~ ONE ART’s Top 10 Most-Read Poets of January 2026 ~
Tag: Julie Weiss
Miracle Girl by Julie Weiss
Miracle Girl
–Adamuz, Córdoba, January 18th, 2026
Six and barefoot, you falter
along the rails like a phantom
in limbo, though you´re very
much alive. Virtually unscathed,
reporters will say, despite
the wreckage around you.
Despite the bodies, writhing
like unanswered questions,
or still as a billion-year-old
mountain. The bewilderment
of limbs you crawled over
to reach the broken window.
At what point in your search
for your family does your mind
ramshackle, fracture under
the dead weight of despair?
At what point are your thoughts
launched off their tracks?
Maybe when a barn owl
screeches, or a big rig thunders
past the tragedy that will define
the rest of your life. Soon,
all of Spain will illuminate you
in halo. Miracle girl, they´ll say.
As a civil guard leads you
away, maybe you hear voices
among the debris—your cousin,
your brother, mostly mamá
and papá. At what point will you
understand they´re phantoms
now, crashing towards you
from the wrong side of the divide?
*
Julie Weiss (she/her) is the author of The Places We Empty, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II. Her second collection, Rooming with Elephants, was published in 2025. “Poem Written in the Eight Seconds I Lost Sight of My Children” was a finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja” and was a finalist for the Saguaro Prize. Her recent work appears in Autumn Sky Poetry Daily, Gyroscope Review, ONE ART, and is forthcoming in Cimarron Review, The Indianapolis Review, and MER. She lives with her wife and children in Spain. You can find her at julieweisspoet.com
Dear Son by Julie Weiss
Dear Son
I see you crouched behind a bush,
hands cupped around some countryside
bug, whose name and composition
you´ll pull out of the air as if the sky
was a library, earth´s most bizarre
curiosities housed on its shelves.
I used to fret over stings and bites.
Poison. By now, I´ve learned to trust
the knowledge hived in your mind.
I see you, sitting alone on a bench,
your bicycle flung on its side like
an argument you refused to lose.
The park is abuzz. Other eight-year-olds
wham soccer balls, somersault
off bars, play tag or play-wrestle,
but you stare at the grass, building
Lego towns inside dew drops.
Or maybe you´re mapping out
uncharted paths in maple leaf veins.
I see you on deep-read days, the way
your name doesn´t catch the sound
waves travelling to your eardrum.
I, too, know what it´s like to journey
to the center of the story, the red-hot
plot scorching any urge to return.
Sometimes, nothing temporal matters,
does it? Not your unmade bed or half-
reassembled gadget parts scattered
across the floor, not even your meal,
whose flavors have vacated the plate
like a reunion gone awry. At school,
you discover a galaxy in every lesson,
chase comets through your teacher´s
explanations. I foresee the consequences
of your cosmic-quick wit, the jokes
and jabs you´ll have to dodge,
the laughter. Corners you´ll color
in camouflage, quiet as a phasmid.
The asteroidal scars you´ll bring home.
Dear son, rise above the bullies!
Grand Marshal our town´s first bug
parade, naysayers be damned. Build
a road network rooted in leaf patterns,
a rocket ship powered by dew drops.
When time writes your story, know
that every word of it will shine.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” and she was a finalist for the Saguaro Prize. Her work appears or is forthcoming in Burningword Journal, Gyroscope Review, ONE ART, Up the Staircase Quarterly, and others. She lives with her wife and children in Spain. You can find her at julieweisspoet.com
ONE ART’s Top 10 Most-Read Poets of November 2025
ONE ART’s Top 10 Most-Read Poets of November 2025
ONE ART’s Nominations for the 2026 Monarch Queer Literary Awards
ONE ART’s Nominations for the 2026 Monarch Queer Literary Awards
Kai Coggin – I AM MY OWN COUNTRY NOW
Abby E. Murray – I Can’t Find My Gender
Julie Weiss – Dear Daughter,
Sean Glatch – Having a Gay Awakening at the Elm Grove Public Pool
Hannah Tennant-Moore – Other People Explain My Sexuality to Me
*
Learn more about the Monarch Queer Literary Awards.
Broken by Julie Weiss
Broken
At the park, you stagger your way
through shrieks and shenanigans,
crying. Your arm, once a smooth
stroll from shoulder blade to fingertip,
now a mountain hike, its slopes
insurmountable. My heart landslides,
tumbles over the edge of your pain.
