Three Poems by Ann E. Wallace

The Funeral Director, Spring 2020

He bites his lower lip, clasps
his hands behind his back, and steels
his legs into a wide stance, knowing

one brimming tear holds power to unleash
the others welled up and waiting.
It used to be the unexpected

that disrupted his balance—the new suit
purchased two sizes too small
for a teen struck down in the road,

the calm words of a mother
to her grown child laid out before her, speaking
of tomorrow as if nothing had changed,

or the collapse and despair of another
who knew everything had.
But in these endless days

of horror when illness envelops
and makes a home in our city—
when the morgues are overflowing,

and the bodies are stacked and held
three weeks for burial, when the caskets
are closed and families could not kiss

or send off their dear beloved—he works
in solitude, carrying the grief of legions.
He removes the tubes and bathes

the bodies of the deceased, dresses
each one in clothing brought
by loved ones, set their hands

and combs their hair, placing them
in caskets their families would never open,
and the mounting waves of sorrow

swell high and higher, until they crest
and the rushing waters wash,
and wash, and wash over him.

*

Emergency Room Visits in March 2020

When they turned the pediatric emergency room
into a COVID triage area in the early days,

decals of monkeys with curling tails,
loping elephants, spotted giraffes grazed

the walls. The doctor who took my vitals
was tired, hadn’t seen his kids in two weeks.

The hospital prepared to admit me, then sent
me home after two rounds of bloodwork and testing.

They needed the bed. Three days later, I returned
on my 50th birthday, barely conscious,

bypassed the children’s unit, and was wheeled inside
where the serious cases were handled.

The aide hesitated to help me onto the bed,
offered a gloved hand only after I pleaded,

and my new doctor would not step inside
my curtain. He poked his masked face

through the gap in the fabric to ask
my cell number. He wrote it on a Post-it

and backed away like I was a caged tiger.
I never received his call.

*

Cleared to Leave

My face is pale and splotchy when my ex-
husband picks me up at home, like death
blooms within me. The weather, April

dreary. Jason drives me to the emergency room—
my third hospital this spring. I wear a pink
woolen cap, loop my oxygen line around my ears,

tuck it behind my glasses, hook the cannula
under my nose. I lug the tank inside
and sit in a folding chair in the makeshift

waiting room—the department had been under
renovation when the virus hit. The work
on the building has stopped. The work of saving

lives has not. My doctor called ahead
for a lung scan. The ER doctor takes my blood
and vitals but never orders the scan.

I rest in my thin, faded hospital gown,
in the overwhelmed ER, so much like the others,
each one unique in its chaos. Cleared to leave,

I dress slowly, layer by layer—shirt and pants,
sweater, jacket, hat. Untethered from the hospital
oxygen, reconnected to my emergency supply

from home, I hoist the tank. Alone, undirected,
I stumble through the halls, carry my heavy load,
search for the unmarked exit. Outside in the cold,

I realize I left my glasses on my hospital bed.
They are gone. Per pandemic policy, thrown
into the trash with all other personal effects.

*

Ann E. Wallace is Poet Laureate Emeritus of Jersey City, New Jersey and host of The WildStory: A Podcast of Poetry and Plants. Her second poetry collection, Days of Grace and Silence: A Chronicle of COVID’s Long Haul, was published by Kelsay Books in 2024. She has previously published work in ONE ART, Thimble, Halfway Down the Stairs, Gyroscope Review, Wordgathering, and other journals. You can follow her online at AnnWallacePhD.com and on Instagram @annwallace409.

My Mom Dies During a Pandemic by Laurie Rosen

My Mom Dies During a Pandemic

A hospital bed replaces
the one she shared with my father
for over 70 years,
her brain long ravaged
by Alzheimer’s.

She writhes,
the nurse says she’s transitioning.
I stand masked
in her bedroom doorway, immobile,
scared. I leave her dying

to the professionals.
It’s her birthday. I carry a card,
decorated with flowers and sparkles,
nothing more.

*

A lifelong New Englander, Laurie Rosen’s poetry has appeared in The Muddy River Poetry Review, Peregrine, Oddball Magazine, Zig Zag Lit Mag, Gyroscope Review, Wilderness House Literary Review, Inquisitive Eater, a journal of The New School, Pure Haiku and elsewhere. She is a proud member of the Tin Box Poets in Swampscott, MA and was a reader at The Improbable Places Poetry Tour in Beverly, MA.

To My Sister on the Anniversary of Her Death from Covid by Margaret Dornaus

To My Sister on the Anniversary
of Her Death from Covid

It’s been two years, and there are
those who still ask me to believe
you’re in a better place. Or
that we all are now that all is
said and done. Now that life is
back to normal, or at least
back to a semblance of the life
we once knew. Remember
how you liked to say you were

our mother? How you’d take us all
on weekend outings to bowling
alleys and drive-ins. The larger than
life images of good and evil projected
on a big screen. How we’d watch
Kong battling Godzilla, wide-eyed,
sure of nothing more than our own story.
The way summer nights embraced us,
the way starshine followed us home.

*

Margaret Dornaus holds an MFA in the translation of poetry from the University of Arkansas. A semifinalist in Naugatuck River Review’s 13th annual Narrative Poetry Contest, she had the privilege of editing and publishing a pandemic-themed anthology—behind the mask: haiku in the time of Covid-19—through her small literary press Singing Moon in 2020. Her first book of poetry, Prayer for the Dead: Collected Haibun & Tanka Prose, won a 2017 Merit Book Award from the Haiku Society of America. Recent poems appear or are forthcoming in I-70 Review, MacQueen’s Quinterly, Minyan Magazine, MockingHeart Review, ONE ART, Silver Birch Press, and The Ekphrastic Review.

Three Poems by Clint Margrave

My Colleague Dies during Covid

The email says that they don’t have
any other contact information for her,
that there won’t be a funeral,
that there’s no address to send flowers.

“I wonder if anyone has a photo to help
us put a face with the name,” somebody
writes in the thread.

But what is a face in an age of masks?
What is a name?

*

A Poem Is a Grave

marked by words.

You have to dig deep
to find its bones.

You have to bury
yourself in it.

*

Destroy Unread

I heard that the famous novelist
wrote this on one of his notebooks
before he died.

I guess it’s only natural
to want to sanction the narrative of your life
after you’ve gone,
especially if you’re a writer.

When my father died,
he left no instructions
for a literary executor,
much less for a grieving son.

*

Clint Margrave is the author of the novel Lying Bastard (Run Amok Books, 2020), and the poetry collections, Salute the Wreckage, The Early Death of Men, and Visitor (Forthcoming) all from NYQ Books. His work has appeared in The Threepenny Review, Rattle, and The Moth, among others.

A Poet’s Mother Dies from Covid by Le Hinton

A Poet’s Mother Dies from Covid

No one inherits eloquent words nor leases the brilliance
of a perfect sonnet transcribed onto parchment in blue ink.

I speak no language that elevates each syllable so that every
word will be remembered alongside the dead.

It is a myth that poets possess inexhaustible grace
and passion, or feel more deeply than other human bodies.

There is no hidden box, dovetailed jointed, stained and polished,
that holds the perfect magic of metaphor and meter.

There is only a man standing mute over granite,
only a boy who misses his mom.

*

Le Hinton is the author of six poetry collections including, most recently, Sing Silence (Iris G. Press, 2018). His work can be found or is forthcoming in The Best American Poetry 2014, The Progressive Magazine, the Skinny Poetry Journal, The Baltimore Review, The Pittsburgh Review, and outside Clipper Magazine Stadium in Lancaster, Pennsylvania.