Preservationist by Edie Meade

Preservationist [American sonnet in American sentences]
for WD
what do you call a man, old, unmarried and outliving his children?
do you call him, do you let him send your children his old belongings?
I know he doesn’t want anyone to feel sorry for him, it’s just
he lives alone there, no heirs, with a library of biology
guides to spiders, venomous snakes of Tennessee, wildlife of the south
every week they arrive mummified in packing tape and grocery bags
estate sale preemption, keepsakes widowed into the arms of strangers
he sends each book wrapped more tightly than the last, handwriting unraveled
to index card, thumbprint smudge notarized, legacy the task at hand
let the kids lay into it, their excitement breaking safety scissors
this is the natural order of things, this is the future, this is it
I saw him on the news, nearly eighty, snatching a timber rattler
shirtless in the woods, all tendons and lightning and ferocious smile
he said, preserving a habitat means caring for the hard to love
*
Edie Meade is a writer in Petersburg, Virginia. Recently published in Room Magazine, Invisible City, The Harvard Advocate, JMWW, The Normal School, and Litro.
Twitter: @ediemeade
Instagram and Threads: @edie_thee_meade
Website: https://ediemeade.com/

Write a Demi-Sonnet! — A Workshop with Erin Murphy

Write a Demi-Sonnet!
Instructor: Erin Murphy
Date: Wednesday, June 12, 2024
Time: 3:00-4:30pm (Eastern)
Price: $25 (payment options)

To register for this workshop, please contact Mark Danowsky (Editor-in-Chief of ONE ART) at oneartpoetry@gmail.com

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Write a Demi-Sonnet!

In this generative workshop, you will learn to write a demi-sonnet, a form invented by the instructor, Erin Murphy. Demi-sonnets are seven lines (half a sonnet!) and end with a full or slant rhyme. Poet Claire Bateman calls demi-sonnets “small but alarmingly penetrative,” while James Allen Hall says they “go by quickly but their staying power is immense.” Read sample demi-sonnets here and here. And here is a prize-winning demi-sonnet by Jennifer Wang written in response to a Rattle magazine prompt. During the workshop, you’ll read and discuss sample demi-sonnets, write one (or several) yourself, and learn how practicing the compressed form has applications for composing and editing both poetry and prose.

NOTE: Participants should bring to the workshop 3-5 original poems of 20-60 lines each.

Erin Murphy is the author or editor of fourteen books, chapbooks, and anthologies, most recently Fluent in Blue (Grayson Books, 2024) and Human Resources (forthcoming from Salmon Poetry). Her collections of demi-sonnets include Taxonomies (2022), Assisted Living (2018), and Word Problems (2011). She is poetry editor of The Summerset Review and professor of English at Penn State Altoona. Website: erin-murphy.com

Erin Murphy

Wonky Sonnet on Death by Bob Lucky

Wonky Sonnet on Death

What a responsibility to be alive,
and then we start looking for a purpose.

We want to save something
thinking it will save our souls — whales,
stray dogs, turtles, antique quilts, bottle caps,
comic books, owls, condors, any number
of frogs, family recipes, photo albums.
I could go on — elephants and tigers too.

Watching the news, it’s clear
everyone’s on trial and our souls
are the least of our worries.
How many of us fail to turn in
the room key when we check out?

We’ve forgotten how to die,
and what a responsibility that is.

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Bob Lucky lives in Portugal. He is the author of Ethiopian Time (Red Bird Chapbooks, 2014), Conversation Starters in a Language No One Speaks (SurVision Books, 2018), and My Thology: Not Always True But Always Truth (Cyberwit, 2019).

How to Bury Your Dog Using a Sonnet by Brian Duncan

How to Bury Your Dog Using a Sonnet

Close your eyes, smell his fur for the last time,
clip a lock from his tail, tie it with yarn,
hang his faded blue collar by the door,
dig a hole under his black locust tree.

Feel the rough gray leather of his paw pads,
run your fingers over the half-moon scar,
from the broken bottle he stepped on in the pond,
fill the hole with bully sticks, balls, and surrender.

Flip his ear inside out, then back again,
lock the gate that leads to the trails out back,
pull the batteries from the GPS tracker,
plant sweet pepperbush all around.

Scrape the food dishes, empty the water bowl,
listen for echoes of nail clicks on tiles.

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Brian Duncan lives in Kendall Park, New Jersey with his wife Margie and two cats. He worked in a virology laboratory at Princeton University for many years and is now happily retired. He enjoys devoting his time to poetry, gardening, and hiking. He has been writing poems for many years, but has only recently started submitting. He has a poem that will be coming out in the summer issue of Thimble.

A Sonnet in Recession by KHD

A Sonnet in Recession

Some metaphors are too obvious—we all fell off
a stationary bike. My daughters pop bubbles

and we read a book about bears—a canoe crashes off
a waterfall’s chart. The playgrounds are parents pushing

their phones on swings—conversations sink to a chorus of lyrics
lamenting the price of gas. Fortunes lost as fast as blowing out

birthday candles. We forget to be Banksy’s red balloons
instead of shredded paintings. There is no such thing

as a free lunch—not even a squiggly square of ramen noodles
stuffed into a wrinkled brown sack. But they still haven’t found

a way to tax us for our thoughts. The best brains are antifragile—
they’ll patch our cracked AI commodities with molten gold.