Whatever I was holding in my hand
jolts the earth. You walk towards us,
your mothers, trying not to cry, to tough
the bones back into place as though
your fortitude wore scrubs and a mask.
When children fall in films,
parents always falcon on the scene,
but not me. For a few fractured
seconds, I´m all knees and vertigo,
hanging upside down from a bar
of shock, unable to drop.
How many times have I, searching
for the rewind button, pressed
remorse instead? You, halfway
to the hospital by now. Your sister
plunged in friends´ hugs, inconsolable
as a skeleton. The sky birdless,
hunched in facepalm, my cheeks
slap-red. Your arm will heal, son,
but know this: there are moments
in a mother´s life that never
fuse back together.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, was published in February 2025 by Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was a finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja” and was a finalist for the Saguaro Prize. Her work appears in ONE ART, Variant Lit, The Westchester Review, Up The Staircase Quarterly, and others. She lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.
Late Again by Julie Weiss
Late Again
— after Danusha Laméris
I ignore the meteorologist´s warning,
surge out of the house hoodless,
umbrella propped in the farthest corner
of my home, like a perspective
I´ve outgrown. I stride to work,
each cement block a sinkhole,
black coffee sloshing over the rim
of my Starbucks Venti. Clouds silver,
then gray, then shed their final white
wisps, yet the only threat I sense
overhead is my deadline, screeching
like some clawed creature on the brink
of extinction. The rain comes yards before
I reach my office, comes down in ribbons—
there are no overhangs on this street.
Through the blur, I swear I catch
the fractured pieces of my career
but it´s only a smashed bottle, each shard
as sharp as my boss´s daily tirades.
In a different poem, the tap tap tap
on my shoulder might be collapsed
scaffolding, portending the end. I might
kneel on the street, grind my knees
in someone else´s stupor, pray for sirens.
Or, I might call in sick, crackling my voice
for good measure, scan the neighborhood
for a trail out of the day´s grasp. But I turn,
see a crossing guard with an umbrella,
saying “Here honey, take mine. I have a hood.”
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” and she was a finalist for the Saguaro Prize. Her work appears or is forthcoming in Burningword Journal, Gyroscope Review, ONE ART, Up the Staircase Quarterly, and others. She lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.
Featured Reading: Sunday, February 9, 2pm Eastern
ONE ART’s February 2025 Featured Reading
Featured Poets: Alison Lubar, Sean Kelbley, Jacqueline Jules, Dick Westheimer, Julie Weiss
Sunday, February 9, 2pm Eastern
Tickets available here (Free or Donation)
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Reading format:
The reading is expected to 1.5 to 2 hours, followed by approximately 30 minutes Q&A / Community discussion.
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Alison Lubar teaches high school English by day and yoga by night. They are a queer, nonbinary, biracial femme whose life work has evolved into bringing mindfulness practices to young people. Their poetry collection, The Other Tree, was the recipient of Harbor Editions’ 2024 Laureate Prize, and is set to be published in September 2025. They’re the author of four chapbooks: Philosophers Know Nothing About Love (Thirty West, 2022), queer feast (Bottlecap Press, 2022), sweet euphemism (CLASH!, 2023), and It Skips a Generation (Stanchion, 2023), as well as one full-length, METAMOURPHOSIS (fifth wheel press, 2024). Find out more at http://www.alisonlubar.com/ or on Twitter @theoriginalison.
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Sean Kelbley lives on a farm in Appalachian Ohio and works as a primary school counselor. In addition to ONE ART, his poetry has appeared in Rattle, Sheila-Na-Gig Online, Still: The Journal, Sugar House Review, and other wonderful journals and anthologies.
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Jacqueline Jules is a former librarian who was intrigued by every book she put on the shelf. As a reader and as a writer, she doesn’t restrict herself to one topic or genre. She is the author of Manna in the Morning (Kelsay Books, 2021), Itzhak Perlman’s Broken String, (winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press), Smoke at the Pentagon: Poems to Remember (Bushel & Peck, 2023), and over fifty books for young readers including My Name is Hamburger, the Zapato Power series, and Never Say a Mean Word Again. Her poetry has appeared in over one hundred publications. She has received the Library of Virginia Cardozo Award, the Spirit First Poetry Award, the Sydney Taylor Honor Award, an Aesop Accolade, the SCBWI Magazine Merit Award, and the Arlington Arts Moving Words Award. She lives on Long Island near Manhasset Bay and walks along the water every chance she gets. Visit her online at www.jacquelinejules.com
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Dick Westheimer lives in rural southwest Ohio with his wife and writing companion, Debbie. He is winner of the 2023 Joy Harjo Poetry Prize and a Rattle Poetry Prize finalist. His poems have appeared in Only Poems, Whale Road Review, Rattle, Gasmius, and Minyan. His chapbook, A Sword in Both Hands, Poems Responding to Russia’s War on Ukraine, is published by SheilaNaGig. More at www.dickwestheimer.com
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Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” and she was a finalist for the Saguaro Prize. Her work appears or is forthcoming in Burningword Journal, Gyroscope Review, ONE ART, Up the Staircase Quarterly, and others. She lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.
