Two Poems by Dolo Diaz

Starbucks Impostor

For years I’d been Susan.
My real name unpronounceable
to them, a dry “r” they wet and sloth.
Saliva spilling into my coffee.

Then the wait was so long at this one store
that I used the app to pre-order.
There was a cup waiting for me,
small non-fat cappuccino,
with my real name printed.
I reached but recoiled.

I looked around at the other customers,
wondering who else was under cover,
who laid bare. I grabbed the cup and
tossed it, discreetly.

Then shuffled to the long line,
gaze on the ground,
to order a small nonfat cappuccino
for Susan.

*

Communion

He would place it on my tongue
with reverence; he was a holy man,
no doubt. No eye contact—he
knew all my sins—
bound on earth.

I would do a one-eighty,
return to my seat, kneel
in the hard chestnut.

Downcast gaze, the tip of my tongue
slowly peeling the wet wafer
from the roof of my mouth.

This is God, stuck to
the roof of my mouth—
nothing else was coming loose.

*

Dolo Diaz is a scientist / poet with roots in Spain, currently residing in California. Her work has appeared/forthcoming in ONE ART, The Summerset Review, Third Wednesday, The Lake, among others. dolodiaz.com

One Poem by Leigh Chadwick

Millennial Poem or: How I Learned to Stop Drinking Starbucks and Wait Patiently for My Parents to Die so I Can Cash in on My Inheritance

I put another avocado in my safety deposit box.
I sell my plasma and save half the cookie
the nurse gives me for breakfast the next morning.
I am poor and so are you and if you’re not poor
then who did you kill. My loans have loans.
My daughter is growing up to be a history
lesson in debt. I own a house and I don’t
know why. Soon I will not own a house
and I will know exactly why. I’ve never eaten
avocado toast but I drink milk without the lactose
and it’s like forty-two cents more a gallon
than regular milk. I type stock market into
Google Maps. It takes me to a set of train tracks.
I park my car in the middle of the tracks, turn
off the engine and wait.

*

Leigh Chadwick is the author of the chapbook, Daughters of the State (Bottlecap Press, 2021), the poetry coloring book, This Is How We Learn How to Pray (ELJ Editions, 2021), and the full-length collection, Wound Channels (ELJ Edition, 2022). Her poetry has appeared or is forthcoming in Salamander, Heavy Feather Review, Indianapolis Review, and Olney Magazine, among others. Find her on Twitter at @LeighChadwick5.