Picture Day, First Grade by Julie Barton

Picture Day, First Grade

This photo still evokes in me,
forty-five years later, a frail
sorrow–the little girl wanting
only to get it right, to do it well.
The arched rainbow design
on the dress I picked myself.
The hair disheveled as always
because mom left for work so early
and dad claimed no skill at hairdos.
My tooth missing, my smile unsure,
unconvincing. Sometimes when
I can’t sleep, I look at that photo
in my mind’s eye and whisper,
“You’re doing great. Nothing
you are doing is wrong. I love you.”
It’s nice to imagine little me
hearing that future me thinks of
this day so often, how I didn’t
understand why I felt so wrong.
Standing in the gymnasium,
waiting my turn to be photographed,
the thin black comb they handed out
only to the kids who had
something to fix.

*

Julie Barton is the New York Times Bestselling author of Dog Medicine, How My Dog Saved Me From Myself (Penguin, 2016). She publishes a poem every day at juliebarton.substack.com and can be found online at juliebarton.com. Her poems have appeared in The South Carolina Review, Caduceus, Art Place at Yale Medical School.

Dear Daughter, by Julie Weiss

Dear Daughter,

I see you in the store, rummaging
through a display of tacky hibiscus
hairclips, our town´s new fad
among fourth graders. You ask me
which color bedazzles above
all the rest. I was nine once, too.
I know you want to buy the one
that will garner the most compliments
on the playground, or a nod from a girl
who swatted you out of her path
like a delirious September wasp.
I know the stings you´ll bring home
again and again, deem unbearable.
I see you, shushing me when I speak
too loudly in the language everyone
in Spain is trying to learn. Tweaking
your American accent in English class
to sound like your friends. I know
all the gifts you´ll toss in your closet,
the smile you´ll wipe off your cheeks
like a ruby red lipstick print
when I drop you off half a block
from the school gate. At your age
I, too, tried on seven different attitudes
a week, all of them as becoming
as an elephant beetle. I see the gluten-thick
birthday cakes you can´t taste,
the gapes when you mention your two
moms. I know how you regard your
differences—a weird gang of gargoyles
marring an otherwise beautiful garden.
I want to shout, “You´re wrong!”
Dear daughter, slam the fads
on the counter and tornado away. Wild
your hair into a style that will drop
this decade´s jaw. Catwalk through town
in a hodgepodge, expletives be damned.
Cartwheel past the gatekeepers like
a carnival act. Learn the word for perfection
in 7000 different languages.

*

Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. Her work appears in Chestnut Review, ONE ART, Rust + Moth, and Sky Island Journal, among others. Originally from California, she lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.

How (Not) to Die by Abby E. Murray

How (Not) to Die

She says that today, during recess,
they played dying. Basically, she says,
dying is when all the kids crowd

onto the slide until someone falls
over its side, and you cling to the edge
because the chipped rubber turf below

is death. A friend has to save you,
she says, and if they fail—if you’re lost
to the ground despite the hands

of your friend outstretched—you die.
But, she adds, if you die, you get
to come back as a ghost, climb

up the slide, and pull the socks off
your friend. In other words, you get
to haunt the one who tried hardest

to prevent your demise, take a little
of their warmth with you, leave them
less complete than they were, set

a fraction of their own body beyond
their understanding. And this strikes me
as unfair before it registers as accurate

too—so true, in fact, that it explains
survivor’s guilt in a way that makes
humans seem reasonable. Every ghost

will have its due. No one who lives
will remain completely whole. Friends,
who needs dreams or the cryptic ways

of the unconscious mind when there are
children on playgrounds, processing
what it is to exist in a world built

only by hands that cannot survive
or save it? When I tell my daughter
what I, a grownup, think is fair in life

and death, she looks at me with the same
pity any god might show me, as if to say
thinking has only ever gotten us so far.

*

Abby E. Murray (they/them) is the editor of Collateral, a literary journal concerned with the impact of violent conflict and military service beyond the combat zone. Their book, Hail and Farewell, won the Perugia Press Poetry Prize and was a finalist for the Washington State Book Award. Abby served as the 2019-2021 poet laureate for the city of Tacoma, Washington, and currently teaches rhetoric in military strategy to Army War College fellows at the University of Washington.