Two Poems by Raven Lee

Mercy

I sat with him,
that mountain of a man

that bear I had followed through the woods.
Don’t be scared. I eat those spiders for breakfast.

Alzheimer’s took his three-piece suit.
His stethoscope. His Lincoln.

Now he sits at this Formica, conquered,
wearing gardening gloves

with gripping circles on them.
White, but greying more each day.

Are your hands cold? I asked.
His glove wiped his runny nose.

His eyes holding all his thoughts
waiting to be picked up like lost luggage.

My name was the first to go.
My brother’s was the last.

In the ambient noise of his presence,
I was not me, but someone.

He looked at me and smiled.
He peered into his coffee,

thickened so he wouldn’t drown.
By now he had one phrase left,

This is the shitz.
And still, when I think of it,

I feel relieved that these
are the words he still had.

Because it was.

*

Coming Home

I sink my feet in the reunion
where salt meets fresh.
One tells the other how she reimagined
granite and earth, slicing stone and root
on her way home,
bringing the mountain with her,
one molecule at a time.

These waters don’t know
our books say they are different.
They know coming home
mother arms stretched
their meeting place remade
by the moon and her song.

The water burbles up to me and I say
yes mother.
I want to find ease in her embrace,
stretch myself into her arms with
the slack muscles of a sleeping newborn.
But I know.
My body knows.

Once the river almost took me back.
She saw my heart and folded herself around me.
Come home, she said.
I saw the water and light dancing
together and I wanted to stay.
I gave myself to the swirl.

I wish I didn’t know a mother
can pull you under as easily
as she can pull you up.

*

Raven Lee (she/her) lives on Wy-East (Mt Hood) where she spends her time writing memoir, essays and poetry, hanging out with trees and throwing funky pots on her pottery wheel. Raven’s writing has appeared in Honeyguide Literary, Amethyst Review and Hip Mama. Raven is on a hiatus from her career as a psychologist and therapist trainer.

The Age of Ravens by Faith Shearin

The Age of Ravens

My daughter and I found them in places
where we once saw people:
abandoned churches and cafes,
the stone town square where

we no longer shopped; we noticed their
black plumage leaned over winter’s casualties,
saw them sliding on snow with sleds
made of bark, surfing updrafts,

fashioning toys from pine cones. It is time now
for the age of ravens who call
to wolves in the language
of wolves. In the Old Testament,

in smoldering remains, nothing
is permitted to pass except
the ravens. In myth they are tricksters,
or souls of wicked priests; they are messengers

connecting objects
with spirits. But the time of man
has passed and I understand why
ravens with clipped wings

live in the Tower of London, guarding
the entire British empire, and why a raven
was released from Noah’s Ark
before the dove to see if the floodwaters

had receded. Harbingers of death
they have been watching us from
telephone poles, cupolas, spires;
they do not care

that we call them an unkindness;
they have come down from their cliffs,
where their nests are lined
with hair, to overtake

our villages, to smash ants
and rub them all over their bodies,
to carry tools and brandish weapons.

*

Faith Shearin’s books of poetry include: The Owl Question (May Swenson Award), Moving the Piano (SFA University Press), Telling the Bees (SFA University Press), Orpheus, Turning (Dogfish Head Poetry Prize), Darwin’s Daughter (SFA University Press), and Lost Language (Press 53). She has received awards from Yaddo, The National Endowment for the Arts, The Barbara Deming Memorial Fund and The Fine Arts Work Center in Provincetown. Recent work has been read aloud on The Writer’s Almanac and included in American Life in Poetry.