Tag: friends

Two Poems by Joseph Fasano

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For My Friends Whose Hearts Are Breaking

This is how it is: we live again.
We rise up
from the love-bed in our wreckage
and we walk again
and we open
every window,
and we live again, though living
is the cost.

Yes, my friends, I have a thing to tell you:

My story
is your story, on this wild earth:

I loved once, I was broken,
and I rose again—

and although I closed my arms
around my body,
although I said that darkened harp
was ruined,
the nights have filled my life with brutal music
that has taught me that we’re only here
to listen,
to hold each other awhile
and to listen,

and to carry each other
with the song of songs inside us
that is wiser, and is greater than our changes,
and that sings the way most wholly when we’re lost.

*

Love Poems for Our Friends

Where are the poems for those who know us?

Not for star-crossed loves,
for agonies of longing,
but words for those who go with us
the whole road.

How would they start, I wonder?
You let me crash
when I was new to ruin.
You came to me
though visiting hours were over.
You held me when my loves
were done, were flames.

Yes, we will lose a few
in the changes.
But these are the ones
who save us:
not the charmers,
not the comets of wild passion,
not the ups-and-downs of love’s unlucky hungers,

but the ones who stand
by our shoulder at the funeral
and lead us back to the city of the living
and put our favorite record on the player
and go away, and come back,
always come back,

with bread and wine
and one word, one word: stay.

*

Joseph Fasano is the author of ten books, including The Last Song of the World (BOA Editions). His work has been widely anthologized and translated into more than a dozen languages. His honors include The Cider Press Review Book Award, The Wordview Prize from the Poetry Archive, and a nomination by Linda Pastan for the Poets’ Prize, “awarded annually for the best book of verse published by a living poet years prior to the award year.” He is the Founder of Fasano Academy, which offers instruction in several fields of study, including poetry, philosophy, and theology.

Two Poems by Penelope Moffet

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Waking

          For Lynn Way

He didn’t like to wake up in the dark.
He needed light to seep in through the blinds.
Waking in the night was waking in prison,
mind and body pinioned to the bed.

He needed light to seep in through the blinds
or he woke into a nightmare from the past,
mind and body pinioned to the bed
beneath the car that crashed down a ravine.

He woke out of a nightmare of the past
into knowledge of the present, given light,
beneath the car that crashed down a ravine,
his arms still strong enough to lift himself.

In knowledge of the present, given light,
he could laugh, roll smokes, make love,
his arms still strong enough to lift himself,
swing his trunk and legs to the wheelchair.

He could laugh, roll smokes, make love
with his wild tongue, though nothing moved below,
swing his trunk and legs to the wheelchair,
roll forward into other rooms.

With his wild tongue, though nothing moved below,
he woke me from a too-long childhood,
rolled me into other rooms,
to pleasure so intense I levitated.

He woke me from a too-long childhood,
spoke to me of how he saw the world,
took me to pleasure so intense I levitated
then came to earth, and him, again.

He spoke to me of how he saw the world,
quoted the ancient Chinese poets,
then came to earth, and me, again.
He believed in nothing but erotic love.

He loved the ancient Chinese poets
and the spinning wood lathe in his shop.
He believed in nothing but erotic love,
relied on whisky and his work to get him through.

He loved the spinning wood lathe in the shop.
It was many years ago. I was so young.
He relied on whisky and work to get him through.
I’ve loved other men but now I sleep alone.

It was many years ago. I was so young.
Now waking in the night is waking in limbo.
I’ve loved other men but now I sleep alone.
I do not like to wake up in the dark.