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ONE ART’s February 2025 Reading feat. Alison Lubar, Sean Kelbley, Jacqueline Jules, Dick Westheimer, Julie Weiss
Sunday, February 9 — 2pm (Eastern)
Duration: ~ 2 hours
Featured Poets: Alison Lubar, Sean Kelbley, Jacqueline Jules, Dick Westheimer, Julie Weiss
Tickets available here (Free or Donation)
*
~ About The Featured Poets ~
Alison Lubar teaches high school English by day and yoga by night. They are a queer, nonbinary, biracial femme whose life work has evolved into bringing mindfulness practices to young people. Their poetry collection, The Other Tree, was the recipient of Harbor Editions’ 2024 Laureate Prize, and is set to be published in September 2025. They’re the author of four chapbooks: Philosophers Know Nothing About Love (Thirty West, 2022), queer feast (Bottlecap Press, 2022), sweet euphemism (CLASH!, 2023), and It Skips a Generation (Stanchion, 2023), as well as one full-length, METAMOURPHOSIS (fifth wheel press, 2024). Find out more at http://www.alisonlubar.com/ or on Twitter @theoriginalison.
*
Sean Kelbley lives on a farm in Appalachian Ohio and works as a primary school counselor. In addition to ONE ART, his poetry has appeared in Rattle, Sheila-Na-Gig Online, Still: The Journal, Sugar House Review, and other wonderful journals and anthologies.
*
Jacqueline Jules is a former librarian who was intrigued by every book she put on the shelf. As a reader and as a writer, she doesn’t restrict herself to one topic or genre. She is the author of Manna in the Morning (Kelsay Books, 2021), Itzhak Perlman’s Broken String, (winner of the 2016 Helen Kay Chapbook Prize from Evening Street Press), Smoke at the Pentagon: Poems to Remember (Bushel & Peck, 2023), and over fifty books for young readers including My Name is Hamburger, the Zapato Power series, and Never Say a Mean Word Again. Her poetry has appeared in over one hundred publications. She has received the Library of Virginia Cardozo Award, the Spirit First Poetry Award, the Sydney Taylor Honor Award, an Aesop Accolade, the SCBWI Magazine Merit Award, and the Arlington Arts Moving Words Award. She lives on Long Island near Manhasset Bay and walks along the water every chance she gets. Visit her online at www.jacquelinejules.com
*
Dick Westheimer lives in rural southwest Ohio with his wife and writing companion, Debbie. He is winner of the 2023 Joy Harjo Poetry Prize and a Rattle Poetry Prize finalist. His poems have appeared in Only Poems, Whale Road Review, Rattle, Gasmius, and Minyan. His chapbook, A Sword in Both Hands, Poems Responding to Russia’s War on Ukraine, is published by SheilaNaGig. More at www.dickwestheimer.com
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net, she won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” and she was a finalist for the Saguaro Prize. Her work appears or is forthcoming in Burningword Journal, Gyroscope Review, ONE ART, Up the Staircase Quarterly, and others. She lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.
ONE ART’s Top 10 Most-Read Poets of November 2024
~ ONE ART’s Top 10 Most-Read Poets of November 2024 ~
Dear Daughter, by Julie Weiss
Dear Daughter,
I see you in the store, rummaging
through a display of tacky hibiscus
hairclips, our town´s new fad
among fourth graders. You ask me
which color bedazzles above
all the rest. I was nine once, too.
I know you want to buy the one
that will garner the most compliments
on the playground, or a nod from a girl
who swatted you out of her path
like a delirious September wasp.
I know the stings you´ll bring home
again and again, deem unbearable.
