America, We Hope This is A Mammogram by Alison Hurwitz

America, We Hope This is A Mammogram
America, it’s clear you’ve gone without deodorant,
driven into inquisition, arrived on time and tried
to find distraction in the waiting room.
America, we know you are half hoping they will never
call your name, hope that they forget to lead you
to a cell and strip. They don’t. You fold your bra,
try to tuck it underneath your shirt and sweater,
as if anyone would check, or for that matter, care.
America, you’ll tell yourself that this is routine screening,
discomfort best endured with equanimity. In the
examination room, a politician helps insert your tender parts
into the rack, the press, the radiation squeeze, then drape
your uterus away from inconvenient expression. They say
some soreness now prevents ineptitude or populist disquiet from
becoming angry subdivision. We hope this is your method here:
that after you are 3D screened and hold your breath, you will exhale,
emerging bruised and blotched with red, contused but cancer free.
We hope it isn’t already too late, hope you’ve not metastasized beyond
the reach of intervention. We’ll wait for your results. Fingers crossed.
*
Alison Hurwitz is a former cellist and dancer who now finds music in language. Nominated for a Pushcart Prize in 2024, and for Best of the Net in 2023 and 2024, Alison is the host of the monthly online reading, Well-Versed Words. Published in South Dakota Review, SWIMM, Sky Island Journal and others, her work is forthcoming in The Westchester Review and Poetry in Plain Sight. When not writing, Alison officiates weddings and memorial services, walks in the woods, and dances in her kitchen with her family. Find her at alisonhurwitz.com

Three Poems by Catherine Gonick

Why I Couldn’t Believe in Revolution

The young just want a revolution, total change,
a young man’s mother explained. When I was young
I couldn’t answer Revolution’s call, but didn’t know
why until I first heard Bernie, his Brooklyn accent
so familiar from my college days in Berkeley.
It was the accent of young men who gathered
in the sun daily on the terrace of the Student Union
to drink coffee and who never stopped talking
about the coming Revolution, in that accent.

As a Californian I had no accent, only the same
Russian Jewish revolutionary grandparents
as those men. I had no idea what they even meant
by Revolution, only that it involved a lot of meetings,
at which silent women made and served the coffee
and did a lot of cranking of the mimeograph machine.
Out on the terrace where the men talked, I sat alone
and read not Che but Roethke. Like the rotund poet,
I liked to take my waking slow, but overhearing
those men I couldn’t help thinking of The Terror,
of what happened to Marie Antoinette and my relatives
who had listened to Stalin way too long.

I waited to hear What Came After the Revolution’s
joyful, violent climax, which in a play or bed,
must be followed by dénouement, and perhaps ennui.
I was already there, sad and bored since that time
my father, a longtime ACLU supporter, remarked
that, alas, female citizens were still second-class,
in a tone that showed he wouldn’t fight for me.
Decades later, I had nothing against Bernie,
even liked him and what he had to say.
I just couldn’t take his voice, the same way
some people hated Kamala’s laugh, and others
believed whatever Trump promised.

*

Into the Woods

Once when a friend and I were out in the woods,
stoned on LSD, we saw a man looking at us
as he played with himself, and discussed
how we should react. I’m trying not to laugh,
I whispered. My friend asked whether
we should say something to him.

I wasn’t afraid, because the man
was on the other side of a wide creek
and my friend was also a man.
A woman and a man, really high,
we looked at the other man showing us
his goods and could not think what to do.

In patriarchy, it’s said, what a woman
fears most from a man is being hurt,
while what he most fears from her
is being laughed at. It’s said that a man
is either a woman’s rapist or her defender.
These two men were neither.

My friend and I couldn’t stop looking
at that bird-in-the-hand, as it asked
to be appreciated, and seemed delighted
to be noticed, from a safe distance.
Freud said civilization began with upright
posture, which made genitals visible.

*

Merging

Now you have lost the sight of one eye
as well as the hearing stolen

long ago from one ear
on the opposite side

Your losses are symmetrical

and I can’t stop imagining your head
full of holes

Sometimes I feel that I am you

the way I did that day we met
by surprise in a clothing store

and in that first moment thought
you were me and I you

Now I am a waterfall that can’t stop
falling and I feel you falling too

I remember how as children
we sometimes dreamed the same dreams

wondered in the morning if they began
with me or you

You hadn’t wanted to see me
for a long time

but emailed to let me know
because, you said, You’re my sister

I cover one eye with one hand
use the other to stop hearing in one ear

*

Catherine Gonick has published poetry in a wide range of journals, including Notre Dame Review, Beltway Poetry Quarterly, The Orchards Poetry Journal, and Pedestal. Her work has also appeared in anthologies including in plein air, Grabbed, Support Ukraine, and Rumors, Secrets & Lies: Poems About Pregnancy, Abortion and Choice. She has a book forthcoming from Sheila-Na-Gig Editions in the spring, and lives in the Hudson Valley with her husband, with whom she works in a company attempting to slow the rate of global warming.