Two Poems by Olga Livshin

A Tulip in a Besieged City

Like a soft bomb.

Like a clock,
if the clock knew
it might not go on.

It holds one petal to the side,
an ethereal skirt.

The dark, furry pistil,
fit to create, to mess something up.
The bloom, ready to croon its orange-black insides out.

A smattering of sand falls from the sky.

Petals remain
bright gathered flags.

*

Blowout

Our reading about the war in Ukraine
is tonight, here in morning-washed Miami.

I said to Julia: At least we will have beautiful hair!
Aching for our homeland, I paid strangers in a salon
to comfort our hair.

Or maybe I wanted to cover up
our knee-bent, back-curved, salty-eyed content
with presentable form,
and prettiness is an ally.

Or maybe, in the room next to my mind –
five thousand miles away –
an explosion killed a three-year-old boy
in his bed, in the night.
My phone shook with this news.
But why am I getting curled
when I have to straighten myself out?

Julia’s hair is like a river of dark metal
brushed aglow. My girl’s big laughter,
a yearning flame. Love this blowout!
she says to her stylist. Her love of love,
and voice like a beautiful animal.
She stands up, spins around,
sweeps me into a hug,
not compressed by gender or history,
amplified by what we must endure.

*

Olga Livshin’s work is recently published in the New York Times, Ploughshares, The Rumpus, and other journals. She is the author of the poetry collection A Life Replaced: Poems with Translations from Anna Akhmatova and Vladimir Gandelsman (2019). Livshin co-translated Today is a Different War by the Ukrainian poet Lyudmyla Khersonska (2023) and A Man Only Needs a Room by Vladimir Gandelsman (New Meridian Arts, 2022). As a consulting poetry editor for Mukoli: A Journal for Peace, she reviews poetry from conflict-affected communities across the world, with a focus on Eastern Europe. She lives in a suburb of Philadelphia.

Two Poems by Natalie Homer

Protest in a Small Town

Trucks trailing flags belch by,
stuttering their war cries,
their reds and blues, stars and bars.

When we chant Say her name
those on the other side of the street
drown our voices

and they make sure we can see
their guns, their sources of power,
because they’re afraid

our handmade signs, our impotent
shouts for justice will somehow
destroy our sad little town.

As they cross the street,
and the police let them,
I try not to think

of how easily any one of us
could not make it home.
But who are we to complain?

they ask, and maybe they’re right.
I have no answer, so I look instead
at the planters of bubblegum petunias

that the city maintains each summer,
with such care, the watering trucks
making stops in the cool of the morning

to keep the fragile flowers alive,
even though it’s just for a season.
When our permit expires, and we leave,

the others stay behind, chatting with police,
passing water cups, and congratulating
themselves on keeping the town safe.

In church the next day, I’ll watch
as one of them makes his way to the altar
and kneels on the green carpet,

praying, I’m sure, for this nation he loves
more than anything
to be delivered                to be saved.

*

January
or After Insurrection

Again, men get what they want with little fuss.
Write that fifty times in your best cursive.

Pretty snow gives way to ice,
lights go back into their boxes,
and wilted Poinsettia is thrown away.

Under the giant firs,
Blue Jays sprinkle the sidewalk
with peanut shells.

Most days I drive past one Fuck Biden banner,
a homemade sign that says Build the Wall,
and three thin blue line flags, defiant,

black and blue like a bruise or a body.
I take up a collection for reason’s sake.
The plate comes back nearly empty.

Thousands of miles away, at Big Springs
the rainbow trout beneath the bridge
stay put for good reason

and I wonder how they are doing,
if they are being fed, if steam is lifting
off the river between its powdered banks.

I’m sorry you’ve heard that, someone tells me.
For consolation, I crinkle the library book’s loose laminate
like I did as a child, inhale its slight sour stink.

*
Natalie Homer’s recent poetry has been published in Puerto del Sol, American Literary Review, Four Way Review, Ruminate, Sou’wester, and others. She received an MFA from West Virginia University and lives in southwestern Pennsylvania. Her first collection, Under the Broom Tree, is forthcoming from Autumn House Press.