I see you, shushing me when I speak
too loudly in the language everyone
in Spain is trying to learn. Tweaking
your American accent in English class
to sound like your friends. I know
all the gifts you´ll toss in your closet,
the smile you´ll wipe off your cheeks
like a ruby red lipstick print
when I drop you off half a block
from the school gate. At your age
I, too, tried on seven different attitudes
a week, all of them as becoming
as an elephant beetle. I see the gluten-thick
birthday cakes you can´t taste,
the gapes when you mention your two
moms. I know how you regard your
differences—a weird gang of gargoyles
marring an otherwise beautiful garden.
I want to shout, “You´re wrong!”
Dear daughter, slam the fads
on the counter and tornado away. Wild
your hair into a style that will drop
this decade´s jaw. Catwalk through town
in a hodgepodge, expletives be damned.
Cartwheel past the gatekeepers like
a carnival act. Learn the word for perfection
in 7000 different languages.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. Her work appears in Chestnut Review, ONE ART, Rust + Moth, and Sky Island Journal, among others. Originally from California, she lives with her wife and children in Spain. You can find her at https://www.julieweisspoet.com/.
ONE ART’s Top 10 Most-Read Poets of July 2024
~ ONE ART’s Top 10 Most-Read Poets of July 2024 ~
Pinky Promise by Julie Weiss
Pinky Promise
after Maggie Smith
Any day now, they’ll reach the border
of my hands, peer at a terrain that would break
the most seasoned travelers. Given another
way, no sane mother would surrender
her children to the world’s atrocities, just like
no sane mother would unlock the gate
and let go, knowing the path is ticking
with landmines. Wandering off,
they’ll come across bodies no bigger
than their own, wrapped in sheets
of thoughts and prayers. Predators on the prowl,
crouched behind candied smiles, waiting
for the earth to blink. Where, my children will ask,
are the pretty ponies grazing in golden pastures?
The faery clans arrayed in petals and sparkle,
where? You pinky promised. It’s true.
I’ve slinked into pawn shops on every corner
of time, bartered away the lucky trinkets,
the dreamcatchers hung over their windows
like suns rising in another galaxy, but when
I looked over my shoulder, as they’re doing now,
all I saw was a cemetery swarming
with blood and bones, a million unclasped hands.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and two chapbooks, The Jolt and Breath Ablaze: Twenty-One Love Poems in Homage to Adrienne Rich, Volumes I and II, published by Bottlecap Press. Her second collection, Rooming with Elephants, is forthcoming in 2025 with Kelsay Books. Her “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a 2023 finalist for Best of the Net. She won Sheila-Na-Gig´s editor´s choice award for her poem “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. Her recent work appears in ONE ART, Sky Island Journal, and Last Syllable, among others. Originally from California, she lives in Spain. You can find her at https://www.julieweisspoet.com/
ONE ART’s Top 10 Most-Read Poets of February 2024
~ ONE ART’s Top 10 Most-Read Poets of February 2024 ~
Two Poems by Julie Weiss
Celebration
Nobody told you how you´d glow
in this city, how fast your energy
would flow. Most days, you criss-cross
its neighborhoods as though riding a bolt
of electricity. It´s only been a week
since you landed on the other side
of the world, but your body, once
unyielding as routine, has become
a metallic version of your pre-nomad self
and you, conductor of emotion, vow
to bend towards any adventure that beckons.
This is your very own renaissance!
You relish the nightlife best, zipping
from café to bar to afterhours hot spots,
ordering food and drinks in the language
you came here to learn. Sometimes
coiled lovers or boisterous groups
of friends flash a glance your way,
which prickles just a bit, but even
as a child, you wore solitude like
a cherished pendant, pressing it to your
chest whenever you felt imperceptible
or were elbowed aside. It was enough
to contemplate other people´s lives.
Besides, when your classmates warm
to your quirky interests, your silences
and eccentricities, you too will have
an arm or three to link yours through.
In high school, you treated your birthday
as a frayed wire you hoped wouldn´t
flare into celebration, but now, halfway
across the world, the lights are off, your
teacher is walking into the classroom
with a cake, everyone is singing to you
in the language you´re all trying to learn
together, and the face in the flames
glows not with shame but euphoria.
*
A Different Kind of Restaurant
–after reading about Alabama´s Drexell & Honeybee´s
Later, you´ll paint the barbecued ribs
in handsome shades of walnut,
submerge them in springs of hot gravy,
color of cedar. Add sizzle, tang. A taste
that transports you to the backyards
of your childhood, Sunday afternoons spent
scaling trees with your friends while
parents guzzled beers, swapped gossip.
