The Question by Sonya Rose Hartfield

The Question

As my fertile years
fall away like
milk teeth, my
dentist asks me
again if I have kids.
“Only a fur baby,” I reply
for the second time,
promptly canceling my
next visit. My dog lies
against my womb, warm.
I photoshop his image into
ultrasound photos I show when
people ask if I have children.
“Here is my baby,” I tell them
rather than joke about
infertility, like a sociopath. In truth,
we just aren’t ready yet. I once did
a reiki session on my
sister’s womb, felt her baby
bright inside, like a nursery
nebula, felt wonder at the
kicks, as the baby became
more active, like a little
alien pushing to be
exorcised, but
still so beautiful.

*

Sonya Rose Hartfield is a poet and creative nonfiction writer who explores the intersection of femininity, chronic illness, somatic healing, poverty, and grief. She believes writing is a powerful vehicle for resilience and the radical act of reclaiming joy.

On Mom’s 75th Birthday by Brian Dickson

On Mom’s 75th Birthday

Her ghost didn’t show up
this time like other nights

after her death.
I’m sure we

would’ve played Taboo or
Guesstures, watched

her race
to the bathroom from

hard laughter.
Later, one last story:

when her shed with her kids’
and her childhood caught

fire—papers—wide-lined,
gray, filled with words

we were practicing back
then, the wind lifting

the U’s, S’s, E pluses,
S minuses—nothing

left but my sister’s
bronzed baby shoes

searing our grass, trailing
those burnt letters.

*

When not teaching at the Community College of Denver, Brian Dickson avoids driving as much as possible to connect with the quotidian and sacred around him, hang, and shoot hoops. He is also an associate editor of New Feathers Anthology. Past publications include two chapbooks, In a Heart’s Rut (HighFive press), Maybe This is How Tides Work (Finishing Line Press), one book, All Points Radiant (WordTech, Cherry Grove Editions), and various journals. He has a forthcoming chapbook from Finishing Line Press, A Child’s Sketch of the Afterlife, arriving later in 2025. You can find him on Instragram @brihamwrites.

Two Poems by Jean Voneman Mikhail

Breath

Tent of my kid pitched in the backyard,
blown over, collapsing in on himself.
Tent stake through his heart.

I’ve left him to the rain, again,
grass blades stuck to his back,
huffing a billowy paper bag of breath.

A baggie of cut triangular sandwiches.
A baggie of blow. A baggie of weed.
Holy trinity of school lunches.

I have fed him to live to build
fingers for sandwiches and fiddle.
I have opened his Oreo black eyes

when they wouldn’t open.
I’ve unscrewed the lids,
and looked into the frosted eye whites

and scraped him of sweetness.
I fear I’ve made a mess of him.

I gave him sippy cups with blow holes.
Juice boxes with snorting straws.
Straws to stick up a turtle’s nose.

Once, he cared about
all the animals.

He cried for the neighbor’s kitten dead
in winter, fed on snowy moonlit milk.

He wanted the world to be kinder.

Is there any way to save him, now,
from chasing that washed up baggie
turning inside out in the waves

long ago down a stretch of beach,
a baggie filled with ocean water,
safety locked, zipped full of air?
His breath.

* 

LGLG

Dear God, with your capital G,
I see what you’re up to,
counting bodies down in Portsmouth,

Ohio, of all places to leave him.
God, listen to me, you can’t
have him all to yourself in an alley.

Your wrought iron doors,
windowless eyes bricked in,
having ceased watching over him,
haven’t you? How

would I ever know? Quietly,
cable wires cross this city,
trains rock themselves
to sleep at the end of the line.

But where is he, where is my son?

If he must die, if he must die,
how with dignity, how—
with forgiveness, how without shame?
How do I keep him from death
if death is what he chooses?

Should I lie down with him
and die, too, on the crescent moon
sidewalk of what was to be
our first total solar eclipse,

For my son, for my son’s life,
I’d give just about anything
except what I can no longer give.
No shelter. No food. No more.

God, no.

What kind of insanity is this?
Let go, let God. LGLG.
Give me a break.
I’ve given enough.

*

Jean Voneman Mikhail lives in Athens, Ohio, where she first came to study for a Masters in Creative Writing. Many years and a few kids later, she now writes more than ever. She has published in Sheila Na Gig Online, The Northern Appalachian Review, Pudding Magazine and other poetry journals and anthologies.

I CAN’T BE THE ONE by Phyllis Cole-Dai

I CAN’T BE THE ONE

to welcome you home, but when you arrive
tonight, the faithful trees keeping watch
in the yard curl their toes in pleasure, and all
the doors of the house throw their arms wide
to receive you, and all the curtains draw apart
to lighten the dark as you enter, and all
the chairs scrape back from the kitchen table,
bidding you to sit, and the stew ladles itself
into a bowl beside the candle that lit its own wick
for joy, and the crusty loaf breaks itself open,
to rest upon the wooden board for a dab
of butter, of jam, of honey, any sweetness you
might desire, and each empty bed turns down
its sheets and plumps up its pillows, hoping
to hold you in your sleep—while in one lonely
corner, hugging the wall, the patient piano
waits her turn, soft ache in her taut strings,
ready to play every loving song she’s learned
between the last time you left and this return.

                      for my son, Nathan

*

Phyllis Cole-Dai is a multi-genre writer in South Dakota, soon to relocate to Maryland. The author of more than a dozen books, she co-edited both volumes of the popular anthologies of mindfulness poems. Poetry of Presence. Learn more about her work at her website (phylliscoledai.com). Join The Raft, her online community, and ride the river of the creative life, buoyed by the arts and open spirituality (phylliscoledai.substack.com)