Dust Rag Blues by Nicole Caruso Garcia

Dust Rag Blues
      For Renee Nicole Macklin Good (d. January 7, 2026)

Steadying the globe, I thumb Caracas.
We snatched Maduro and we seized Caracas?
Our Thug-in-Chief’s illegal orders mock us.

My index finger rests on Minnesota:
ICE shot a mom (unarmed) in Minnesota.
She dared stand up to goons who have a quota.

These men stretch latitude—our country reeling.
I clean the hemispheres, set gently reeling,
And smooth the strip of red: equator peeling.

*

Nicole Caruso Garcia (she/her) is the author of OXBLOOD (Able Muse Press), which received the International Book Award for narrative poetry. Her work appears in Crab Orchard Review, Light, Mezzo Cammin, ONE ART, Plume, Rattle, RHINO, and elsewhere. Her poetry has received the Willow Review Award, won a 2021 Best New Poets honor, and has been nominated multiple times for the Pushcart Prize and Best of the Net. She is an associate poetry editor at Able Muse and served as an executive board member at the annual conference, Poetry by the Sea. Visit her at nicolecarusogarcia.com.

On Plagiarism by Nicole Caruso Garcia

On Plagiarism

You do what harm? I’d call it literary
masturbation, but let’s not knock an earnest
art: self-love—your own artillery
or sniper’s trigger. Fellow poets sneer at

not so much the theft but molestation
of the Muse. Your touch perverts the words,
left cheapened on a satinet loom.
Yet no one ought to put you to the sword.

Some silky day, you may find your flow,
the village cold, your poems crying wolf.

*

Nicole Caruso Garcia’s full-length debut OXBLOOD (Able Muse Press) recently received the International Book Award for narrative poetry. Her work appears in Best New Poets, Light, Mezzo Cammin, Plume, Rattle, RHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.

Upcoming Workshop — “Stealth Formalism”: Avoiding the Pitfalls of Formal Verse

“Stealth Formalism”: Avoiding the Pitfalls of Formal Verse


Instructor: Nicole Caruso Garcia
Date: Tuesday, February 18, 2025
Time: 6:00-8:00pm (Eastern)
Price: $25 (payment optionsStripe / PayPal / Venmo / CashApp)

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Overview

“Stealth Formalism”: Avoiding the Pitfalls of Formal Verse

How do the most skilled formalists of today craft poems that sound fresh and contemporary, poems that read as naturally as free verse? Some poets are such ninjas of sound and sense that readers might reach the end of a sonnet before even realizing it is a sonnet. On the other hand, formal poems can be proficient and technically correct, yet still sound forced, archaic, stilted, or unintentionally humorous. Bad poetry, oh noetry! In this workshop, we will explore examples to demystify the common pitfalls of formal verse, learning techniques for leaping over them and onto the solid footing of effective poems. (Participants may wish to bring a poem draft “just in case” there’s time to review a few as samples for future revision.)

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About The Workshop Leader

Nicole Caruso Garcia’s full-length debut OXBLOOD (Able Muse Press) recently received the International Book Award for narrative poetry. Her work appears in Best New PoetsLightMezzo CamminONE ARTPlumeRattleRHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.

Two Poems by Nicole Caruso Garcia

Song of Solidarity
        For Dustin Brookshire, after reading his book To the One Who Raped Me

No matter I’m a woman, you’re a man,
and yours hurt you one night and mine one morning;
although we’ve yet to meet, our poems touch:

We hate to say the word…yet say it.
Why didn’t we fight back against those traitors?
When nailed upon a cross, it’s hard to run.

How is it we eschew the label victim,
yet crown ourselves with something sharp as shame?
How can we tell our parents we are stillborn?

Some artifacts must burn (for you, the mattress);
are these our proxies for self-immolation?
A smile, a joke, a lyric, or a movie

may be a landmine, yet we’re told, Calm down.
We can’t, not with calm so close to claim.
So let us conjure no more images

of dogs, for even Fido learns to yield
to No, a word conditioned out of some men.
They’re neither dogs nor monsters. Just ordinary.

Now are you not self-salvaged, welded, wrought
from wreckage, as am I, a makeshift dreadnought?
Archimedes says, displace your trauma.

It costs so dearly, the luxury of softness,
so while we sleep, our red, red books take aim.
New lovers learn our sovereign terrain.

*

After Explaining to My Mother Why We Need
Solar Eclipse Glasses, I Recall My Childhood
        For my mother, April 8, 2024

In trouble, dead to rights, at first I would
avert my gaze, not out of deference
when, not unlike a beautiful Medusa,
you’d stop and grab me by the sassy chin:
Look at me when I’m talking to you.
Obedient, I stared into the sun:
the sun so very disappointed in me,
the sun that wished to low-key murder me.