You´ll need a full palette to portray
the vegetables, their flamboyance, the way
they spin across your taste buds clad in nothing
but flavor. They remind you of salsa
dancing, or how your legs lost rhythm after
the divorce. It´s been decades since you ate
a dish that merited an impressionistic flair,
waves of cheese crashing over macaroni shells,
more cheese cascading over the edge of your
senses, a hypnotic landscape of yellows,
oranges, and creams, your fork diving
and diving through the velvety tide, oxygen
an afterthought to perfection. You consider
telling the volunteer about the waterfront job
you lost last month, but there are so many people
waiting in line, so many stories. You´d like
to paint the owners´ portraits, their heart-shaped
faces, eyes generous enough to hold an entire
community in their depths. But first you want
to get the cobbler right. An estuary of berries
gushing out of the crust, crust floating
on an estuary of berries. Only the perfect mix
of blues can capture sweet summer nostalgia.
If you´d nabbed an important career when
dreams of prosperity were still up for grabs,
you´d be able to leave money for today´s
full belly. Instead, you drop a note of gratitude
in the donation box. Promise to return
another day with an offering of beauty.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and a chapbook, The Jolt: Twenty-One Love Poems in Homage to Adrienne Rich, published by Bottlecap Press. Her “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a finalist for Sundress´s 2023 Best of the Net anthology. She won Sheila-Na-Gig´s editor´s choice award for her poem “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. A Pushcart Prize nominee, her work appears in ONE ART, Chestnut Review, and Random Sample Review, among others. Originally from California, she lives in Spain with her wife and two young children. You can find her at julieweisspoet.com.
ONE ART’s Top 25 Most-Read Poets of 2023
~ ONE ART’s Top 25 Most-Read Poets of 2023 ~
1. Abby E. Murray
2. Rosemerry Wahtola Trommer
3. Betsy Mars
4. Donna Hilbert
5. Linda Laderman
6. Alison Luterman
7. Julie Weiss
8. Robbi Nester
9. Roseanne Freed
10. Karen Paul Holmes
11. Heather Swan
12. Timothy Green
13. James Diaz
14. Jane Edna Mohler
15. John Amen
16. Barbara Crooker
17. Jim Daniels
18. Susan Vespoli
19. Sean Kelbley
20. Susan Zimmerman
21. Kip Knott
22. Jennifer Garfield
23. Margaret Dornaus
24. Paula J. Lambert
25. Gail Thomas
ONE ART’s Top 10 Most-Read Poets of September 2023
~ ONE ART’s Top 10 Most-Read Poets of September 2023 ~
- Jane Edna Mohler – Feast
- Valerie Bacharach – Betrayal
- Julie Weiss – Dream in Which I Stop to Say Goodbye
- Jessica Goodfellow – Milk
- Rosemerry Wahtola Trommer – Three Poems
- Dan Butler – Four Poems
- Matthew Murrey – Kindergarten
- Tammy Greenwood – Evacuation
- Robbie Gamble – To Anna, On Her Retirement
- Zeina Azzam – Losing a Homeland
Dream in Which I Stop to Say Goodbye by Julie Weiss
Dream in Which I Stop to Say Goodbye
~In memory of my father, Gerald Weiss (January 26, 1942 – September 14, 2023)
Gather your tears like a fistful of pebbles.
Drop them on the doorstep before entering
the gallery of my life. Toss off the drab
mourning attire, stiff hat, the pain veiling
your face. Toss the regrets, the words
never spoken, into a daffodil field
and do the twist with someone you adore,
someone whose legs haven´t yet
buckled under the gravity of so many
accumulated joys. Smile as though
a jokester dwelled in your belly!
Everyone knows I loved a good joke.
Think not of me but of children.
From the vantage point of stars, the world
is a sparkling clarinet, billowing out
the laughter of every child on earth.
Honor me by not forsaking those who need
the seeds in our full hands to flourish.
When I alighted on the shore of your dream
to say goodbye, what I meant was
I vow to spend my eternity collecting
all these moments of indescribable beauty
for your sake, stacking them in my heart´s
jar as you would seashells or precious stones.
For now, if you wake in a fret, know that
I haven´t wandered far. I´m the glorious
dawn colors adrift on an eagle´s wings.
The sunlight winking across the Bay.
A swirl of butterflies caught, for a second,
in an unexpected tease of wind.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and a chapbook, The Jolt: Twenty-One Love Poems in Homage to Adrienne Rich, published by Bottlecap Press. Her “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a finalist for Sundress´s 2023 Best of the Net anthology. She won Sheila-Na-Gig´s editor´s choice award for her poem “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. A Pushcart Prize nominee, her recent work appears in Random Sample Review, Wild Roof Journal, and ONE ART, among others, and is forthcoming in Chestnut Review. Originally from California, she lives in Spain with her wife and two young children.
