Another Storm by Lavina Blossom

Another Storm

On our walk this morning,
we argued over a movie scene—
what it was intended to mean
in context. I said I didn’t agree, he
reiterated his point as if repetition
would convince me, until I said,
“Could we not talk about this
anymore?” and he snapped back,
“You never let me finish,”
which he knew was not true.

Yet I’d rather he tell me quickly
how he feels. He used to bank
resentments, then flash a jagged bolt
that seemed from nowhere. Better
for us to thunder back and forth,
like today, when the force of our
resistance kicks up leaves and dust,
each of us sure we are right, pushing
forward, braced and buffeted,
fists at hat brims, holding tight.

*

Lavina Blossom’s poems have appeared in various journals, including 3Elements Review, Common Ground Review, Book of Matches, The MacGuffin, and Poemeleon. Her flash fiction has appeared in 10 by 10 Flash, Every Day Fiction, Bull, and Okay Donkey. Here to Be Remade, her chapbook of poems and visual art, was published by Bamboo Dart Press.

Evaporation At the Scenic Overlook by Emma Goldman-Sherman

Evaporation At the Scenic Overlook

Footsteps as the truck moved on. I turned to see him
walking toward me with a big red Slurpee.
You left me at the hotel, he said. You don’t wanna
wake up beside me? I said, I never woke up beside you.
I had to leave to wake up, a joke he didn’t get. I kicked
at the sand on the blacktop with my boot.

Well, you’re stuck with me, he said.
I don’t believe that anymore, I told him.
You can’t leave me out here, he threatened,
I’ll dehydrate. Fat chance with that Slurpee
sweating and dripping sizzles onto the asphalt.

In the steam of that liquid rising I saw my marriage evaporate.
All the dishes, the vacuuming, dusting, the washing and folding
taking care and making sure, the having everything
in case he might desire and the sex without pleasure.
The silence. The kind that made me wish for noise.

Gone. I wouldn’t get in the car with him again.
I’d find another way into the desert onto the rocks, down
the steep drop. It’s good – you want some, he offered
but I wasn’t thirsty. I felt different, on my way somehow.

Take the car. The keys are inside. And leave you here? Are you crazy?
I thought things were good. We slept under the stars. We were together.

I stood firm, no hip shift, no head tilt, no smile
after so many years lying. I bit my cheeks
refused to please. What is it? he asked
as if he could fix it. Don’t come any closer, I told him.
I release you. I’m gonna live in the desert-garden
green and lush. He started to pace with impatience.
There’s nothing green here. Let’s get in the car.
You don’t know anything about the desert.

How we lash out when we cannot get our way
to minimize, infantilize, we turn our language into knives.

*

Emma Goldman-Sherman’s poems are forthcoming in Bellingham Review (finalist for the 49th Parallel Award) and the chapbook, “Dear Palestine,” (Moonstone Press). Their work has been published in Quartet, Strange Horizons, Toyon, Eckleburg, Gigantic Sequins (1st Prize), Ghost City Press, Best Microfictions (2025 & ’26) and others. They support writers and artists at BraveSpace.online.

Four Poems by Hilary Sideris

Treatment

If not for that need
I took for love & then

that shove, I wouldn’t have
married & divorced &

owed five years
of maintenance to my ex-

spouse whose accent
I found sexy till I didn’t.

I wouldn’t have been awake
at 3 AM to see that bug

traverse our coverlet
& watch the blood—mine?

his?—gush as I crushed it
between finger & thumb.

The toxic squad
wouldn’t have come &

sprayed our bed, treatment
for which I also paid.

*

Testosterone

Ground down like a soft
graphite stub in a hand-turned

sharpener, at night I count
backwards to the beginning

of divorce till boredom
overcomes remorse. How many

have been fired since cancer
research stalled? Fools in charge

confuse transgenic mice with
transgender men. My lawyer

Venmos a reminder to replenish
his retainer. U-Haul boxes

accrue dust, pile up like debts
beside my bed. Should I have

tried testosterone, purchased
a magnifying mirror, plucked

my upper lip & wanted sex
with my husband?

*

Shove

My cute nephew, a studious child,
has joined a frat, lifts weights,

drinks protein shakes. Last week
he shoved his mother when she

got up in his face—my little sister
isn’t asking for advice. I offer none.

