Two Poems by David B. Prather

Caring for Someone Who Won’t Care for Themselves

My parents drop by again today,
and when I say today, I mean to put you in my frame
of mind, this moment. My father
              doesn’t even come into the house.
It’s the middle of summer. It’s morning,
and it’s already ninety degrees.
              He sits in the breezeway
while my mother opens the kitchen door
and enters. She’s just had her hair cut,
but she tugs on a few strands that were missed.
I get the scissors and clip the strays.
Have you ever trimmed your mother’s hair?
I foresee a time when this will be a weekly show
of affection, which will then become washing
              and toweling and brushing
every day. Putting her purse on the counter,
the one I bought her for Christmas,
she tells me my father still won’t take care of himself
the way he should. And when he’s my father, I know,
              and I’m sure you understand,
my mother is frustrated with him.
She wants him to live as long as possible.
I’ve begun to think of the world without my father.
I can’t say when the clock in my brain started
that countdown. Are you the kind of person
              who wakes before the alarm?
I have a habit of tapping the snooze button,
sleeping through those warnings.
I don’t want to imagine the worst, but I am unable to stop.
My mother says he’s troublesome, that he ignores
his own heart, the way it beats like a trapped bird.
How is your heart these days? Mine is a mourning dove.
              Mine calls out under the threat of rain.

*

When my mother asks why

I spend the entire day in bed,
I tell her I’m a dog who’s lost
his master, my paws stretched

across the grave, unmoved
when called by name, unresponsive
to that come-home whistle.

I tell her I am a tree fallen
in the forest, heartwood rotted out,
food for the parasites that brought me down.

I tell her the blankets are too heavy,
made of an element so dense
they drag me down

to the center of the earth.
I tell her the air is so oppressive, a giant
pressing down on my body, this body

I don’t even know anymore.
I tell her I want to be done
with this life, but I don’t want to be done,

but I do, then I don’t, and I do, I don’t.
I tell her I don’t know anyone
who wouldn’t want a day alone

under the covers with their dreams
tangled up in the sheets.
I tell her I’m adrift on a raft

over the deepest trench in the ocean,
and all around me is only horizon,
the line that divides one life from another.

*

David B. Prather is the author of three poetry collections: We Were Birds (Main Street Rag, 2019), Shouting at an Empty House (Sheila-Na-Gig, 2023), and the forthcoming Bending Light with Bare Hands (Fernwood Press). His work has appeared in many publications, including New Ohio Review, Prairie Schooner, The Comstock Review, Gyroscope Review, etc. He lives in Parkersburg, WV. Website: www.davidbprather.com

Two Poems by Jackleen Holton

In the Recovery Room After the Biopsy

Once, a friend told me that his mother’s
hospice agency offered an early exit
option, though they didn’t call it that,
or use the phrase assisted suicide.
I was surprised, so I wrote it down,
the name they gave it, something
transition, maybe? Peaceful
departure? No, but something to do
with travel, velocity.
Not exactly pre-boarding,
but that’s the gist of it. His mom
said no, it was too expensive,
and they’d already gone
through all her money,
so they waited, though he
had started to say he’d be happy
to pick up the tab, but stopped himself
because he was already thinking
about the curtains, how he’d replace
them with something lighter,
maybe a new coat of paint.
My mother’s already gone.
She spared us the long drawn-out adieu,
tubes and sunken eyes.
So why did I need to know the name?
Had I been stroking my cancer scar
again as he spoke, thinking
about my nine-year-old who came home
from school the other day, angry
that all her friends’ parents were thirty,
not fifty like us. I wrote down the price,
too, I’m sure of it. Twenty-five hundred?
That’s not so bad for an upgrade.
How to say it? Put me on the redeye
to L.A. I’ll be there before
I open my eyes, the flight
attendant making the rounds, leaning
in to whisper we’re here, gently
touching my arm as if to wake me.

*

Al-Anon

There’s a church down the street
where I can go when I start to feel
those little pangs of judgment
about all the ways that other people
choose to lick their wounds.
For example, my childhood friend whose liver
must scream in that high-pitched way
that neglected plants do, a friend last seen
on Facebook, perched on the rim
of a birdbath-sized margarita.
Or my husband, coughing up pieces of lung,
then sticking another goddamn
cigarette in his gob
first thing every morning.
See, I’m doing it in real time.
I need another meeting.
Because there’s something
comforting about the aroma of burnt
coffee well past my caffeine curfew,
and the little wicker basket
that goes around, only asking
for a dollar, the clichés and rhymes
we read aloud, and the ones we say
to one another absent any sense of irony,
after all it’s not a poetry reading,
no pressure to be dazzling.
And then there are the stories.
People’s kids who’ve overdosed,
terrible spouses coming home blotto,
most of the stories so much sadder
than mine, that I’d feel a little better,
if there weren’t this competing need
to fit in, or one-up that sometimes
makes me feel duty-bound
to dramatize. Like the one time
I narrated my friend into the hospital
on the liver transplant list.
And usually someone brings a box
of donuts or store-bought sugar
cookies, and if there’s a few
that nobody else has eaten, I fold
them up in a napkin, tuck it
into my purse for later.
And then there’s the end of the meeting,
the circle, holding hands with strangers,
repeating the incantation, then raising
our clasped hands up to send the spell
out into the ethers, the exodus
to the dark parking lot, buzzing
with hope, and a little more
of that coveted serenity, a firefly
light in my soul as I let go and let
my headlights float me all the way home.

*

Jackleen Holton’s poems have been published in the anthologies The Giant Book of Poetry, California Fire & Water: A Climate Crisis Anthology, and Steve Kowit: This Unspeakably Marvelous Life. Honors include Bellingham Review’s 49th Parallel Poetry Award. Her poems have appeared or are forthcoming in Florida Review, Poet Lore, Rattle, Slipstream, The Sun and others.

Math for Older Parents by Liona T. Burnham

Math for Older Parents

Take the age at which your husband’s father died.
Young, yes, young.
Now, subtract your age from it.
Now, add the age of your preschooler
to the difference.
That age is the reason
you’re out running around the lake
on a fall day, tennis shoes splashing through puddles.
Red leaves rustle in the warm wind,
and the ducks stretch out straight
as they flap their wings and skim across the water.
You can feel the effort in your shoulder blades,
as if you, too, are putting the work into flying.

*

Liona T. Burnham teaches writing to community college students in the Pacific Northwest and Northern Virginia. She has poems published or forthcoming in Stone Poetry Quarterly, Sky Island Journal, and The Northern Virginia Review.