AI, Basic Income, and the Buddhist Agenda by Katherine Riegel

AI, Basic Income, and the Buddhist Agenda

I’m too old to learn a new way of earning,
to navigate bleak wastelands where artificial
intelligence makes glaciers calve with a great
violence and splash. The waters are rising and soon

everyone will be selling to everyone else 24/7
and who will have time to read
anything? Even to myself, I sound like doom

in a sandwich board ringing a bell in the town square
and I’m not proud of that, nor of the weakness
that keeps me from leaving every comfort I know

to live by the sun’s schedule and grow my own
food—corn, beans, and squash, the sacred trio
indigenous people knew well before my ancestors came
with their grim monoculture. The strands of my hungers

tangle and clash and I do get it, the temptation
to walk away and leave the oven on a timer, something
else in charge, since we’ve burned dinner so many times

the house smells of ash and surrender. I want more
than I should and definitely more gentleness for everyone:
grasses bending in the wind on a bluff overlooking
the sea, salt air scouring the darkness from our lungs,

no hint of our words scooped up and repurposed
by some inscrutable code. I want to believe
myself worthy, that none of us have to earn the right

to be, that wherever we existed before we were born here
we belonged so completely we had no doubt
this world would open its lush arms to us.

*

Katherine Riegel’s lyric memoir, Our Bodies Are Mostly Water, is forthcoming from Cornerstone Press in 2025. She is also the author of Love Songs from the End of the World (Main Street Rag), the chapbook Letters to Colin Firth (Sundress), and two more books of poetry. Her work has appeared in Brevity, Catamaran, One, Orion and elsewhere. She is managing editor of Sweet Lit and teaches online classes in poetry and cnf. Find her at katherineriegel.com.

BUDDHIST FIRE-EATER by Susan Michele Coronel

BUDDHIST FIRE-EATER

Each time she strikes a match, she tilts her head
back, imagines she is entering a Coke bottle’s

glass neck, swallowing the last threads of sulfur
before its saw-toothed cap snaps on.

After she seals her lips around the head
of torch, she exhales with ease

to release the flames of attachment
she has been holding her entire life.

A siren of gratitude widens its range.
What is empty cannot be destroyed.

*

Susan Michele Coronel lives in New York City. She has a B.A. in English from Indiana University-Bloomington and M.S.Ed. in Applied Linguistics from the City University of New York. Her poems have been published in or are forthcoming in publications including The Night Heron Barks, Prometheus Dreaming, Amethyst Review, Hoxie Gorge Review, TAB Journal, Ekphrastic Review, and Passengers Journal.