*

A Friend for the Winter

The lizard moved indoors when the outside air
turned cold. He flickered here and there, found
hiding places in stacked wood, under the bed,
behind boxes. When sun came through French doors
he basked on the adobe floor, on gray days
calibrated his distance from the Franklin stove:
not too hot not too cold. Spiders, earwigs,
the last flies of autumn were his food.
Once those ran out he contemplated then ignored
carrot peel and broccoli florets that tumbled off
the cutting board. A friend to wild birds,
rosy boas, rattlers, the human didn’t mind
his presence, watched where she put her feet,
talked to him. They were a sort of family,
a mesh of solitudes. The weather warmed.
She left a door propped open.
Out he went for pushups on the stoop.
Quick as a flash a roadrunner was there
to grab him and run off.

*

Penelope Moffet is the author of three chapbooks, most recently Cauldron of Hisses (Arroyo Seco Press, 2022). Her poems appear in Eclectica, ONE ART, Calyx and other literary journals. A full-length collection of her poetry will be published by Sheila-Na-Gig Editions in 2026. A Pushcart Prize nominee, she lives in Southern California.

The Day Chandler Died by Eithne Longstaff

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The Day Chandler Died
after Frank O’Hara

I drink a cocktail with an orange
slice moon on the roof terrace
of our hotel and watch the street
sellers in Piazza della Rotonda throw
blue lights high and one lands
on the dome opposite and pulses
in the gutter      going       going       gone

then the American lady in pyjamas
comes up for her 8pm roll-up
and we take the elevator down
and outside dolphins gush
and Maggie nearly gets
knocked down by a Piaggio –
she is on her phone –
and she says Matthew Perry

is dead and I think
could that be any more sad
then we walk to Ivo for pizza
and watch the one where
he meets Jill Goodacre
in a vestibule and I text
the boys don’t swim on your own
after dark and I cry a little

because the funny guy
shouldn’t stage exit first
and on the way back Maggie
does a cartwheel in the Pantheon
portico and I imagine soft
rain falling like glitter on its marble
floor and how even in the dark
it would look like there is a light on inside

*

Eithne Longstaff is originally from the North of Ireland and now lives in England. She is studying for an MA in Creative Writing and her poems have been published in Dreich and online in Rattle and The Ekphrastic Review.

Ode to the rainstorms that keep my friends close by M.J. Young

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Ode to the rainstorms that keep my friends close

Bless my friends
who, when I came
out to them, said
deadass not because
they didn’t believe
me but because
I had finally said
I’m gay, bless
their hooting after
I confirmed
with my own deadass
even though I don’t
like using profanity
but their happiness
overpowered my guilt
so it was okay
even if
the librarians inside
were wondering why
five young
twenty-somethings
were huddled under
the covered patio
in the butterfly garden
when it’s raining
so thickly, laughing,
but it wasn’t as if it
was raining
when we got there
and when it started
to rain we figured
that it would stop
in a few minutes
because it’s summer
and the rains
are usually frequent
but quick,
spits, as my mother
says, but I don’t
because it reminds
me of having saliva
in my face
and the accompanying
words I’d rather forget
and I’d rather be happy
when thinking about
the little dash
of summer rain
we’re gifted, laugh
with my friends
who were scrambling
to pick up the pieces
of our board game
as the wind tried to
claim them for itself,
me hugging
a copy of The Goldfinch
to my chest
because even though
I wondered
if Tartt would make
Theo canonically gay
or bi or something
before remembering
that this book was popular
so that wouldn’t happen
I still like
her writing style
and besides,
I was with my friends
so who cares about
Theo who doesn’t
even exist
when the wind
made us hysterical
in a giddy way
because in that
moment
the most important thing
was to make sure
that none of
the character
or room or
weapon cards
or score sheets
got too wet or were taken
by the wind
which was a nice worry
to have
compared to everything
it is we were dealing
with on our own,
but under the patio
in the middle of
the butterfly garden
walled in by the rain
that smalled
our worlds,
we could laugh
with each other
and not look past
the problem
of getting out
of the rain unwetted.

*

M.J. Young is a writer and MFA student at Florida International University. His poetry can be found in Vagabond City Lit, Stone of Madness Press, and more. In his free time he enjoys listening to Philip Glass and exploring bookstores. He can be found on Instagram @mjyoungwrites.