Two Poems by Julie Weiss
To the Pre-Adolescent Boy Stuck on Top of the Climbing Rock
We´ve all been marooned
on an island of terror at one time
or another. We´ve all sought
refuge in our coiled shell
of a body, been tossed about
by a wind that wore its impatience
like some flashy pirate´s garb.
When I was your age, a pack of us
armed with explorer kits and splashy
imaginations crawled into a cave-
like opening, yards from home.
I was the only one who screamed
and screamed, convinced the narrow walls
were crushing my life into a pitiful pile
of remains, skeletons were dancing
a derisive jig on the stage of my follies,
or at least that´s what I glimpsed through
my tears, the same swells thrashing
your dignity every time you peek over
the edge. Ignore the younger children
scurrying up and down the rock,
their triumphant chirps. I, too, went
limp on the flash-quick tongue
of my friends´ laughter yet endured
to assure you, forty years on, that hollows
eventually belch out defiant children.
That no, you won´t be condemned
to spend the night outside, prey
to the owls and rats of your father´s
threats. Though he´s been circling
the base for hours, all fins, teeth
and suspense music, all ravenous for
home, remember that in his youth
even he must have been blindfolded
by bravado, jostled to the edge
of a challenge, and at the last hopeless
moment, implored his various gods
to unleash rung after rung of salvation.
*
Prayer
Say the day steps out in an ensemble of wind,
hurtles you backwards seconds before a branch crashes
onto the path, inches from your feet. Say the wind
nestles your cheek, slips its whole body into your
dimmed memories, those times when, like a high note, we´d
rock it out on the vibrato of God´s hymns, your
eagle soul perched on the verge of your future,
larger than a soar of prayers.
Say an eagle appears, gliding on the wind of your hallelujah.
Don´t ever pluck the feathers off coincidence, son.
Sometimes, an odd sparkle in the dew-swept grass might
lead you to the coin or trinket you´d thought missing
among the scattered days of your life. Someday, you´ll
understand the planes I´ve traversed to say: don´t let my
goodbye gala trip you up like a crack in the sidewalk. No
hill of grief is too steep to scale, once you drink from
the glory cupped in heaven´s hands. If you´re lost, know I´m
everywhere, in wind, tree, dew, and bird. I´m here, watching you
rejoice in a world spun on the axis of my love.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay books, and a chapbook, The Jolt: Twenty-One Love Poems in Homage to Adrienne Rich, published by Bottlecap Press. Her “Poem Written in the Eight Seconds I Lost Sight of My Children” was selected as a finalist for Sundress´s 2023 Best of the Net anthology. She won Sheila-Na-Gig´s editor´s choice award for her poem “Cumbre Vieja,” was named a finalist for the 2022 Saguaro Prize, and was shortlisted for Kissing Dynamite´s 2021 Microchap Series. A Pushcart Prize nominee, her work appears in ONE ART, Rust + Moth, Orange Blossom Review, Sky Island Journal, and Wild Roof Journal, among others. Originally from California, she lives in Spain with her wife and two young children.
The Jolt by Julie Weiss
The Jolt
X.
We pore over each painting, fantasizing
ourselves into the corner of a 19th century
basement studio. My breasts exposed
for the sake of your masterpiece, swelling
under your artist´s stroke. Pretense
after pretense, falling. Your marriage
a sham. You can´t touch me like that
in a museum, but I could very well plunge
over the edge of my imagination. Later
will be all glaze and splash. Wordless.
XII.
Listen, our lives are not our own.
The afternoon could, while we´re making
love, explode into a billion yesterdays.
I´ve never seen the strings of human
existence dangle so flamboyantly from
the fingers of madmen. How many tombs
of ruthlessness must we bury our poems in?
Hear my scream, more terror than climax.
Want, inconsequential. Still, if the earth splits
in two, I´ll cling to you, and it will be enough.
XIII.
This city and all its tragedies.
Every street we cross pinned down,
groaning under the weight of something
that died, unwilling. A dream. An affair.
It´s almost enough to make me guzzle
moonlight from the broken beer bottle
at your feet. But you´re not after a poet´s
despair. You´re pulling me into the afterhours
gay bar, where I´ll discover an intoxication
of city nights under my frenzied hands.
XV.