Your glowing hydrogen and helium
a constant source of warmth, you helped me grow,
yet gave no quarter from your gamma rays.
All other punishments weren’t half as wise.
Mother star, you forged me, don’t forget.
There’s no stare that I can’t meet now. No sweat.

*

Nicole Caruso Garcia’s full-length debut OXBLOOD (Able Muse Press) recently received the International Book Award for narrative poetry. Her work appears in Best New Poets, Light, Mezzo Cammin, Plume, Rattle, RHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.

“Stealth Formalism”: Formal Verse for Free Verse Poets — A Workshop with Nicole Caruso Garcia

“Stealth Formalism”: Formal Verse for Free Verse Poets

Instructor: Nicole Caruso Garcia
Date: Wednesday, August 14, 2024
Time: 6:00-8:00pm (Eastern)
Price: $25 (payment options)

To register: email Mark Danowsky at oneartpoetry@gmail.com 

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Overview

“Stealth Formalism”: Formal Verse for Free Verse Poets

How do the most skilled formalists of today craft poems that sound fresh and contemporary, poems that read as naturally as free verse? Some poets are such ninjas of sound and sense that readers might reach the end of a sonnet before even realizing it is a sonnet. On the other hand, formal poems can be proficient and technically correct, yet still sound forced, archaic, stilted, or unintentionally humorous. Bad poetry, oh noetry! In this workshop, we will explore examples to demystify the common pitfalls of formal verse, learning techniques for leaping over them and onto the solid footing of effective poems. (Participants may wish to bring a poem draft “just in case” there’s time to review a few as samples for future revision.)

*

About The Workshop Leader

Nicole Caruso Garcia’s full-length debut OXBLOOD (Able Muse Press) recently received the International Book Award for narrative poetry. Her work appears in Best New Poets, Light, Mezzo Cammin, ONE ART, Plume, Rattle, RHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.

Two Poems by Nicole Caruso Garcia

It’s Been Two Years

so when her lovely face appears—
          a friend request
that seesaws seesaws in your chest—
          you must accept
that she’s been laid to rest.

*

Doomscrolling

A smiling child of five or six. No caption,
yet my too-quick heart supplies one,
slow to grasp there is no massacre, no gun.
It’s just a photo of a friend’s young son.

*

Nicole Caruso Garcia’s full-length debut poetry collection is Oxblood (Able Muse Press, 2022), which was named a finalist for the Able Muse Book Award and the Richard Wilbur Award. Her work appears in Best New Poets, Crab Orchard Review, Light, Mezzo Cammin, Plume, Rattle, RHINO, and elsewhere. She serves as associate poetry editor at Able Muse and as an executive board member at Poetry by the Sea, an annual poetry conference in Madison, CT. Visit her at nicolecarusogarcia.com.

[junk food] by Nicole Caruso Garcia

[junk food]

junk food
in the vending machine tray
a dead mouse

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Nicole Caruso Garcia is the author of Oxblood (Able Muse Press, 2022), which was named a finalist for the Able Muse Book Award and the Richard Wilbur Award for Poetry. Her work appears in Best New Poets 2021, DIAGRAM, Crab Orchard Review, Light, Measure, Mezzo Cammin, The Orchards, PANK, Plume, The Raintown Review, Rattle, RHINO, Sonora Review, Spillway, and Tupelo Quarterly. She serves as Associate Poetry Editor at Able Muse and an Advisory Board member at Poetry by the Sea: A Global Conference. Visit her at nicolecarusogarcia.com.

Prop Gun by Nicole Caruso Garcia

Prop Gun

          Most props are ordinary objects. –Wikipedia

For authenticity, you choose this heartless
    killer. Believe, if managed right, he’ll be
        quite tame in hand, while feral as a mustang.
Although for art you trust him to be artless,
    what whiskey cast as whiskey sips like tea?
            He’s not a rattlesnake you can defang,

but only milk his venom. Such mystique
    surrounds him, yet he can’t pretend, now, can he?
          Don’t ask who’ll be forgiven, who will hang.
What is this “prop gun” of which you speak,
                  when—bang?

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Nicole Caruso Garcia is the author of Oxblood (Able Muse Press, 2022), which was named a finalist for the Able Muse Book Award and the Richard Wilbur Award for Poetry. Her work appears in Best New Poets 2021, DIAGRAM, Crab Orchard Review, Light, Measure, Mezzo Cammin, The Orchards, PANK, Plume, The Raintown Review, Rattle, RHINO, Sonora Review, Spillway, and Tupelo Quarterly. She serves as Associate Poetry Editor at Able Muse and an Advisory Board member at Poetry by the Sea: A Global Conference. Visit her at nicolecarusogarcia.com.

2022 Best of the Net nominations

~ ONE ART’s 2022 Best of the Net nominations ~

What Were You Wearing? by Nicole Caruso Garcia
Bearing Water by Betsy Mars
Naviphobia by Sean Lynch
Rail Trail by James Harms
An Urn Among Music Boxes by Tom Hunley
After the Tortoise Won the Race by Rosemerry Wahtola Trommer

Congratulations to all our nominees!!