Now’s not the time to say the man
I married hit his mom. What’s

worse, a husband or son’s shove?
She hopes he finds a girlfriend soon.

* 

Boomer Beach

I’ve only met you once,
for Thai, but you live on a beach
& I watch waves to meditate,
so I lie to my therapist,
drive to your gated community.
The surf, gnarly before an early

Nor’easter, churns up the Jersey
shore, its seawall higher, reinforced
since Hurricane Sandy. I take a picture—
not of us—of the wild rose hips,
their easy sway that says we’re all
fair game, but we’re still here.

After two glasses of Sancerre,
you talk at length about containing
hydrogen—not arrogance, I think,
just a man lost in his work.
You say you levitated in your youth,
show me a star-shaped scar

in your left palm, stitches between
finger & thumb, tell me about
the house in the California hills
you didn’t want to sell,
but the wildfires
burned closer every year.

*

Hilary Sideris is the author of the poetry collections Calliope (Broadstone Books, 2024), Liberty Laundry (Dos Madres Press, 2022), Animals in English (Dos Madres Press, 2020), The Silent B (Dos Madres Press, 2019), Un Amore Veloce (Kelsay Books, 2019), The Inclination to Make Waves (Big Wonderful LLC, 2016) and Most Likely to Die (Poets Wear Prada, 2014). Originally from Indiana and a longtime Brooklyn resident, she is a co-founder and curriculum developer for CUNY Start, a college preparatory program within the City University of New York.

Civil War by Alec Solomita

Civil War

The Union soldiers were all blue
including their faces and hands.
Confederates were all gray.
Infantry on both sides, crouched
or standing, aimed muskets,
as James called rifles, at the foe,
as James called the enemy.
Others marched, muskets
slung over their shoulders.
And the cavalry rode red horses.
Both sides had a flag bearer.
And there were wagons, cannons,
tents, boats, buglers: the greatest
set of toy soldiers I’d ever
seen, even in Macy’s windows.

James had recently moved into the
neighborhood. His large, brick
house was catty-cornered
to ours across a weedy
lawn. He was a round pale boy
with light brown girly curls
and he was older than me by a couple
of years. I had just turned nine.
He was called James, not Jim or Jimmy.
We played with his soldiers for hours.
And we could make as much noise
as we wanted — bombs, guns, horses.
I’d laugh when he made a horse sound.

His mom, he said, was his stepmother
and he said he would sometimes visit his
real mother who lived in her own place.
He had a sister, too, a baby, who was
his real sister, he said, not his step.
And he took singing lessons once a week
but “I won’t be singing for you,” he laughed,
shaking his long hair, and snorting
like one of the plastic toy horses.

There were four metal soldiers, painted
by hand. They were, James explained,
antiques. They led their armies into
battle and could never be killed.
But when the plastic soldiers were shot
we had to lay them down. He was pretty
strict about that, but always nice.
He called me a “talented tactician.”
I don’t know who I liked more, James
or his beautiful Civil War set.

After one long visit to his mother
during spring vacation, he didn’t
come back. My parents said he
moved away but I didn’t understand
because his family was still in the
big brick house. So that evening,
I snuck halfway down the front
stairs to listen to mom and dad talk.

“Despondent?” my mother said
kind of loud. “Despondent!”
And dad said, “Well, I guess
there’s despondent and despondent.”
“Yes,” she said, “there’s despondent
and despondent.” They said the word
so many times it began to sound strange.

“There’s a good cry,” said Dad,
“and then there’s the postman seeing
mail pile up in front of the apartment
and the police finding two bodies
inside and a gun next to the woman
lying on her son’s bedroom floor.”

More baffled than bereft,
all I could think was
that it wasn’t a musket.

*

Alec Solomita is a writer working in Massachusetts. His fiction has appeared in the Southwest Review, The Mississippi Review, and Southword Journal, among other publications. He was shortlisted by the Bridport Prize and Southword Journal. His poetry has appeared in many journals, including Poetica, Lothlorien Poetry Journal, The Lake, ONE ART, and several anthologies. His chapbook “Do Not Forsake Me,” was published in 2017 by Finishing Line Press. His full-length poetry book, “Hard To Be a Hero,” was released by Kelsay Books in the spring of 2021. He’s just finished another, titled “Small Change.”