Three Poems by Jackleen Holton

The Horse Returns

Woken from a dream, deep
as a black lake—
a familiar silhouette appears
in the doorway on the first
day of the new year,
my daughter, born in the horse
year, comes into our room,
afraid of the lightning
flashing in the high windows,
the whip-crack of thunder.
She crawls in between us
as she hasn’t done in years—
never has she known a storm
like this. The clock says
it’s the moment of the horse,
the eclipse that ushers in the year.
Bright fissures in the sky
illuminate the room as she burrows
in, her long, thin legs uncertain
as a foal’s, and cold against mine.
Lightning striking a person is rare,
my husband says. You have to be
the highest point for miles.
I remember my first raging
storm. I was near the same age
when I went to my mother
for the last time.
So, I lie awake, listening
to her breath as it softens,
the rain between thunderclaps
in the just-born year.

*

Challenger

The day the space shuttle exploded
over and over, its gray debris falling
like the feathers of a struck bird,
back down to earth,

I watched in one of the millions
of classrooms darkened
for the occasion,
our desks semi-circled

around a wheeled-in television
as the nation’s collective gasp
dissolved into breathless
silence, the bright

comet-stream of failure
unfurling in real-time.
And Mr. Warner,
eleventh grade English,

who had made it to the final
round of the competition
to be the teacher sent up
on that doomed flight,

slammed his fist down hard
on his desk, a guttural
cry escaping him
as he shot out of the room.

The rest of the semester,
after the explosion
of his rage—
against the government,

against incompetence
in all its myriad forms—
had been extinguished, only grief
loomed over the classroom

he mostly kept in darkness,
allowing us to do as we pleased
as he leaned back, staring up
past the ceiling.

Because what’s the point of anything
once you’ve seen the ashes
of a dream so nearly grasped
fall like a spent firecracker over the ocean?

Nineteen-eighty-six emerged again
the other day, with news of divers
pulling from the sea
a panel of that spacecraft.

While this week, another rocket
is readied for takeoff. NASA says
that soon a woman astronaut
will set foot on the moon.

I haven’t seen Mr. Warner in years,
but today at my kid’s school assembly,
on the playground on a windy
November morning,

I’m remembering him,
and for the first time in decades,
hand over my heart
like a child, I recite

the pledge, lips moving
silently as if in prayer
as I gaze up at the chalk rubbing
of a daytime moon, half-full.

*

Geometry

was simple, surprisingly,
as even the basic math classes
hadn’t been. So easy
that the thick-as-pigshit
footballers came to me for answers.
I tutored a few, enjoyed unparalleled
popularity, though most were content
with a crib sheet on their laps,
or bobbing up and down
behind me in the back of the room.
I was great at intersecting
shapes, they all praised me.
And there were moments
when it appeared, the geometry
of the sacred, clicking into place
and lighting up like a power grid
on the ceiling above us.
The rhombus, I knew instinctively
the parallelogram, the isosceles.
I remember it so clearly: that little study
room behind the library. I look into it now
as if it were an enchanted egg,
and there I am, shining
as I instruct two corn-fed boys
how to triangulate.
I got not one but several A’s that year.
But then came algebra, the numbers
nothing like the angles. I couldn’t
solve for x, didn’t know why the y
kept changing, kept jumping
around on the page,
but the worst thing was that nobody
came to me for the answers
I didn’t have anymore.

*

Jackleen Holton’s poems have been published in the anthologies “The Giant Book of Poetry”, “California Fire & Water: A Climate Crisis Anthology”, and “Steve Kowit: This Unspeakably Marvelous Life”. Honors include Bellingham Review’s 49th Parallel Poetry Award. Her poems have appeared in Cimarron Review, Poet Lore, Rattle, The Sun and others.

Beginning, Again by Shawn Aveningo Sanders

Beginning, Again

Minty spittle slithers down
the handle of my toothbrush.
It’s a cold sunny morning
with new batteries; my teeth
are excited for a fresh start.
I didn’t have high expectations
for last year, a pessimistic way
to say I surpassed my goals.
(well, some of them, anyway)
This year, I feel more confident—
until a splash of cold hits my face.

             breaking news
             holding hope
             for the midterms

*

Shawn Aveningo Sanders shares the creative life with her husband in Beaverton, where they run a small press, The Poetry Box. Over 200 of Shawn’s poems have appeared worldwide, most recently in ONE ART, contemporary haibun online, McQueen’s Quinterly, Sheila-Na-Gig, Cloudbank, and Love Is for All of Us. Shawn is a multiple Pushcart Prize, Best of the Net, and Touchstone Award nominee and has won prizes from the Oregon Poetry Association. Her newest book Pockets (MoonPath Press) was a finalist in Concrete Wolf’s Chapbook Contest. When she’s not writing, you might find her shopping for a new pair of red shoes or toy dinosaurs for her granddaughter. (RedShoePoet.com)

January by Sheila Wellehan

January

A glittering chandelier dangling
over an empty dawn ballroom.
A cane yanking us from past to now.

Sturdy iron handles encouraging us
to grasp and pull hard.
A dam dismantled so the river runs free.