Mark Danowsky & Louisa Schnaithmann
Editors
ONE ART: a journal of poetry

Two poems by Nicole Caruso Garcia

Sijo for Two Sparrows

Two sparrows are beak-deep in
        tire-flattened rest stop French fries,
more or less content to peck
        an ecstasy of sun-warmed trash
here beside the Jersey Turnpike,
        when they could fly anywhere.

*

What Were You Wearing?

Because the body is a temple,
I wore the wakeful song of birds,
Lay safe beside my lover, still.

Because the body is a temple,
When he trespassed like a vandal,
I had no robe but words.

Because the body is a temple,
I wore the wakeful song of birds.

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Nicole Caruso Garcia is Associate Poetry Editor at Able Muse and a Board member at Poetry by the Sea: A Global Conference. Her poems appear in Crab Orchard Review, DIAGRAM, Light, Measure, Mezzo Cammin, PANK, Plume, The Raintown Review, Rattle, RHINO, Sonora Review, Spillway, Tupelo Quarterly, and elsewhere. Visit her at nicolecarusogarcia.com.

Two Poems by Nicole Caruso Garcia

In Praise of Gray

My graying hair, for now, is free of dye.
There’s darkness plenty in my alibi,
No rage against the youth-obsessed. (I’m vain.)

       I’ve reached the age my mother was if she’d been
       Roused from sleep to go identify
       My body, had I bled it. In sterile light,
       She would have clutched my father as they cried,
       Their firstborn’s hair forever chestnut brown.

My graying hair—
Hurrah!— it grows more wiry and defiant,
A crown to celebrate and testify
I’m here. And though I never can atone
For the crush of dawn they’d nearly known,
Just look: the sunlight can’t deny
My graying hair.

*

Easy Money

The mother made a point of telling me
that she would leave for work before the dad.
Before he left for work, we’d be alone.
So what? I’d been alone with dads before.
They’d drive me home and wave goodbye.

Easy money, and I knew the drill:
Just watch the kids. Give piggybacks.
Cut crust off PBJs. Tie shoes.
No diaper changing. Kids both potty-trained.
Braid Barbie’s hair and settle squabbles.

The mom and dad stood opposite the sofa,
gestured, Sit. The standard interview,
except arm’s length from where I sat there was
a year of Playboy fanned out on the table.
A cache of skin mags spread out like hors d’oeuvres

unnerves. Like bath time in the Barbie Dreamhouse,
there lay a mansionful of plastic flesh tones,
soaped and oiled. Act casual, I thought.
This was not my parents’ coffee table—
not Family Circle, Road & Track.

The summer of the naked harbingers.
I’d seen the whisper-pouts of lacquered mouths
and faintly heard them: Run.

*

Nicole Caruso Garcia is Associate Poetry Editor at Able Muse and a Board member at Poetry by the Sea: A Global Conference. Her poems appear in Crab Orchard Review, DIAGRAM, Light, Measure, Mezzo Cammin, PANK, Plume, The Raintown Review, Rattle, RHINO, Sonora Review, Spillway, Tupelo Quarterly, and elsewhere. Visit her at nicolecarusogarcia.com.

Four Poems by Nicole Caruso Garcia

Landay #4

Cancer takes his wife before fifty,
the boy who, one June night, tossed clothespins at my window.

 

Ghost Ship

At a distance, candles guttering
can look like party lights. The way a ghost ship
might seem from shore.

It may have seemed I was carousing. It may
have hurt you seeing my illuminated
decks, my painted flags livened by wind.

Despair is so immaculate a plague.
A healthy vessel still will float, although
you pillaged all the spirit from its hold.

A ship like that may run aground or wreck
against the cliffs.

Adrift between the quick and the dead,
it is not sorry, does not love or hate—
it lists.

 

When They Called My Name at Graduation

Perhaps you cast one final sidelong glance.
Across the lawn I drifted, a buoyancy
that everyone mistook for joy, despite
the chiseled smile of my figurehead,
the stirring of my black and aimless sails.

 

At the Field’s Edge

I knelt & dug

was there another choice? / I had to
clear these stones these land
mines if / I hoped
to get across

no sharper pace / if I hoped
to ever plant one good
green thing

 

Nicole Caruso Garcia is Assistant Poetry Editor at Able Muse and a Board member at Poetry by the Sea: A Global Conference. Her most recent poems appear or are forthcoming in DIAGRAM, Light, PlumeRattleSonora ReviewSpillway, and Tupelo Quarterly, with previous work in Measure, Mezzo Cammin, New Verse NewsPANKThe Raintown Review, RHINO, and elsewhere. Visit her at nicolecarusogarcia.com.