What first presents as plunging could be the biggest swing of all.

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KHD’s love of poetry first bloomed as a child. She memorized Robert Frost sitting on a tree stump and bathed in Edgar Allan Poe as an adolescent. While studying words at Florida State University, she played with chips and became a professional poker player. She’s passionate about the immense potential NFTs present for poetry, and enjoys helping onboard traditional poets primarily through Twitter (@Katie_Dozier). Her poetry has recently been published by Rattle, Frontier, and The Tickle. She maintains TheNFTPoetryGallery.com as a vehicle for showing the potential of CryptoPoetry.

Sonnet Upon What I Am Not by Rita Quillen

Sonnet Upon What I Am Not

I am not winged or gilded or graceful
or a decoupaged box of childhood happy.
I hold no keys to heaviest doors,
no maps to caves or graves or pathways.
My invitation to sing long lost,
I am no scaly siren on the cliffs,
luring admirers with hypnotic trills.
No one calls on the white courtesy phone.
My name’s nowhere in parade confetti.
No chariot stops to offer a ride.
I tell myself I’m not a ghost or smoke
alone in woods or traffic, trapped by words.
I almost write I am no one’s mother
but for another thing I am not: liar.

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Rita Quillen’s new novel WAYLAND, a sequel to HIDING EZRA, published by Iris Press in 2019, is the March 2022 Bonus Book of the Month for the International Pulpwood Queens and Timber Kings Book Club. She also has a new and selected poetry collection, SOME NOTES YOU HOLD, (Madville Press) published in 2020.. Her full-length poetry collection, The Mad Farmer’s Wife, published in 2016 by Texas Review Press, a Texas A & M affiliation, was a finalist for the Weatherford Award in Appalachian Literature from Berea College. One of six semi- finalists for the 2012-14 Poet Laureate of Virginia, she has received three Pushcart nominations, and a Best of the Net nomination in 2012. She lives, farms, writes songs, and takes photographs at Early Autumn Farm in southwestern Virginia. Read more at www.ritasimsquillen.com.

Obedience School by Kristin Garth

Obedience School

I’m there that day you send the last away
with nipping needle teeth, she may outgrow
one day — the half-hearted sobriquet
uttered as you latch her last leash then go.
She was the favored younger child
who never returned, I know, because she growled
and made you bleed, transmogrified wild
by desperate need. She recedes, uncowed,
from your conditioned world where I live on,
the educated girl determined, even
when disciplined, that my denouement
will find me licking at your feet again
while you ponder whether you have grown cruel.
It is a word unlearned at obedience school.

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Kristin Garth is a Pushcart, Rhysling nominated sonneteer and a Best of the Net 2020 finalist. Her sonnets have stalked journals like Glass, Yes, Five:2:One, Luna Luna and more. She is the author of 21 books of poetry including Crow Carriage (Sweet Tooth Story Books) and The Stakes (Really Serious Literature) and the editor of seven anthologies. She is the founder of Pink Plastic House a tiny journal and co-founder of Performance Anxiety, an online poetry reading series. Follow her on Twitter: (@lolaandjolie) and her website kristingarth.com

Sonnet by Sharon Waller Knutson

Sonnet

She says her mother named
her Sonnet because she loved
Edna St. Vincent Millay and read
her Love is Not Blind in the crib.

In her Mickey Mouse voice,
she tells us she has rescued
a newborn wren that needs
to be fed every 30 minutes.

Left it in a cage in her two-bedroom
apartment along with the bulldog,
Border Collie, two Siamese
and five four-week-old kittens.

Baby birds are fragile. Hope it survives
while I’m at work for three hours,
she says smiling as Shirley Temple
curls fall on her forehead.

Cool, she says as I tell her again
to please hang up my mother-
in-law’s silk blouses and slacks
and brand new birthday dress

and not wad them up and throw
them in the hamper like wrappers
and to wring out the wet towels
and hang them up to dry.

We are watching videos
when my mother-in-law
rings the bell rigged to her recliner.
As we rush in, she says, Wake her up!

Sonnet is sleeping soundly
and surprised when we shake
her shoulders and like a Stepford
Wife, she stands up and grins

as she gently lifts my mother-
in-law from the recliner
and wheels her to the hospital
bed and tucks her in.

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Sharon Waller Knutson is a retired journalist who lives in a wildlife habitat in Arizona. She has published several poetry books including My Grandmother Smokes Chesterfields by Flutter Press and What the Clairvoyant Doesn’t Say and Trials & Tribulations of Sports Bob forthcoming from Kelsay Books. Her work has also appeared in various journals most recently in Mad Swirl, Trouvaille Review, Muddy River Review, Verse-Virtual, Your Daily Poem, Red Eft Review and The Song Is…