Five Poems by James Feichthaler

Lines written on the 27th minute of my lunch hour in a Wawa parking lot

As the weeks deliver blow upon dull blow
To our sophisticated, fast-paced lives,
Keeping to schedules, always on the go,
With no time for ourselves in nine-to-fives,
“Surviving” mostly means that we’ll cut corners
While settling for fixes ’stead of cures;
From drive-thru grabs to greasy touchscreen orders
Of sloppy subs, a lunch hour’s breaded snares.
And even as these hurried words truck forth
From time-stressed regions of my anxious brain,
Some sparrows make a pit stop on the earth
And bathe in dirt, too long awaiting rain;
Shake off the dust their wings accumulate,
Then dart away, with nowhere to be late.

*

Sidewalk suns

Some call them “weeds,” these yellow miracles
That pushed through stone and found a way to thrive
Amongst the rubble’d ruins of this pavement;
Amidst the cracks and root-disjointed hills
(Of concrete) that have made it hard to move
Along these lanes, so desperate for improvement.
Most call them eyesores, born to be plucked out
And ripped from where their like has taken refuge,
As if their mere existence were too much
For eyes that can’t enjoy or won’t appreciate
Their growing here; fools’ gold, but double-rich
For their vitality: so heavenly huge
To the ants that wander by each grounded sun,
Who must look up at what dull souls look down upon.

*

So much baggage

I stop to watch him slide across the gravel,
His shelly suitcase proudly on display;
Horns pointing north, the safest way to travel
About these parts on such a gloomy day.
The path that leads to my apartment steps
Doesn’t see much traffic; byways clogged with moss
And wayward weeds have slowed the sleepy progress
Of many a tiny snail. The broad, slicked tops
Of dandelions are swaying on the breeze,
As he slimes toward his goal: a patch of grass
Spring suns have turned lime-green. His casual pace
Knows nothing of the scale-tipping stress
We mortals lug around; nor can we tell
What weight of worlds he’s learned to carry so well.

*

Such rarities abound

Those rush-hour miracles we mostly miss
While speeding down the highway into work,
Unheralded lights, which mostly we’ll dismiss
As hardly being worth a second search,
Call to us from the roadside, from up high,
In scattered bunches, singularly rare;
From shadowy places, sans celebrity,
Shout to us in their silence to “inquire.”
The tiniest weed that flourishes in the cracks
(Of a corroded guardrail) beat the odds
And shows so much resilience in its flex;
And where some tulips flaunt their ivory buds,
Unbuttoning in a ditch to taste the sun,
Their swaying might just save us from the gun.

*

Luck be a ladybug

To see this good-luck creature, on a day
When nothing’s going right or going my way,
Is to have proof that there’s a real order
To the things, both great and small, that see us suffer;
Is to imagine God as one great prankster,
Forever pulling the strings that set us up
For idiot choices, love, loss, epic failure,
Elated when our best-laid futures flop.
Or could this chance encounter with a lady
(Who picked spring’s chilliest day to wear all red)
Be no more palpable than any “maybe”
That the best philosophers have all deemed dead
And pointless to proclaim as ever being,
Beyond our mortal scope or supernatural seeing?

*

James Feichthaler is a poet with roots in the Philadelphia-area residing in Trenton, NJ, where he watches the skies for UFOs, sings Irish folk songs on his porch, and drinks beers. His new book From the Back Porch of a War (Parnilis Media 2024) pulls no punches in its assessment of a politically-divided America seemingly at war with itself, searching for moral integrity in a hashtag-hardened, spiritually-bankrupt world.

LUCK by Katherine Smith

LUCK

Maybe you must be a mother
who’s raised a child to adulthood
a woman living in the kingdom
of her back yard, sweat bees,
hosta, the cool mist rising
from the holly tree,
to feel as much
time and solitude as anyone could wish for
is never enough. All it took
was a lifetime, a thousand moments
of luck and here I am
in possession. I believe
it’s a grand thing to sell
nothing. How easily satisfied I am
with my nearly paid-off mortgage,
my dog, the mourning doves
cooing on the roof, this backyard I love
as much as the rooftops of Paris.

