Tag: J. C. Todd

ONE ART’s November 2026 Reading

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ONE ART’s November 2026 Reading

Date: Sunday, November 8
Time: 2pm Eastern
Duration: 2 hours

Host: Mark Danowsky (Founder/EIC of ONE ART)

Featured Poets: Betsy Mars, Laura Daniels, J. C. Todd, Barbara Sabol, Lana Hechtman Ayers

FREE event!
(donations appreciated)

>> Register Here <<

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~ About Our Featured Readers ~

Laura Daniels, a neurodivergent poet, is the founder and editor of The Fringe 999 Poetry Forum. Her poems appear in Gyroscope Review, ONE ART, and the Journal of New Jersey Poets, and she received a 2025 Allen Ginsberg Poetry Honorable Mention Award. She facilitates a free, monthly online writing workshop through Mary’s Place by the Sea for women whose lives have been touched by cancer. Her poetry collection Gentle Grasp (Kelsay Books) is available on Amazon. Her saddle-stitched chapbook, Jersey Baked (Four Feather Press), is available directly from the author. She resides with her partner in Mt. Arlington, NJ. Follow her at lauradanielswriter.wordpress.com.

Lana Hechtman Ayers shepherded over 150 poetry collections into print as managing editor for three small presses. Her latest collection of poems is A Hole in the Night (Blue Light Press, 2026). She lives in Oregon on unceded lands of the Yaqo’n people with her beloved husband and fur babies. On clear, quiet nights she can hear the Pacific ocean whispering to the moon. lanaayers.com

Barbara Sabol is an Akron-based poet living near the Cuyahoga Valley National Park whose trails she knows by heart. She is the author of seven poetry collections, and writes both traditional, free verse and short-form Japanese poetry. Her most recent collection is Mapping the Borderlands: Haibun and Tanka Prose (Sheila-Na-Gig Editions, 2025). Barbara’s work has been supported by the Ohio Arts Council and recognized by the Haiku Society of America and the Haiku Foundation. She is a retired speech therapist, forever fascinated with language. Barbara conducts poetry workshops through Lit Cleveland. 

J. C. Todd is co-editor of Convergence: Poetry on Environmental Impacts of War (Scarlet Tanager Books, May 2026). She is author of three poetry collections, most recently the bilingual (English/Lithuanian) What Kept Me Awake/Kas neleido užmigti? and Beyond Repair. Before retiring, she taught in the Creative Writing Program at Bryn Mawr College and the MFA Program at Rosemont College. jc-todd.com

Betsy Mars is a poet, compulsive photographer, and an editor at Gyroscope Review. Her poems have appeared in ONE ART, SWWIM, the California Quarterly, Thimble, and the anthology Signed, Sealed, Delivered: The Motown Poetry Review (Madville Press). She is the author Rue Obscure (Sheila-Na-Gig Editions), which was just released, as well as two chapbooks, Alinea, and In the Muddle of the Night, the latter co-written with Alan Walowitz. Her poems have been nominated for the Pushcart Prize and Best of the Net and were chosen as the winner of the Alexandria Quarterly’s First Line Poetry Contest Series and of The Poetry Salon’s Practiced Poets Prize. Her photos have been featured in Spank the Carp, Soul Poetry, and used in Rattle as an ekphrastic prompt. She is a lifelong poet, writing her first poem (at age 5 or so) in Portuguese—an elegy for her cat—while her family lived in Brazil. More at betsymars.com

Self-Portrait in Iron by J. C. Todd

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Self-Portrait in Iron

        after Frida Kahlo, Autoretrato Hierro: La Columna Rota

I paint to pound nails into flesh
into the fetish of high breast and sternum

the fetish of carved and wracked trunk, to display
the central stack of vertebrae, bone link

chinked, shattered and restacked
I paint to nail fear back into wreckage

it thrusts off from, broken and inconsolable
as a temple unroofed and plundered

the earth, dry and cracked, fissuring behind it
this pain I drive into each day

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J. C. Todd is co-editor of Convergence: Poetry on Environmental Impacts of War (Scarlet Tanager Books, May 2026). She is author of three poetry collections, most recently the bilingual (English/Lithuanian) What Kept Me Awake/Kas neleido užmigti? and Beyond Repair. Before retiring, she taught in the Creative Writing Program at Bryn Mawr College and the MFA Program at Rosemont College.