Abandoned plans discovered in the back
of the pantry. Hands opening to reveal
ruby-tipped matches to light our way.

A wooden mantle to hang our hopes on.
An exquisite fan for us to open, painted
with peacocks, peonies, and daydreams.

A van waiting for us to jump in for a joy ride.
A bowl that’s cracked because it’s so crammed
with brand-newness.

The sanctuary of second to six-hundredth
chances. Shiny coins to jangle in our pockets
the rest of the year.

*

Sheila Wellehan’s poetry is featured in On the Seawall, Maine Public Radio’s Poems From Here, Psaltery & Lyre, Rust & Moth, Thimble Literary Magazine, Whale Road Review, and many other publications. She served as an assistant poetry editor for The Night Heron Barks and an associate editor for Ran Off With the Star Bassoon. Sheila lives in Cape Elizabeth, Maine. You can read her work at sheilawellehan.com.

Now by Julia Caroline Knowlton

Now

Quick as a key turn or July clouds
releasing downpours, I suddenly
loved you more as you admired

aloud the word maintenant – “now” –
mentioning its literal meaning:
holding a hand. Fifty years of French

and I had never picked that lock.
Now the present folds me
in its have and hold vow,

future pressed to past, palm
to warm palm. Every word my own
swollen cloud, shaped like a clock.

*

Julia Caroline Knowlton is a Professor of French and Creative Writing at Agnes Scott College in Atlanta. She has won two separate Georgia Author of the Year awards for her poetry. Her latest volume of poetry is a children’s book. She lives in Atlanta and Paris.

Beyond Dreams by Michael J. LaFrancis

Beyond Dreams

We think we know
what will make us happy,
until we get it,
then we find out,
it must have been something else.

Dreams are like Lego blocks.
They come in a box
with lots of loose pieces,
a picture on the cover.

Testing and trying,
piece after piece,
until construction complete.
Soon luster wears off.

Blocks and boxes are saved
in a treasure box, joy for a day
when there are no more kits

when content to play; curious
to find out what can be created
with the pieces I already have.

*

Michael J. LaFrancis is a trusted advisor, advocate, author and connector supporting individuals, groups and organizations aligning purpose and capabilities in service of their highest ideals. Writing poetry is a contemplative practice providing him with insight and inspiration for living a creative life. His poems are also appearing in Amethyst Review, City Key, Mocking Owl, ONE ART, Last Leaves and Seraphic Review recently or in the coming months.

Grand Re-Openings by Ashley Steineger

Grand Re-Openings

Love is another kind of open,
a café that never closes.
The sign is flipped, the lights inside

are blinked-out stars, the only
employee is an old man
running a mop again and again

over the mess. The walls are
your muted heart who beats under
the café’s shut eyelid, the chairs

scattered like debris after
a windstorm, functional
but dizzied, glass rims stained

with that one shade of dated
red lipstick, coffee drips as
fevered brown tears down

smooth ceramic. It’s quiet now
but never for long. Have you seen
the handsome stranger, there

at the clouded window with
a peace flag of white lilies?
Have you seen how they hold

each flower’s lithe stem? Can you
hear their whisper begging
you, open the door…please try again.

*

Ashley Steineger is a holistic psychologist who believes poetry is the language of healing. Her poetry has appeared in The Night Heron Barks, Apricity Press, The Lumiere Review, and Palette Poetry, among others. She currently lives and writes out of Raleigh, NC, where she enjoys forest bathing, collecting tattoos, and untranslatable words.

Questions for the New Year by Michael S. Glaser

Questions for the New Year

How do I recognize
the boundaries I have created
hoping they will keep me safe?

How do I leave
the wilderness
of my shoulds?

*

Michael S. Glaser is a Professor Emeritus at St. Mary’s College of Maryland and served as Poet Laureate of Maryland from 2004 – 2009. The recipient of several awards for his teaching, his service to poetry and for his poetry, he has published several prize winning collections of his own poetry, most recently The Threshold of Light (Bright Hills Press, 2019) and Elemental Things, (The Poetry Box, 2022) . He has also edited three anthologies and co-edited The Collected Poems of Lucille Clifton (BOA 2012). (more at michaelsglaser.com )

Loggerheads by Carol Sadtler

Loggerheads

Her wide-stance waddle
her forward head with tiny
eyes—who would not
want to meet her
on the beach? Flippers

guided by the tides
and an ancient algorithm,
she mates in surf, drags
her heavy carapace
ashore to bury new

generations begun
60 million years since—
only to be undone
by condos and chemicals
brought by a recent species—

invasive, careless and deadly—
a blip in the grand scuffle—
but for now, carretta carretta
let’s swim in a watery
slipstream, my breaststroke

matching yours in your
warm lightgreen world
where we pretend our
children’s children will not
miss this.

*

Carol Sadtler is a poet, writer and editor whose recent poems and reviews appear in Writers Resist, The Inflectionist, Sky Island Journal, The Humanist, RHINO Poetry, Bangalore Review, Pacific Review, and other publications. She lives in Chicago with her family.