On Visiting My Psychologist by Jason Gordy Walker

On Visiting My Psychologist

“I’m simply an accident. Why take it all so seriously?”
— Emil Cioran

The man inside my head preferred me dead.
I thought I would never write poetry again.

My dishes piled up like regrets in the sink.
I had nowhere to turn for love or help—

all my friends were workaholics or dead.
Instead of calling them, I smoked and wrote

an obituary for myself. What could I say?
The frost blinding my windows never went away—

day after day there was nothing but snow. I tended
to leave my stuffy home, to walk alone while I kidded

myself about such things. Hope felt like a ghost
my years would never know. I’m sorry

how I never called you back, those days you called
and called. I felt fine. My hands, dry and cracked,

flipped pages for hours. The birds packed
the dark green trees. And somehow,

somehow the sun was brighter, almost enthralled.

*

Jason Gordy Walker (he/him/his) has published poems in Broad River Review, Cellpoems, Confrontation, Hawai’i Pacific Review, Measure, One Art, Poetry South, Think, and other journals; his book reviews and interviews have appeared in Birmingham Poetry Review, Newpages, Subtropics, and the Dos Madres Press Blog. A recipient of scholarships from The New York State Summer Writers Institute, Poetry by the Sea: A Global Conference, and The West Chester University Poetry Conference, Walker is an MFA student at the University of Florida.

Three Poems by Jason Gordy Walker

Brilliant Trash

       —Birmingham, AL

Hardly a splash of water on my face
and I’m out the door to scrub
pots at the pub, thinking, What
a poor dish-dog I am.
Mumbling in my car
while shifting into reverse, I slam
into a can of brilliant trash:
busted beer bottles, stuffed
rabbit’s gut bleeding cotton,
box of worm-ridden donuts.
I spin out, scratching
my stubble till my chin’s red,
hit 50mph—Caution:
Children—in a school zone,
a mother in a mini-van
flipping me off
for good reason
when a line
for my next poem
pops up in my head: This
monstrous ulcer named Work
is the foundation of Art—
before I brake at the light
while sparrows flutter
on wires, then
they dive,
peck,
eat,
repeat
until the hawk swerves in.

* 

How to Delay a Panic Attack

Breathe in. Hold it. Breathe out. Repeat.
Hustle to your bathroom.
Don’t forget to scrub yesterday’s pizza
from your mouth. Breathe in.

Pluck your wild nose-hairs.
Brush lint from your shirt.
Scratch the scab off your knee
like it’s a lottery ticket.

Don’t rush on your drive to work.
Breathe out. Recite a Shakespeare sonnet.
Notice your brow’s furrows
in the rearview. Breathe in. Tally

each freckle. Are your earlobes attached
or detached? Breathe out. Rewind the tape.

*

Ode to Watching Ikiru

I pause the film. Framed by the bars of a jungle-gym,
Kanji Watanabe swings like a child, singing
“Gondola No Uta.” Snowflakes start a flurry.

Shimura shines through his role. The bureaucrat’s
final days would have been too brutal for a lesser actor:
you have stomach cancer, but your beloved son

treats you like a bank? I’ll pass. The snow falls.
Wearing his iconic hat, the old man sings,
no special effects

needed. As our hero says earlier: I don’t know
what I’ve been doing with my life. Not true.
I’m plotting against ennui, pressing play.

* 

Jason Gordy Walker (he/him) is a multi-genre writer and an MFA student in poetry at the University of Florida, where he teaches a fiction workshop. His poems have been published in Broad River Review, Cellpoems, Confrontation, Measure, and Poetry South, among others.