More bird than human, I´ve crossed
waters to reach a land that didn´t wither
under the gaze of my desires. I revel
in the cliché of your balcony where
I´ve come to perch. Half-naked wine glasses,
morsels of Queso de Tetilla, pun brazenly
intended, the voluptuous Iberian night,
its dance, our hands all over its starry
hips. Even in sleep, you come again and again
to all the places my body has been clipped.
XX.
Dreaming it had gone a different way,
I skid off the rails of sleep, crash into you.
I came to you more wreck than I care to admit.
Bones are like that, marrowed out of letdowns.
Extraordinary, how the planets colluded
to lure us onto the same wrong train. How
you melted the scrap heap of my past
in one sizzling glance. Te quiero, you say,
and mean it. A wail sends us hurtling.
How our children will continue this poem.
*
Author´s Note:
In February of this year, I decided to try my hand at a short poem, longwinded writer that I am, and who better to model it after than my lifelong poetry idol, Adrienne Rich? I´d read her Twenty-One Love Poems many times and decided to write a love poem of my own, echoing hers. I set myself a limit of ten lines or less. After writing the first one, I realized how much I loved the way brevity forces you to scrutinize word choice, to pay attention to the silences between, above, below the lines; what´s left unsaid is perhaps even more urgent than what´s said. Thoroughly hooked, I wrote a second, a third, a fourth, at which point I figured I might as well go for all 21, floater included, which is how my manuscript, The Jolt: Twenty-One Love Poems in Homage to Adrienne Rich, was born. With these poems, I hope to celebrate the beauty and resilience of lesbian love, despite the (often harmful) obstacles hurled in our path.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books. She won Sheila-Na-Gig´s Editor´s Choice Award for her poem “Cumbre Vieja,” was shortlisted for Kissing Dynamite´s 2021 Microchap Series, and was named a finalist for the 2022 Saguaro Poetry Prize. A Pushcart Prize and Best of the Net nominee, her recent work appears in Rust + Moth, The Loch Raven Review, and Rat´s Ass Review, among others. Originally from California, she lives in Spain with her wife and two young children.
After Googling Your Name I by Julie Weiss
After Googling Your Name I
–for Purple Pam
Plod to the kitchen, gather all the ingredients
and build a sandwich you would have extolled,
my knees weakening under the shock of lost
time. I´m famished for fifteen, for my first job,
how the earth never stopped orbiting your smile,
even when customers stained our aprons with complaints.
For one of your hugs, its galactic blaze, I´d slip my finger
under the meat slicer again. I remember how you
numbed my fear, wrapping your voice around my wound,
kindness everflowing like the hip hop lyrics you mixed, breast-
scratching your path from Foster City catering queen
to Bay Area DJ supernova. Every stage you crossed
radiated in your wake, I read. But I´m fifteen again, life
endless as the salads we scoop, chill as the swimming
soiree at our boss´s house, where you pull me in, your laughter
sparking mine. We glide side by side in a universe that never dies.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books. She won Sheila-Na-Gig´s Editor´s Choice Award for her poem “Cumbre Vieja,” was shortlisted for Kissing Dynamite´s 2021 Microchap Series, and was named a finalist for the 2022 Saguaro Poetry Prize. A two-time Pushcart Prize and Best of the Net nominee, her recent work appears in Sky Island Journal, ONE ART, and Feral, among others, and is forthcoming in Rust + Moth and Trampset. Originally from California, she lives in Spain with her wife and two young children.
After Calculating the Cost of a Trip from Spain to California by Julie Weiss
After Calculating the Cost of a Trip from Spain to California
I can´t ask them to catch the bits
of grief falling out of my voice
like marbles or bottlecaps. Falling
onto our kitchen tiles like a clatter
of coins, whose designs have corroded
beyond recognition. How many times
have they winged it around the neighborhood,
tilting and dipping, a sparkle of clouds
in their eyes? The whir, the rumble,
turbulence of laughter as they land
on top of each other, in a field that refuses
to flower a runway. Some planes never
take off, no matter the years of toil
fueling their engines. How long
since I felt decades disintegrate
in the dizzying crush of a first hug,
since my parents pressed memories
into my spine, as if working clay
in the urgent minutes before it starts
to dry? My children´s hands are too
small to grasp the plans we´d packed
into a suitcase of premature dreams,
now a heap of follies I hurry to sweep
into the trashcan along with breadcrumbs,
eggshells, candy wrappers as wrinkled
as their grandparents´ kisses
filtered through a computer screen.