*

Katherine Smith’s recent poetry publications include appearances in Boulevard, North American Review, Ploughshares, Mezzo Cammin, Cincinnati Review, Missouri Review, Southern Review, and many other journals. Her short fiction has appeared in Fiction International and Gargoyle. Her books include, Argument by Design (Washington Writers’ Publishing House, 2003), Woman Alone on the Mountain (Iris Press, 2014), and Secret City (Madville Press, 2022). She works at Montgomery College in Maryland.

for luck: an Arkansas Sonnet by Wendy Taylor Carlisle

for luck: an Arkansas Sonnet

There is no new weather here /so close to the well of being
wasp in the lampstand tick in the beard /moon visible day and night
but I’m grateful for azaleas /coming back grateful for muck boots
for folks who fix things/ for hummingbirds’ full feeders
and dead carpenter ants for gardens and hoes and summer
tomatoes above all grateful for /walking the train tracks
with two new pennies/ you and me looking for luck.

*

Wendy Taylor Carlisle was born in Manhattan, raised in Bermuda, Connecticut and Ft. Lauderdale, Florida and lives now in the Arkansas Ozarks in a house she built in 1980. She has an MA from The University of Arkansas and an MFA from Vermont College of Fine Arts. She is the author of The Mercy of Traffic (Unlikely Books, 2019), Discount Fireworks (Jacaranda Press, 2008) and Reading Berryman to the Dog (Jacaranda Press, 2000.) Chapbooks include They Went to the Beach to Play (Locofo Chaps, 2016), Chap Book (Platypus Press, 2016), Persephone on the Metro (MadHat press, 2014), The Storage of Angels (Slow Water Press, 2008), and After Happily Ever After (Two River Chapbooks, 2003.) Her work appears in multiple anthologies.

Three Poems by Margot Douaihy

Alanis

It started the way all great things start—by accident. As I danced to your heartbreak, Alanis, the house caught fire. Pittsburgh, 1996, dancing on the sofa, my fists coiled in rage, feral as a child running through Red Rover, bodies fighting for space, & my lit Parliament fell. I was the most closeted kid with the most tragic style in that busted lip of a Rust Belt town. My thrift-store skirt
was unfortunate—the matte-black crust of the scorched sofa, the acrid echo of my lit cigarette falling, falling, still falling, into the past-stained future. Time is the original magic trick & fire is the only science, Alanis. I was so lost then & less lost now, but I still feel that girl rattling inside me like a skeleton key. Do you ever close your eyes as you dance & imagine being someone else, anyone else? Once, in dark gay bar, a boy mistook me for you—“It’s Alanis Morissette!” His eyes delirious. Instead of saying “I’m not Alanis,” I smiled & lit his cigarette with mine. I stole you that night, Alanis. I’m still stealing pieces of women to see myself. At least I quit smoking.

*

Crush

Crushed it! Killed it! Nailed it!
I’m tired of certainty—
lexical combat
every day. What I want
to say is unkill it. Let
the boat float away.
Lose the trail & stay
in the forest.
The unfinished is the only
story worth starting.
Pine needles stippled with rain.
The tiny beat of the cardinal’s
heart. What a lightning
bug thinks of lightning.
Your first crush
who moved to Beirut
before you could
tell her she was cute.

*

Luck

It’s not right, the wind
these days. I stop
the idling car
& think of stronger
trees to plant.

It’s too late,
says a radio voice,
the Earth is too hot.
Mars is our best bet.

More birch fell by the riverbank.
Branches like arms outstretched,
the devastating choreography
of a stomped roach.

It doesn’t matter
& it’s all that matters,
the way I scan
the ground for pennies
to flip—from tails
to heads—leaving
some good luck
& money
for strangers to find.

How many wishes
do we get in this life?
What would they think—
the angels or aliens sailing
past our blue planet—
if they saw me, you,
all us, one by one,
kneeling silently,
out of fear or hope,
turning tiny faces
towards the sun.

*

Margot Douaihy, PhD, is the author of three books, including Girls Like You (Clemson University Press), a Lambda Literary finalist. Her work has been featured in PBS NewsHour, North American Review, Colorado Review, Madison Review, South Carolina Review, Tahoma Literary Review, Adirondack Review, and Wisconsin Review. She is the editor of the Northern New England Review.