ONE ART’s Most-Read Poets of 2025

ONE ART’s Most-Read Poets of 2025

  1. Kai Coggin
  2. Alison Luterman
  3. Donna Hilbert
  4. Betsy Mars
  5. John Amen
  6. Susan Vespoli
  7. Rosemerry Wahtola Trommer
  8. Tina Em
  9. Kim Addonizio
  10. Molly Fisk
  11. Joseph Fasano
  12. Terri Kirby Erickson
  13. Robbi Nester
  14. James Crews
  15. Abby E. Murray
  16. Allison Blevins
  17. Erin Murphy
  18. john compton
  19. Dana Henry Martin
  20. Alison Hurwitz
  21. Moudi Sbeity
  22. Dick Westheimer
  23. James Feichthaler
  24. Karen Paul Holmes
  25. Naomi Shihab Nye

Note: For poets who published multiple times in ONE ART, in 2025, we are linking to the most-read curated work.

ONE ART’s 2025 Best Spiritual Literature Nominations

ONE ART’s 2025 Best Spiritual Literature Nominations

tc Wiggins – Like Lightning  

Moudi Sbeity – All Things Bloom  

James Diaz – I will not go to Darkness having known Nothing of the Light

Naila Francis – For my friend weeping at the coffee shop  

James Feichthaler – So Much Baggage  

Gary Fincke – The Far North

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The annual Best Spiritual Literature awards are hosted by Orison Books.

“Orison Books publishes Best Spiritual Literature (formerly The Orison Anthology) every year, a collection of the best spiritual writing in all genres published in periodicals in the preceding year. […] Editors of literary periodicals (print or digital) may nominate work in a single genre or in multiple genres to be considered for inclusion in our annual anthology, Best Spiritual Literature, which will reprint the finest spiritually engaged writing from a broad and inclusive range of perspectives.”

Five Poems by James Feichthaler

Lines written on the 27th minute of my lunch hour in a Wawa parking lot

As the weeks deliver blow upon dull blow
To our sophisticated, fast-paced lives,
Keeping to schedules, always on the go,
With no time for ourselves in nine-to-fives,
“Surviving” mostly means that we’ll cut corners
While settling for fixes ’stead of cures;
From drive-thru grabs to greasy touchscreen orders
Of sloppy subs, a lunch hour’s breaded snares.
And even as these hurried words truck forth
From time-stressed regions of my anxious brain,
Some sparrows make a pit stop on the earth
And bathe in dirt, too long awaiting rain;
Shake off the dust their wings accumulate,
Then dart away, with nowhere to be late.

*

Sidewalk suns

Some call them “weeds,” these yellow miracles
That pushed through stone and found a way to thrive
Amongst the rubble’d ruins of this pavement;
Amidst the cracks and root-disjointed hills
(Of concrete) that have made it hard to move
Along these lanes, so desperate for improvement.
Most call them eyesores, born to be plucked out
And ripped from where their like has taken refuge,
As if their mere existence were too much
For eyes that can’t enjoy or won’t appreciate
Their growing here; fools’ gold, but double-rich
For their vitality: so heavenly huge
To the ants that wander by each grounded sun,
Who must look up at what dull souls look down upon.

*

So much baggage

I stop to watch him slide across the gravel,
His shelly suitcase proudly on display;
Horns pointing north, the safest way to travel
About these parts on such a gloomy day.
The path that leads to my apartment steps
Doesn’t see much traffic; byways clogged with moss
And wayward weeds have slowed the sleepy progress
Of many a tiny snail. The broad, slicked tops
Of dandelions are swaying on the breeze,
As he slimes toward his goal: a patch of grass
Spring suns have turned lime-green. His casual pace
Knows nothing of the scale-tipping stress
We mortals lug around; nor can we tell
What weight of worlds he’s learned to carry so well.

*

Such rarities abound

Those rush-hour miracles we mostly miss
While speeding down the highway into work,
Unheralded lights, which mostly we’ll dismiss
As hardly being worth a second search,
Call to us from the roadside, from up high,
In scattered bunches, singularly rare;
From shadowy places, sans celebrity,
Shout to us in their silence to “inquire.”
The tiniest weed that flourishes in the cracks
(Of a corroded guardrail) beat the odds
And shows so much resilience in its flex;
And where some tulips flaunt their ivory buds,
Unbuttoning in a ditch to taste the sun,
Their swaying might just save us from the gun.