The clam chowder doesn´t quite cool
to the temperature of resignation before
I spoon some into our bread bowls.
It never does. The crust goes down
hard, sours my throat. My children
chatter about the pot of gold at the end
of a bridge they may never cross as I fold
their grannies´ laps into my pocket,
brace myself for another summer without.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books. She was a finalist in Alexandria Quarterly´s First Line Poetry Series, shortlisted for Kissing Dynamite´s 2021 Microchap Series, and she has been named a finalist for the 2022 Saguaro Poetry Prize. A two-time Pushcart Prize and Best of the Net nominee, her recent work appears in Gyroscope Review, ONE ART: a journal of poetry, Sky Island Journal, and others. Originally from California, she lives in Spain with her wife and two young children.
Pink Bunny by Julie Weiss
Pink Bunny
How to describe history´s grotesque
face, still half-hidden under a mask
of deceit? In some countries, hide
and seek isn´t a game. In some homes,
the bodies curled inside closets no longer
contain enough space for laughter.
I want to nourish my children,
and also, I want them to hear the gnarl
of a not-so-distant hunger as they ravage
their pile of snacks. Tell me, what
greater joy than watching your daughter
blow out her birthday candles? How
the flames are quelled in a single
wish without ever searing her skin.
Don’t think about it, they say. As if
our playgrounds weren´t haunted.
Voices encircled by a battalion
of bloodied dreams. The swings
heavy. The wind pushing them
side to side, shapeless. Just because
we turn off the television doesn´t mean
bombs aren´t falling on schools
and theaters. No matter how dazzlingly
our children dance in their spring concert,
missiles will continue blazing through
the bellies of maternity wards.
A family lies at the foot of the bridge
they almost crossed. Next to their open
suitcases. Next to a bright pink bunny,
squashed beneath the rubble.
Explosion after explosion, and we don´t
turn away. Look, I say. I need them
to know what may come next.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut collection published by Kelsay Books. She was a finalist in Alexandria Quarterly´s First Line Poetry Series, has been named a finalist for the 2022 Saguaro Poetry Prize, and she was shortlisted for Kissing Dynamite´s 2021 Microchap Series. A two-time Pushcart Prize and Best of the Net nominee, her recent work appears in Sheila-Na-Gig, Orange Blossom Review, ONE ART: a journal of poetry, and others. Originally from California, she lives in Spain with her wife and two young children.
All That Glitters by Julie Weiss
All That Glitters
─ for Prince
Six years on, & you still surface
in everything that shines.
A spoonful of honey drizzled on toast,
bits of crystal embedded in rocks
my children bring home, opening
their hands as if cupping hummingbird eggs,
or a miracle. A question glinting
off a mountaintop whose slopes dip
into the valley between then & now.
Could you have foreseen a generation
of rainbow children gone drab, faces
of the future you had envisioned
clouded behind masks? Nowadays,
I watch the world through a deluge
of uncertainty, clutching your music
as if every note were a lifeline.
To say I haven´t bathed in every rain
of sequins would be a lie. To say
every ruffle hasn’t billowed against
the silk cheek of my prayers would be
as blasphemous as blowing the wishes
off the shimmer of a shooting star.
How, in the early days of the pandemic
you fluttered among the wilted petals
of my gape like a golden-winged butterfly
or a guitar god, all strum, soul, & split,
defying me back into bloom. Remember?
That time I was slouched in my parked car
after a fearful trip to the supermarket,
wondering how a virus had grown
muscle enough to tilt an entire planet
off its orbit, wandering through
the winding halls of my tears
when you appeared, an apparition
of glitter & melody, twirling
at the top of your falsetto,
your voice the fire that would
guide me out of the day´s despair.
The streets felt peopled, then.
The potted plants on my windowsill
glow in the colors of dawn, & I know
you´re the one who has illuminated
today´s stage. That later, a million sequins
of sunlight will spill over me, scatter
across the earth like an eternal grand finale.
*
Julie Weiss (she/her) is the author of The Places We Empty, her debut chapbook published by Kelsay Books. She was a finalist in Alexandria Quarterly´s First Line Poetry Series, a finalist for The Magnolia Review´s Ink Award, and she was shortlisted for Kissing Dynamite´s 2021 Microchap Series. A two-time Pushcart Prize and Best of the Net nominee, her recent work appears in Orange Blossom Review, Minyan Magazine, Sheila-Na-Gig, and others. Originally from California, she lives in Spain with her wife and two young children.
