Mastering the Epistolary Poem: A Workshop with John Sibley Williams

Mastering the Epistolary Poem
A Workshop with John Sibley Williams

Instructor: John Sibley Williams
Date: Monday, January 26
Time: 11:30am-2:00pm PT / 2:30-5:00pm ET
Please check local times.
Duration: 2.5 hours
Cost: $25 (sliding scale)

Please note: This workshop will be recorded for those unable to attend in real time. The recording will only be distributed to those who sign up for workshop in advance.

>>> Register Here <<<

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About the Workshop:

Epistolary poems, from the Latin “epistula” for “letter,” are, quite literally, poems that read as letters. As poems of direct address, they can be intimate and colloquial or formal and measured. The subject matter can range from philosophical investigation to a declaration of love to a list of errands, and epistles can take any form, from heroic couplets to free verse. In this intensive generative workshop, we will explore the many facets of writing “letter poems” through poetry analysis, active discussion, and a progressively challenging set of 6 writing activities that touch upon both our internal/personal worlds and how we interact with the larger world around us. We will study diverse poems from classic poets such as William Carlos Williams and Langston Hughes and contemporary poets such as Victoria Chang, Rebecca Lindenberg, Mai Der Vang, Rachel Eliza Griffiths, and Melissa Stein to see how they successfully explore relationships, internal reflection, political/cultural struggle, and landscape details by using the direct, evocative form of “letter poetry”.

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About The Workshop Leader:

John Sibley Williams is the author of nine poetry collections, including Scale Model of a Country at Dawn (Cider Press Review Poetry Award), The Drowning House (Elixir Press Poetry Award), As One Fire Consumes Another (Orison Poetry Prize), Skin Memory (Backwaters Prize, University of Nebraska Press), skycrape (WaterSedge Poetry Chapbook Contest), and Summon (JuxtaProse Chapbook Prize). His book Sky Burial: New & Selected Poems is forthcoming in translation from by the Portuguese press do lado esquerdo. A thirty-five-time Pushcart nominee, John serves as editor of The Inflectionist Review, Poetry Editor at Kelson Books, and founder of the Caesura Poetry Workshop series. Previous publishing credits include Best American Poetry, Yale Review, Verse Daily, North American Review, Prairie Schooner, and TriQuarterly.

For more information about John and his offerings:

https://www.johnsibleywilliams.com/about-1

https://www.johnsibleywilliams.com/upcoming-classes

WRITING THE CATASTROPHE: SINGING IN DARK TIMES — A Workshop with Donna Hilbert

WRITING THE CATASTROPHE: SINGING IN DARK TIMES

“Redemption depends on the tiny fissure in continuous catastrophe.” – Walter Benjamin

“I have woven a parachute out of everything broken.” – William Stafford

“In the dark times
Will there also be singing?
Yes, there will also be singing.
About the dark times.” – Bertolt Brecht

About his own work, Stanley Kunitz has said: “The poem comes in the form of a blessing— ‘like rapture breaking on the mind,’ as I tried to phrase it in my youth. Through the years, I have found this gift of poetry to be life-sustaining, life-enhancing, and absolutely unpredictable. Does one live, therefore, for the sake of poetry? No, the reverse is true: poetry is for the sake of the life.”

“As more and more of contemporary life is forced into the present moment, there seem to be fewer mechanisms which allow the past to be fully absorbed and lived once it has
happened. It has become harder to experience grief since it is a retroactive emotion which requires subsequent returns to the loss over a period of time. Only through such returns
may one hope for the very real gain of transforming losses of various kinds into meaningful contributions to our own becoming . . . . Here I am speaking not only of the loss one experiences in the death of a loved one, but also of those diminishments of being which become known gradually, as when child or parent or lover discovers piecemeal the signs of neglect and lost trust.
Poems have long been a place where one count on being able to feel, in a bodily sense, our connection to loss. I say bodily to emphasize the way poems act not only upon the mind and spirit, but also upon the emotions which release the bodily signs of feeling—so that we weep, laugh, are brought to anger, feel loneliness, or the comfort of companionship . . . .”
– Tess Gallagher from “The Poem as a Reservoir for Grief” The American Poetry Review

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About The Workshop Instructor

Donna Hilbert’s latest book is Enormous Blue Umbrella from Moon Tide Press, following Threnody, Moon Tide, 2022. A second edition of Gravity: New & Selected Poems is forthcoming from Moon Tide in early 2025.Work has appeared in numerous journals and broadcasts including Cultural Daily, Gyroscope, Rattle, Sheila Na Gig, ONE ART, Vox Populi, The Writer’s Almanac, Lyric Life, and anthologies including The Poetry of Presence volumes I & II, The Path to Kindness, The Wonder of Small Things, I Thought I Heard a Cardinal Sing. www.donnahilbert.com

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Tickets & Registration

WRITING THE CATASTROPHE: SINGING IN DARK TIMES
Instructor: Donna Hilbert
Date: Thursday, March 20, 2025
Time: 6:00-8:00pm Eastern (3:00-5:00pm Pacific) via Zoom
Price: $25 (payment options – Stripe / PayPal Venmo CashApp)

To register for this workshop, please email Mark Danowsky (ONE ART’s Editor-in-Chief) —  oneartpoetry@gmail.com 

“Stealth Formalism”: Formal Verse for Free Verse Poets — A Workshop with Nicole Caruso Garcia

“Stealth Formalism”: Formal Verse for Free Verse Poets

Instructor: Nicole Caruso Garcia
Date: Wednesday, August 14, 2024
Time: 6:00-8:00pm (Eastern)
Price: $25 (payment options)

To register: email Mark Danowsky at oneartpoetry@gmail.com 

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Overview

“Stealth Formalism”: Formal Verse for Free Verse Poets

How do the most skilled formalists of today craft poems that sound fresh and contemporary, poems that read as naturally as free verse? Some poets are such ninjas of sound and sense that readers might reach the end of a sonnet before even realizing it is a sonnet. On the other hand, formal poems can be proficient and technically correct, yet still sound forced, archaic, stilted, or unintentionally humorous. Bad poetry, oh noetry! In this workshop, we will explore examples to demystify the common pitfalls of formal verse, learning techniques for leaping over them and onto the solid footing of effective poems. (Participants may wish to bring a poem draft “just in case” there’s time to review a few as samples for future revision.)

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About The Workshop Leader

Nicole Caruso Garcia’s full-length debut OXBLOOD (Able Muse Press) recently received the International Book Award for narrative poetry. Her work appears in Best New Poets, Light, Mezzo Cammin, ONE ART, Plume, Rattle, RHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.