Two Poems by Shannon Frost Greenstein

Your Hands
When you play music for me, I watch
the nimble joints of your practiced fingers
curl over the faded piano keys
like diaphanous wings unfolding in the heat of sunrise
and I feel something I did not feel before.
You play a chord and I see
a web developer, fabricating a brand-new reality
from a Lego pile of ones and zeroes; and
a surgeon, hands holding mastery
over the cellular processes of life itself; and
God, mixing the soundtrack of the cosmos
like a DJ high on bass and MDMA.
When you play music for me, your wrists
dance like Baryshnikov between sharps and flats and perfect fifths,
percussion as choreography as language as song,
and as your entire body resonates with music you yourself have scripted
I remember what it was like to fall in love with you.
You write me a song and I reflect
on tempo and poetry and heartbeat and joy, the privilege of immortality
captured in something beautiful and heretofore unknown –
art that exists where art previously did not exist,
a Big Bang birthing matter from the seeds of nothing at all –
and everything because I was lucky enough to meet a musician and my soulmate
one summer night at a bar.
When you play music for me, I forget all about how
I used to yearn for the touch of tragic artists
who sow the sort of lust and mystery
I would later reap as heartbreak
and instead picture the silk of your palms against the landscape of my naked back
as you soothe my restless body when I am unable to sleep.
You compose and I watch your fingertips
sculpting notes into paths and layers and staircases and peaks,
thousands of hours of work culminating in this very moment and,
in an act of primal validation orchestrated by Darwin himself,
a rush of neurotransmitters through my blood affirms my choice
that this is indeed the mate to father my young.
When you play music for me, I cannot look away
from your hands.
*
She Gave Me Her Last Diet Coke
I blame my mother, of course,
for conceiving
and birthing
my own addiction to Diet Coke.
They say eating disorders are a family disease;
they say an eating disorder is like a gun.
The pistol is the genetic predisposition
to seek out control when things feel uncontrollable;
the bullet is a culture that venerates thin
and praises the anesthetic of becoming less.
The trigger is unbearable anxiety or distress,
so is it any wonder that childhood trauma leads to eating disorders?
Screwed by both nature and nurture,
my mother’s eating disorder was planted in my genome
before I even had a say.
Ballet and abuse and mental illness and assault
germinated my Anorexia by the time I was eight.
And the rest of my life has been spent
grappling with the one firearm
I never wanted to fire.
They say recovery from an eating disorder can take over a decade;
they say maybe it isn’t even possible to recover at all.
After three decades of punishing myself
for requiring the fuel of food
I still don’t know if I will ever be free
from the voices that inform me I am worthless
deep within the bowels of my broken brain.
For years I have worked, and cried,
and done my best to get where I am today.
But my Diet Coke addiction remains a vestigial artifact
of the times it would take two twenty-ounce bottles
just to quench my hunger.
I eventually forgave my mother
for loading the gun that became my cross to bear;
after a lifetime of estrangement,
she was finally my friend
by the time she passed last November.
And I know she loved me
because the last time I saw her before she died
she gave me her last Diet Coke.
*
Shannon Frost Greenstein (She/They) resides in Philadelphia with her family and cats. She is the author of “Only as Sick as Your Secrets: Notes from Residential Eating Disorder Treatment,” a forthcoming memoir with Watertower Hill Press, “The Wendigo of Wall Street,” a novelette with Emerge Literary Press, and “Pray for Us Sinners,” a collection of short fiction from Alien Buddha Press. Shannon is a former Ph.D. candidate in Continental Philosophy and a multi-time Pushcart Prize nominee, with work in McSweeney’s Internet Tendency, Pithead Chapel, Bending Genres, and elsewhere. Follow her at shannonfrostgreenstein.com or on Twitter at @ShannonFrostGre. Insta: @zarathustra_speaks

Two Poems by Shannon Frost Greenstein

I’m Not a F*cking Superhero Just for Raising My Autistic Son

I just don’t know how you do it, she says, marveling,
her eyes wide like prey to express
just how awe-struck she truly feels.
You’re a Superhero.

My son, stimming, cavorting happily around the room;
neurodiverse, a bright ray of sun, simply delightful,
and brilliant like a savant;
she sees his meltdowns
his struggle to use the bathroom
declares me to be the Ubermensch
and I resist the urge to roll my eyes.

There is consolation in her voice;
like she is sending up a holy prayer
of thanks
her own children do not have special needs.

It is really condescension, though,
because I am someone to be pitied; because I am someone
with something broken.

But hold up for a second there, Miss Becky Home-ecky.

My son is perfect precisely as he is; he is a joy to nurture and get to know.
There’s no need for heroism,
because loving him
requires nothing superhuman at all.

After all, it doesn’t take an Avenger
to be an Autism mom;
it just takes
a mom.

So save your pity
when you meet my child on the Autism spectrum
because we are both doing just fine.

And I am not a f*cking Superhero
just for raising my autistic son.
I raise my autistic son
because I am his f*cking mother,
and that is just
what mothers do.

*

I Blame George Balanchine

I blame George Balanchine
for decades upon decades
of the most vicious kinds of eating disorders;
for veneration of the waif
at the expense of growing old;
for the toxicity and abuse
that defines professional ballet
and the pervasive legacy of exclusion
that still persists to this day.

I blame Saint Augustine
for the devaluation of women
and the marriage of church and state;
for back-alley abortions
and unresearched stem cells;
for the stigma of sex
just for the sake of sex
and the pervasive legacy of judgement
that still persists to this day.

I blame Nancy Reagan
for propagating systemic racism
as the face of the War on Drugs;
for equating addiction
with weakness of character;
for commanding us all to Just Say No
as crack ravaged the Black community
and the pervasive legacy of an epidemic
that still persists to this day.

I blame Donald Trump
for his epidemiological illiteracy
and killing one million Americans;
for misogyny and bigotry and prejudice and hate
because he is just the worst kind of person;
for humiliating our nation
on a geopolitical scale
and the pervasive legacy of intolerance
that still persists to this day.

I blame them all for the damage they’ve caused
and for reinforcing the otherhood of people like me
and if you agree with anything they have to say
then, you prick, I fucking blame you, too.

*

Shannon Frost Greenstein (she/her) resides in Philadelphia with her children and soulmate. She is the author of “These Are a Few of My Least Favorite Things”, a full-length book of poetry available from Really Serious Literature, and “Pray for Us Sinners,” a short story collection with Alien Buddha Press. Shannon is a former Ph.D. candidate in Continental Philosophy and a multi-time Pushcart Prize nominee. Her work has appeared, or is forthcoming, in McSweeney’s Internet Tendency, Pithead Chapel, Litro Mag, Bending Genres, Parentheses Journal, and elsewhere. Follow Shannon at shannonfrostgreenstein.com or on Twitter at @ShannonFrostGre.