*

Luck be a ladybug

To see this good-luck creature, on a day
When nothing’s going right or going my way,
Is to have proof that there’s a real order
To the things, both great and small, that see us suffer;
Is to imagine God as one great prankster,
Forever pulling the strings that set us up
For idiot choices, love, loss, epic failure,
Elated when our best-laid futures flop.
Or could this chance encounter with a lady
(Who picked spring’s chilliest day to wear all red)
Be no more palpable than any “maybe”
That the best philosophers have all deemed dead
And pointless to proclaim as ever being,
Beyond our mortal scope or supernatural seeing?

*

James Feichthaler is a poet with roots in the Philadelphia-area residing in Trenton, NJ, where he watches the skies for UFOs, sings Irish folk songs on his porch, and drinks beers. His new book From the Back Porch of a War (Parnilis Media 2024) pulls no punches in its assessment of a politically-divided America seemingly at war with itself, searching for moral integrity in a hashtag-hardened, spiritually-bankrupt world.

Two Poems by James Feichthaler

All prayers that go unheard won’t go unanswered

As conscience rummages through the trash of life
The young me wrestled to ambition’s curb —
Used notebooks, empty beer cans, microphones,
Old Nikes, several basketballs, and a blurb
(I penned way back) about some rapper’s beef –
The world is wakening to its usual sins
Of self-importance, self-neglect, self-hate,
While dead men slump into their freezing cars
And start their engines up, reluctantly;
On last legs, weeping at eternity’s gate.
Like them, I’ve longed for something better, to be free
Of bosses’ snarls and hope-starved stressful hours
That fill with meaningless and menial work,
Having screamed my silent prayers into the deaf-eared dark.

*

From their perspective, everything looks dead

Most here won’t notice Nature’s handiwork,
Despite an office window-seat, which looks
Out on the wintry beauty of a park,
The shimmering lake that’s just beyond their books;
Ignoring the many geese that gather there
To pluck away the remnants of a season,
The brown-leaved trees, the breeze that’s blown them bare,
As though their noting them requires a reason.
Face down in paperwork, or scrolling up
To see what TikTok star’s destroying her rivals,
Their short attention spans prefer the slop
Society offers, drawn to glowing idols
Of soulless nonsense; making extra time
For things that don’t exist in the sublime.

*

James Feichthaler’s poems and essays have appeared in numerous print journals and e-zines throughout the years; most recently in One Art, Schuylkill Valley Journal, E-Verse Radio, and the Mad Poets Society’s Local Lyrics series. His first book The Rise of the COVFEFE was published by Parnilis Media in autumn 2020. For the past ten years or so, he has been the host of an open mic poetry series in Manayunk, PA called The Dead Bards of Philadelphia. He is also a hip-hop artist (Taliesin aka Big Tal) with a couple of albums under his belt and dozens of songs and music videos up on YouTube.

From the back porch of a war by James Feichthaler

From the back porch of a war

I wish I could be like this dandelion —
patient, awaiting rains. Thousands are dying,
and we’ve been told to stay inside our homes
to keep the numbers down. The squirrels aren’t buying
such lousy edicts, rummaging through our garden
for anything to stuff between their gums.
They don’t have bills past due or rent to pay,
patients to tend to, politicians’ lies
to aggravate their fears in these dark times;
oblivious to the shortage of supplies
in hospitals, to a panic that only comes
when having too much (as a luxury)
infects the brain. Here, on this warm March day,
their hoarding means new life is on the way.

*

James Feichthaler is a poet and essayist whose work has most recently appeared in Sortes, Schuylkill Valley Journal, Martin Lake Journal, and the Mad Poets Society’s Local Lyrics series. His new book The Rise of the COVFEFE, a poetical satire of these divided and uncertain times, was recently published by Parnilis Media. He is also the host of an open mic reading in Manayunk, PA called The Dead Bards of Philadelphia.