The Road Regret Makes by J. C. Todd

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The Road Regret Makes

Something was asked. I turned away then
from what turns up now—his face as it was,
not the face reshaped by twelve years

of regret. A day’s work undercut.
I head out to the stream with a black dog
who lives down the road. He sits when I sit,

ribs heaving into mine. Then off he goes,
uphill, following currents of odor.
I go too, surging against the stream’s flow,

mucky clay and rockfall, roots foot-twisters.
Leg muscles thickening, arms swinging
and hauling my body where the trail

has crumbled to nothing. Dog and I panting,
looking down into white rush, a hillside
of cascades, looking ahead to where

the stream shallows, pools, gathers into
its very first plunge. We plunge ahead, up
an abandoned logging road. I’m sweating,

canvas shirt-back wet, breathing hard. Eyes
itchy, flies swarming and my hair switching,
switching, dog hacking from spore he pawed at,

my cheek sticky with web—where’s the spider?
Here’s the razor spine of the ridge, forest
not thinning but blue sky, cloud spray

and I remember what she wrote
in her day-book, Miss Sarah Burton,
that genteel, ramrod spinster,

I would give all I had for a good road.

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J. C. Todd is author of Beyond Repair (2021) and The Damages of Morning (2018). Honors include the Rita Dove Poetry Prize and fellowships from the Pew Center for Arts & Heritage and Pennsylvania Council on the Arts. Poems have appeared in Full Bleed, The Paris Review, Prairie Schooner, Virginia Quarterly Review and other journals. www.jc-todd.com

Three Poems by J. C. Todd

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Forced From Home

A bloom, the season’s first,
today, and a half-dozen buds
topping stems that shoot up
from a ruff of trefoil leaves.

Thirty-five years in a window box,
this single plant that once flourished
and seeded itself along the border
of a garden someone else now tends.

Thirty-five years in box,
one foot wide, three feet long,
one foot deep, reseeding
a single companion

to tilt with it toward the sun’s
narrow threading down
past shingle, brick, and siding,
into the arid, shadowed grove

of urban structures
where this migrant
has been transplanted.
Soil boosted, composted,

watered, mulched, and tended,
everything that can be done
to make a home for it, although
a holding cell is not a home.

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Home as a Foreign Place

what’s been torn down
I revisit through language
a language of longing, solo
speaker, rooms empty of her
listening, except in memory
where I, having lived on
reassemble in sound
a monoculture of loss

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Zemaitijos Gatve, Vilnius

I walk into their stairwell
where they passed up and down,
the granite steps dished out and chipped
by generations who went before them,
books tucked under arms—
books of prayer, laws, poems,
books of history, science, and tales
that made their way from mouth to page,
from air to ink, weighty books
tucked under coats for protection,
padding the hollows of bellies
in the starving times of winter or war.
Packed into five floors of flats, they shivered
and sweated, ate and argued, prayed and rested
and read, and then they were gone.
The gates to the ghetto were opened.
They were driven out, herded into trucks
and rail cars. 1943. You know this story, don’t you?

I’m looking back to where I can’t have been,
wishing for a girl or boy who reads them
out of the terrible dark that’s closing in.

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J. C. Todd is the author of Beyond Repair, (2021) a special selection for the Able Muse Press Book Award, and The Damages of Morning (Moonstone Press (2018), a finalist for the 2019 Eric Hoffer Award, as well as chapbooks and collaborative artist books. She is one of ten winners in the 2021 National Poetry Competition of the Poetry Society of the United Kingdom. Winner of the 2016 Rita Dove Poetry Prize, with fellowships from the Pew Foundation and Pennsylvania Council on the Arts, she is a poet with the Dodge Poetry Program, Murphy Writing of Stockton University, and leads independent poetry workshops.