The Red Piano by Barbara Daniels

The Red Piano

Something rattles the windowpanes,
flings noisy bursts of gold, red, gold.
I can’t tell gunfire from fireworks.

At a bar, my friend Al lived through
armed robbery, no problem he thought.
Sirens veer into my neighborhood,

amping my heartbeat. But what I hear
as emergency is only the township’s Santa
waving from a slow-moving firetruck.

One year Al set off New Year’s explosions
in our backyard. I have old photographs—
a drink in Al’s hand, his wife Jeanne and me

in our fluffy hairdos, the men not gray yet,
not really. The neighbor who bragged
about guns moved away, leaving his son

and a rotating team of girlfriends.
Another neighbor had her dog
on a leash when a car hit and killed it.

In his last year, Al climbed to the roof
to clean gutters. Let’s go to Paris,
he said then. Perhaps if I kneel and press

my ear to a heating vent, I’ll hear
the old red piano, everyone singing,
toasting, the only explosion our laughter.

*

Barbara Daniels’ Talk to the Lioness was published by Casa de Cinco Hermanas. She also wrote Rose Fever and four chapbooks: Moon Kitchen, Black Sails, Quinn & Marie, and The Woman Who Tries to Believe. Her poems have appeared in Good River Review, Book of Matches, Neologism, Rust & Moth, Lake, Cider Press Review, and elsewhere.
She received four fellowships from the New Jersey State Council on the Arts.

A History of Fireworks by Kari Gunter-Seymour

A History of Fireworks

It’s July 1st. Whose idea it was to wait
I can’t remember, but me, my son
and two granddaughters, nine and ten,
are at the fireworks warehouse,
along with scads of other pyromaniacs,
sorting out scenarios for night sky panoramas,
shelves heaped to the ceiling with firepower.

I do my best to maneuver the cart. My son
considers tube launchers, skyrockets, mortars.
A particularly hearty woman standing her ground
near the Roman candles cackles,
these flaming swords are the bomb,
it’s my third trip back, my kids love’em.

Flaming swords? I envision “Star Wars”
or “Crouching Tiger, Hidden Dragon,”
ER visits, burn salve at best, but when I mention
what I overheard, my son says, Awesome!

I pick up a petite pink sword, offer it
to my sweet baby girls.
The first says, I want that black sword.
The second looks up at the top shelf, stacked
to the hilt with Thor’s hammer look-alikes,
says, I want one of those conk busters.

Night of, dusk closing in,
the sword tip is lit, sparks fly—
a fountain of reds, greens and golds.
My grandgirl lunges and parries, the granddog
darts in/out of spark showers, barks,
oohs and ahhs abound—applause, applause.
Then comes the hammer,
held high and fierce.
For a few magnificent seconds
sparks fly, the dog dances,
then silence and a wee sputtering flame.

We scratch our heads, grumble,
give in to lost cause.
But my warrior girl persists,
Mjölnir aloft, double gripped,
feet planted firm and wide,
shouts her warrior oath—
then all hell breaks loose.

Flames shoot, whistles whine,
colorful spheres escape containment.
We clap and hoot, amazed at the splendor,
each of us sporting bits of confetti and soot,
the expressions on our faces hilarious,
my granddaughter’s the best face of all,
agog in the wonder of her power.

*

Kari Gunter-Seymour is the Poet Laureate of Ohio. Her current poetry collections include Dirt Songs (EastOver Press 2024) Alone in the House of My Heart (Ohio University Swallow Press, 2022), winner of the Legacy Book Award and Best Book Award. She is the executive director and editor of the Women of Appalachia Project’s Women Speak anthology series. Her work has been featured on Verse Daily, World Literature Today, American Book Review, The New York Times and Poem-a-Day.