Four Poems by Rachel Beachy

I Don’t Know How to Convince You to Care About Others

Because at some point we were all children
running toward whoever cried, asking what’s
wrong. Pretending to put Band-Aids on baby
dolls and check the temperatures of our teddy
bears. We were sad when something fell apart
and tried to make it better than before. When
we were scared, we looked for the helpers and
wanted to be one. We believed a kiss could cure
scraped knees. Just the other day, my daughter
burst into tears because we found a dead bug on
the windowsill. I wanted to say it was fine, not to
cry, but then I stopped myself. Because maybe
this is how it starts to end. And instead of being
one more person telling her it doesn’t matter, I
can be the one who makes it okay to care more.

*

Call for Submissions

The theme is rage and the deadline is
yesterday. It is too late now for all that.
Today you must get up, plant your feet
on the ground as you would a garden:
tenderly, with hope. Tilt water toward
your lips and open wide. What spills
is only an overflow of want and need
and this is a good sign, I promise.
Turn your face to the sky and submit
to the call for life – in spite of everything
undeterred and blinding.
The sun, each day,
is an uprising.

*

And Now, for My Next Trick

I will not scream when screamed at, or into the void

When everyone says we are in the handbasket, I will fill the laundry basket
with tiny socks and try not to lose one, or my mind

Everything may be burning but I will make dinner that doesn’t
for children who refuse to eat it anyway

I will sing them to sleep even though
I can’t carry a tune, or the weight of the world

When I worry, I will clench my teeth in the night without
clenching my fists when I wake

I will let go of fear and cling to hope,
put down my guilt and hold my children

For today, I will remember it is enough to be there for them
and, in spite of everything, to be here at all.

*

Not Everything Has to be a Poem

A plum could just be a plum. A window, glass –
not something to be opened to the breeze or
an opportunity seized. What you see is what you
get: the rocks in my pocket from my child are
just bits of dirty stone. While we’re at it, let me
tell her that dandelions have nothing to do with
a wish and pennies aren’t luck. She could grow
up calling the sunset red and orange instead of
a sky on fire and hearing birdsong as background
noise. None of it has to mean anything more.
But it could, right? We could take this life
and make it art.

*

Rachel Beachy lives in Kentucky with her husband and children. Her debut collection Tiny Universe will be published by Kelsay Books. Her poetry has also appeared in Ephemera, Freshwater, The Orchards Poetry Journal, Sky Island Journal, wildscape. literary journal, and others. She was shortlisted for the Central Avenue Poetry Prize 2026.

2024 ONE ART Haiku Anthology

2024 ONE ART Haiku Anthology (Online Issue) 

How to Submit: Please email up to five haiku/senyru in the body of an email to:
onearthaiku@gmail.com and include a brief bio for use if accepted for curation.

Submission Window: March 1st-31st, 2024

Curation Decision From Katie Dozier by: April 7th, 2024

Anthology Publication Date: April 17th, 2024, National Haiku Day

Requirements: Previously uncurated, though sharing on personal sites (including social media) is great! Simultaneous submissions are also good; just please reply to your own emailed submission to let me know if it was accepted elsewhere.

What I’m Looking For: Despite what so many of us were taught in school, a three-line poem composed of five, then seven, then five syllables is not an accurate nor a complete definition of the art form of haiku. (For more on why, please read this article by Michael Dylan Welch.) Haiku cannot be distilled to being a short poem of a designated number of syllables; contemporary English haiku are constantly evolving and stretching the bounds of how much poem can be packed into a tiny package.

So what are haiku? As he outlined on our episode of The Poetry Space_, Timothy Green defines haiku as “two worlds in one breath,” which I haven’t been able to improve upon! Excellent haiku hinge upon the juxtaposition between two entities in an astonishingly quick amount of time—without the need to arbitrarily count syllables. The best haiku enable you to see both of the two worlds with a deeper understanding.

With that in mind, please do not submit 5-7-5 haiku that lack the juxtaposition at the heart of what makes haiku beat. Modern Haiku, Frogpond, and Rattle are excellent sources for what constitutes the fascinating scope of contemporary English haiku; and they are a great representation of the kind of poems I am excited to curate for ONE ART’s first ever Haiku Anthology.

I can’t wait to read your haiku and, in the meantime, find me over on X (aka. Twitter).

Best of Luck,

Katie Dozier
Haiku Editor