After existing in assisted living, refusing to dress, to eat,
to sleep in the hospital bed, her own bed too big, too high off the ground.

Once, my mother begged me not to hate her, confessed
affairs with married men, her loneliness a halo.

After language decamped until only no remained.
Her frenetic heart, her stuttering lungs pinned me to earth.

Once, in the week before she died, my mother said
dying isn’t like it is in the movies.

Riddle: Who can laugh and cry at exactly the same time?
A daughter.

*

Valerie Bacharach’s writing has appeared or will appear in: Vox Populi, The Blue Mountain Review, EcoTheo Review, Minyon Magazine, One Art, The Ilanot Review, and Poetica. Her chapbook After/Life will be published by Finishing Line Press. Her book Ghost Recipe will be published by Broadstone Books.

The Kintsugi Artist by Valerie Bacharach

The Kintsugi Artist

I’m with Ginny, hiking a trail in the Adirondack mountains,
feet cushioned by pine needles and moss, our husbands far ahead,

everything late-summer green against birch bark and granite boulders,
we’re talking about the importance of crystals and massage,

but really, I just want to be quiet in this space of moss and trees,
simply walk and listen to birds and the creaking of branches.

If I stare hard enough I can imagine Daniel Day-Lewis running through
these woods. Remember, when he played Hawkeye in “The Last of the Mohicans,”

clutching his musket, leaping over undergrowth and rocks, and that line he says
to his love “I will find you,” and Ginny grows silent,

she’s looking at me, a broken vessel webbed with fault lines
and she the Kintsugi artist who will seam me

with tree-sap lacquer and powdered gold, make my fissures beautiful
and I remember ten years ago, when we lived in a small town

and I called her, told her our younger son had died, alone in a sleazy motel room.
Opioid addiction unchecked, his story unique, and not, our grief unique, and not.

She and Brian were in the Adirondacks, they got in their car and drove
ten hours to us. Her face is the one I saw in my frenzied brain

as I spoke at his funeral, her eyes locked on mine, words forced
from my mouth. But now we’re on this trail, the air feels like a living thing,

winds ring through leaves, the sky a pattern of blue and clouds and we arrive
at an overlook, our husbands waiting in a wide open space, mountains arrayed

before us, a dawn of creation. And isn’t time a bitch, the way it slogs along
or races too fast like my mother’s heart right before she died,

wild beats pounding below fragile skin and weakened bones,
body collapsing like a deflated balloon. It’s been two years but she haunts me

like a crazed Jewish mother (which she was, even though she’d shredded her faith
years earlier), and now my leg begins to ache, the right one, sciatica sending

a fist gripping thigh muscles, foot numb. My dad had sciatica,
retreated to his couch, then his bed, high on 40 years of hydrocodone,

and I wish I knew more about genetics, did I doom my boy before he drew his first breath?
My ghosts are with me everywhere, even here in this northern corner of New York,

and all around are cairns, piles of rocks built by other hikers, mementos of loss.
My husband talks to Ginny and Brian, they all take photos.

I am intent on gathering the right stones to build my own monument.
The wind pulses a foreshadow of autumn.

*

Valerie Bacharach’s writing has appeared or will appear in: Vox Populi, Blue Mountain Review, EcoTheo Review, Ilanot Review, Minyon Magazine, and One Art, among others. Her chapbook Fireweed was published by Main Street Rag. Her chapbook Ghost-Mother was published by Finishing Line Press. She has been nominated twice for a Pushcart Prize.

Summer by Valerie Bacharach

Summer
           for Paul

Suppose I said summer, wrote “heat” on a notecard,
slipped it into your pocket.
Would you think of Rome?

Frozen bottles of water from street vendors
held against foreheads, the back of our necks,
a shield against wet, thick air as we wandered
among ruins and gardens.

We stopped at any store with air-conditioning,
took three showers a day, never again so clean.
And oh, that restaurant in Trastevere,
zucchini flowers stuffed with cheese, one salty anchovy,
fried to crisp decadence.

You bought me a necklace in the old Jewish ghetto
so intricate it was like holding liquid silver.
We kissed as clerks and customers applauded.

Sometimes life is so hard it seems made of stone.
But think of our last evening in that ancient city.
We strolled cobbled streets in warm night air,
the two of us slipping into each other’s heat.

*

Valerie Bacharach’s writing has appeared or will appear in: Vox Populi, Whale Road Review, The Blue Mountain Review, EcoTheo Review, Kosmos Quarterly Journal, Amethyst Review, On the Seawall, Poetica. Minyon Magazine, One Art, and Writer’s Foundry Review. Her chapbook Fireweed was published by Main Street Rag in 2018 and her chapbook Ghost-Mother was published by Finishing Line Press in 2021. She has been nominated twice for a Pushcart Prize.

Estuary by Valerie Bacharach

Estuary

Where river currents meet sea’s tide,
where salt and fresh water mingle,
where grief and joy blur edges,
a weaving of what the soul desires.
Plums and apricots, leftover bread,
the sounds of your laugh.

*

Valerie Bacharach received her MFA from Carlow University in poetry and is a member of the Madwomen in the Attic writing workshops. Her writing has appeared or will appear in: Vox Viola, Vox Populi, Whale Road Review, The Blue Mountain Review, EcoTheo Review, Kosmos Quarterly Journal, Amethyst Review, On the Seawall, Poetica, and Minyon Magazine. Her chapbook, Fireweed, was published in August 2018 by Main Street Rag. Her chapbook Ghost-Mother was published by Finishing Line Press in July, 2021. Her poem Self-Portrait with Origin Story was nominated for a Pushcart Prize.