Two Poems by Elizabeth S. Wolf

Shattered

Coming home from college,
crouched down on the kitchen floor,
she wouldn’t couldn’t look me in the eye
she wouldn’t couldn’t tell me why
her blanket was a tangled bundle stained with vomit
but I knew, a woman knows, a mother doesn’t want to
so I asked, did someone try to hurt you and then
said what I really meant, did someone try to rape you
and she nodded, head averted looking down
         he was choking me
                  but it stopped when I threw up
and she whispered no one believed and Andi
blamed me for ruining her goodbye party and I
guess I had it coming since I was just starting to
feel kind of good about myself and I felt pretty
and I was having fun and I guess I went too far
and a mother’s heart sinks
bile rising up your throat
because this shouldn’t still be happening
and I know that late-teen type of cocky
that heady joy of looking good
that tastes almost like tossing back
a shot of pure verve— that rush
of coming into your own self—
a righteous confidence that
never comes back the same
once the spell is broken.

* 

At Seventeen

I borrowed my mother’s car, a cherry red Buick Skylark
circa 1971. It was the first anniversary of my father’s death
but instead of demurely lighting a Yahrzeit candle I took off
to see a boy, a hot boy, a rad boy, a bit-of-a-dangerous
bad boy, who was staying with friends; we had all scattered
when the halfway house for troubled teens suddenly totally
closed. We met up and headed out into a steamy summer night.
He broke into a stacked rack of mailboxes, looking for checks;
broke into a holy Catholic church, seeking silver and gold;
broke into me, brusque with lust; recklessly ran a red light
and smashed the car, high-style bumper and driver-side doors
dented and scratched, stolid white upholstery stained by
splotches of blood. I waited for sunrise to return the keys;
my mother rolled over in her empty bed and asked me to
leave. Later the doctor stitching me up would laugh:
Tell your boyfriend to be more careful next time.
For years after I lit a commemorative candle, a tall taper
stuck in the graceful green neck of an empty bottle, dripping
wax melting and merging, colors converging, layers emerging
year after year like the rings of a tree, latewood circling
spring growth, rising high above riddles of sealing or healing.

*

Elizabeth S. Wolf has published 5 books of poetry, most recently I Am From: Voices from the Mako House in Ghana (2023). Her chapbook Did You Know? was a Rattle prizewinner. Rattle Summer 2022 featured her project with Prisoner Express. In 2023 Elizabeth taped readings at the White House, Supreme Court, and US Capitol with The Scheherazade Project. In 2024 her work landed on the moon with the Lunar Codex. Learn more at https://www.amazon.com/author/esw

Four Poems by Harriet Levin Millan

An Updated Definition of Rape

I am the girl who trusted her math tutor
when we sat side-by-side. Picture

the equation, up until this point,
I was not strong enough to prove.

I am the girl who thrusted forward negligible answers
on paper, a calculator wedged between my thumbs.

I acted on all the right answers. Girl who heard no singing
from upstairs. No landlady to offer tea or biscuits.

Girl who trusted math, whose father is a math whiz,
blackboards overrun with formulas in his downtown office.

I am the girl who once asked her father how gravity works
and why we don’t fall off the tilted side of the earth.

What keeps us here? I still need to know
how the earth holds me when I want to go.

Girl getting up from her seat. Girl facing wall,
tutor, his questions not having to do with math.

There are stars that have less and less to do with light
strewn across the sky in the shape of bears, belts, horseshoes.

She drove to his apartment with her new license.
Edging sixty mph on the Schuylkill.

Passing trucks with their headlights blinking.
Girl sitting on a pillow for her feet to reach the pedals.

Girl wearing braces on her teeth.
Morning girl who climbs up on the sink to clean the food

trapped beneath the silver. Evening girl whose boyfriend is waiting
for her to come over in her blue Toyota after this lesson. Girl

who is attracted to her tutor, but would not park
her Toyota outside his house for an indefinite amount of time,

distance or speed. Clearly getting up to leave. Pushed
down in her seat. Math tutor who knows the answers,

throwing her heavy textbooks off the table, slicking his black hair
back, wrinkling the clean white paper

where she scribbled her beautiful equations. Math tutor
wrestling her logic, his mind on numbers, the formulas

he reverses to apply to this situation: Loyal to your boyfriend, he says,
what are you, his dog? Girl who is attracted to tutor,

but that doesn’t mean she wants to fuck him,
plus, his breath smells,

too many cigarettes, too much coffee.
Girl who misses the cues when handed

a little clay pipe. Girl whose lungs fill with smoke, who at first
laughs when he chases her around the dining room table.

Are you kidding? But he’s not.
Stubs her toe. He pushes her down onto the shag carpet,

his hand too heavy on her back to rise.
This is when all the trouble with that toe began,

the nail detached from the skin
under her sock where she’s hidden it,

troubled this many years. Now that she’s exposed it,
what will happen? Will it heal?

*

In a Spider Web’s
Last Remaining Thread

Your forever touch,
thrumming in wind,
edging the circumference
of my purplish-brownish areolas
inherited from my Ladino line
fleeing the Inquisition,
the wick of the eternal
flame still taut in my blood.
This creepy dimensionless grip
hanging off the rain gutter
is not chiseled from stone
like the monuments in Tikal
set against the horizon
but is charged with the prophecies
you uttered and will ramble on
diffused in shreds
until I meet you
once again at the world’s end.

* 

All Real Communication is Vascular

We were once zooxanthellae living inside coral.
Love was a branching, leaning over sideways,

spilling out, sexy and sloppy—
hair in my eyes, my bra straps loosened in a spiraling breeze.

We spawned. The currents carried us.
We drifted away and surfaced on land

where we uttered vulgarities in our throaty dialect.
Uneasy on our feet, we became

filaments of our dreams.
We brought fruit to our god

instead of a blood-offering from our flocks.
We who were once sugared in rocky seabeds,

our eyes a bristling. No, it was never anger
smashing through us, calcifying our skin.

It was our tissue-like softness,
always our fragility that protected us.

* 

An Apology

It’s called making up, as if to say I’m
sorry is only imaginary, plucked

from an inner lining, silt-like
immersing this planet. And yet

making up dwells in solid constructions,
It’s what the slant in roofs do in snowstorms.

Piled-up insults slip to the ground
and melt, leaving another

raw winter gust to the eaves. It’s how
a trellis buffs up a rose bush. Yesterday,

as the gardener planted these roses,
he bent down low to inhale their scent. Not

a strong scent, he whispered.
Someone offers a thimbleful,

as the wind chime spins
from a hook a little higher up

to make a space.
I open my eyes, take the first step.

*

Harriet Levin Millan is the author of three books of poetry, The Christmas Show, which Eavan Boland chose for the Barnard New Women Poets Prize and also won the Poetry Society of America’s Alice Fay di Castagnola Award, Girl in Cap and Gown, a National Poetry Series finalist, and My Oceanography. Her debut novel, How Fast Can You Run, was excerpted in The Kenyon Review. She holds a MFA from the University of Iowa and teaches writing at Drexel University.