What We Keep on the Fourth by Veronica Tucker

What We Keep on the Fourth

It’s not the anthem
or the sparklers burning
their short, bright lives
in the hands of children
who will never know
how long we waited
for a moment like this.

It’s the way corn
tastes sweeter in July,
the way the dog sleeps
in the patch of shade
beneath the picnic table
while someone hums
an old song
that doesn’t need a name.

It’s flip-flops by the lake
and the screen door
slamming behind a cousin
you haven’t seen since last summer
but still love in the way
you love watermelon
and stories that start with remember when.

It’s the long daylight,
stretching like a promise
no one is ready to cash in.
It’s smoke curling from the grill,
the hush before the first boom
that sends every child
into the arms of whoever
feels like home.

We say it’s about freedom,
but maybe it’s about pause,
about holding still
on the lip of summer
long enough to know
you were here
for something that mattered.

*

Veronica Tucker is an emergency medicine and addiction medicine physician, as well as a mother of three. Her work appears in redrosethorns, Red Eft Review, and Medmic, with additional pieces forthcoming. Find her at www.veronicatuckerwrites.com and on Instagram @veronicatuckerwrites.

Another Reason Why I Don’t Keep a Gun in the House by Mary Ellen Redmond

Another Reason Why I Don’t Keep a Gun in the House

My neighbor on the street behind me
is using his leaf blower on this Fourth of July
during that customary lull between the parade and fireworks,
when babies nap and dogs find solace in the shade.

It sounds like a giant mosquito hovering over
our neighborhood disrupting our quiet afternoon.
But when the buzzing continues for over an hour,
I ride my bike around the corner to investigate,

and there he is on his front lawn, shirtless, in the most
patriotic way —slightly hairy chest, gold chain— blowing
his lawn clean of any leaf, stick, piece of detritus

that has landed on his artificial turf.
The yard is bordered by dozens of tiny flags stuck
between plastic red geraniums, perpetually in bloom.
Why not vacuum the whole damn yard?

Peddling home, I imagine him a member of the militia,
a true Patriot—
defending his country,
his rights, his piece of the pie,
blowing those Red Coats away,
one by one,
his leaf blower resting on his arm.

*

Mary Ellen Redmond’s poems have appeared in a number of journals including Rattle and The Cortland Review, but the publication she is most proud of is the poem tattooed on her son’s ribcage. Her interview with Gregory Orr was published in The Drunken Boat. Her poem “Fifty-Six Days” earned a Best of the Net nomination in 2016 and her poem “Joy is not made to be a crumb” was nominated for a Pushcart Prize in 2024.

Two Poems by Olga Livshin

A Tulip in a Besieged City

Like a soft bomb.

Like a clock,
if the clock knew
it might not go on.

It holds one petal to the side,
an ethereal skirt.

The dark, furry pistil,
fit to create, to mess something up.
The bloom, ready to croon its orange-black insides out.

A smattering of sand falls from the sky.

Petals remain
bright gathered flags.

*

Blowout

Our reading about the war in Ukraine
is tonight, here in morning-washed Miami.

I said to Julia: At least we will have beautiful hair!
Aching for our homeland, I paid strangers in a salon
to comfort our hair.

Or maybe I wanted to cover up
our knee-bent, back-curved, salty-eyed content
with presentable form,
and prettiness is an ally.

Or maybe, in the room next to my mind –
five thousand miles away –
an explosion killed a three-year-old boy
in his bed, in the night.
My phone shook with this news.
But why am I getting curled
when I have to straighten myself out?

Julia’s hair is like a river of dark metal
brushed aglow. My girl’s big laughter,
a yearning flame. Love this blowout!
she says to her stylist. Her love of love,
and voice like a beautiful animal.
She stands up, spins around,
sweeps me into a hug,
not compressed by gender or history,
amplified by what we must endure.

*

Olga Livshin’s work is recently published in the New York Times, Ploughshares, The Rumpus, and other journals. She is the author of the poetry collection A Life Replaced: Poems with Translations from Anna Akhmatova and Vladimir Gandelsman (2019). Livshin co-translated Today is a Different War by the Ukrainian poet Lyudmyla Khersonska (2023) and A Man Only Needs a Room by Vladimir Gandelsman (New Meridian Arts, 2022). As a consulting poetry editor for Mukoli: A Journal for Peace, she reviews poetry from conflict-affected communities across the world, with a focus on Eastern Europe. She lives in a suburb of Philadelphia.

A History of Fireworks by Kari Gunter-Seymour

A History of Fireworks

It’s July 1st. Whose idea it was to wait
I can’t remember, but me, my son
and two granddaughters, nine and ten,
are at the fireworks warehouse,
along with scads of other pyromaniacs,
sorting out scenarios for night sky panoramas,
shelves heaped to the ceiling with firepower.

I do my best to maneuver the cart. My son
considers tube launchers, skyrockets, mortars.
A particularly hearty woman standing her ground
near the Roman candles cackles,
these flaming swords are the bomb,
it’s my third trip back, my kids love’em.

Flaming swords? I envision “Star Wars”
or “Crouching Tiger, Hidden Dragon,”
ER visits, burn salve at best, but when I mention
what I overheard, my son says, Awesome!

I pick up a petite pink sword, offer it
to my sweet baby girls.
The first says, I want that black sword.
The second looks up at the top shelf, stacked
to the hilt with Thor’s hammer look-alikes,
says, I want one of those conk busters.

Night of, dusk closing in,
the sword tip is lit, sparks fly—
a fountain of reds, greens and golds.
My grandgirl lunges and parries, the granddog
darts in/out of spark showers, barks,
oohs and ahhs abound—applause, applause.
Then comes the hammer,
held high and fierce.
For a few magnificent seconds
sparks fly, the dog dances,
then silence and a wee sputtering flame.

We scratch our heads, grumble,
give in to lost cause.
But my warrior girl persists,
Mjölnir aloft, double gripped,
feet planted firm and wide,
shouts her warrior oath—
then all hell breaks loose.

Flames shoot, whistles whine,
colorful spheres escape containment.
We clap and hoot, amazed at the splendor,
each of us sporting bits of confetti and soot,
the expressions on our faces hilarious,
my granddaughter’s the best face of all,
agog in the wonder of her power.

*

Kari Gunter-Seymour is the Poet Laureate of Ohio. Her current poetry collections include Dirt Songs (EastOver Press 2024) Alone in the House of My Heart (Ohio University Swallow Press, 2022), winner of the Legacy Book Award and Best Book Award. She is the executive director and editor of the Women of Appalachia Project’s Women Speak anthology series. Her work has been featured on Verse Daily, World Literature Today, American Book Review, The New York Times and Poem-a-Day.